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Dispatches (Vintage International) - Softcover

Herr, Michael

 
9780679735250: Dispatches (Vintage International)
Softcover
ISBN 10: 0679735259 ISBN 13: 9780679735250
Verlag: Knopf Doubleday Publishing Group, 1991

Inhaltsangabe

"The best book to have been written about the Vietnam War" (The New York Times Book Review); an instant classic straight from the front lines.

From its terrifying opening pages to its final eloquent words, Dispatches makes us see, in unforgettable and unflinching detail, the chaos and fervor of the war and the surreal insanity of life in that singular combat zone. Michael Herr’s unsparing, unorthodox retellings of the day-to-day events in Vietnam take on the force of poetry, rendering clarity from one of the most incomprehensible and nightmarish events of our time.

Dispatches is among the most blistering and compassionate accounts of war in our literature.

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Über die Autorin bzw. den Autor

Michael Herr was a novelist and war correspondent. Born in Lexington, Kentucky in 1940, he began reporting from Vietnam for Esquire in the 1960s, during the height of the war. He later chronicled those experiences in his memoir, Dispatches. He is the author of three other books, The Big Room, Walter Winchell, and Kubrick, and coauthor of the screenplays for Apocalypse Now and Full Metal Jacket. He died in 2016.

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"He seems to have brought to this book the ear of a musician and the eye of a painter . . . the premier war correspondence of Vietnam."--Washington Post. "The best book I have ever read on men and war in our time."--John le Carre." . . . Dispatches puts the rest of us in the shade."--Hunter S. Thompson.

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Breathing In

There was a map of Vietnam on the wall of my apartment in Saigon and some nights, coming back late to the city, I’d lie out on my bed and look at it, too tired to do anything more than just get my boots off. That map was a marvel, especially now that it wasn’t real anymore. For one thing, it was very old. It had been left there years before by another tenant, probably a Frenchman, since the map had been made in Paris. The paper had buckled in its frame after years in the wet Saigon heat, laying a kind of veil over the countries it depicted. Vietnam was divided into its older territories of Tonkin, Annam and Cochin China, and to the west past Laos and Cambodge sat Siam, a kingdom. That’s old, I’d tell visitors, that’s a really old map.
 
If dead ground could come back and haunt you the way dead people do, they’d have been able to mark my map CURRENT and burn the ones they’d been using since ‘64, but count on it, nothing like that was going to happen. It was late ‘67 now, even the most detailed maps didn’t reveal much anymore; reading them was like trying to read the faces of the Vietnamese, and that was like trying to read the wind. We knew that the uses of most information were flexible, different pieces of ground told different stories to different people. We also knew that for years now there had been no country here but the war.
 
The Mission was always telling us about VC units being engaged and wiped out and then reappearing a month later in full strength, there was nothing very spooky about that, but when we went up against his terrain we usually took it defini­tively, and even if we didn’t keep it you could always see that we’d at least been there. At the end of my first week in-country I met an information officer in the headquarters of the 25th Division at Cu Chi who showed me on his map and then from his chopper what they’d done to the Ho Bo Woods, the vanished Ho Bo Woods, taken off by giant Rome plows and chemicals and long, slow fire, wasting hundreds of acres of cultivated plantation and wild forest alike, “denying the enemy valuable resources and cover.”
 
It had been part of his fob for nearly a year now to tell people about that operation; correspondents, touring congressmen, movie stars, corporation presidents, staff officers from half the armies in the world, and he still couldn’t get over it. It seemed to be keeping him young, his enthusiasm made you feel that even the letters he wrote home to his wife were full of it, it really showed what you could do if you had the know-how and the hardware. And if in the months following that operation incidences of enemy activity in the larger area of War Zone C had increased “significantly,” and American losses had doubled and then doubled again, none of it was happening in any damn Ho Bo Woods, you’d better believe it. . . .


I

Going out at night the medics gave you pills, Dexedrine breath like dead snakes kept too long in a jar. I never saw the need for them myself, a little contact or anything that even sounded like contact would give me more speed than I could bear. Whenever I heard something outside of our clenched little circle I’d practically flip, hoping to God that I wasn’t the only one who’d noticed it. A couple of rounds fired off in the dark a kilometer away and the Elephant would be there kneeling on my chest, sending me down into my boots for a breath. Once I thought I saw a light moving in the jungle and I caught myself just under a whisper saying, “I’m not ready for this, I’m not ready for this.” That’s when I decided to drop it and do something else with my nights. And I wasn’t going out like the night ambushers did, or the Lurps, long-range recon patrollers who did it night after night for weeks and months, creeping up on VC base camps or around mov­ing columns of North Vietnamese. I was living too close to my bones as it was, all I had to do was accept it. Anyway, I’d save the pills for later, for Saigon and the awful depressions I always had there.
 
I knew one 4th Division Lurp who took his pills by the fistful, downs from the left pocket of his tiger suit and ups from the right, one to cut the trail for him and the other to send him down it. He told me that they cooled things out just right for him, that he could see that old jungle at night like he was looking at it through a starlight scope. “They sure give you the range,” he said.
 
This was his third tour. In 1965 he’d been the only survivor in a platoon of the Cav wiped out going into the la Drang Valley. In ‘66 he’d come back with the Special Forces and one morning after an ambush he’d hidden under the bodies of his team while the VC walked all around them with knives, making sure. They stripped the bodies of their gear, the berets too, and finally went away, laughing. After that, there was nothing left for him in the war except the Lurps.
 
“I just can’t hack it back in the World,” he said. He told me that after he’d come back home the last time he would sit in his room all day, and sometimes he’d stick a hunting rifle out the window, leading people and cars as they passed his house until the only feeling he was aware of was all up in the tip of that one finger. “It used to put my folks real uptight,” he said. But he put people uptight here too, even here.
 
“No man, I’m sorry, he’s just too crazy for me,” one of the men in his team said. “All’s you got to do is look in his eyes, that’s the whole fucking story right there.”
 
“Yeah, but you better do it quick,” someone else said. “I mean, you don’t want to let him catch you at it.”
 
But he always seemed to be watching for it, I think he slept with his eyes open, and I was afraid of him anyway. All I ever managed was one quick look in, and that was like looking at the floor of an ocean. He wore a gold earring and a headband torn from a piece of camouflage parachute material, and since nobody was about to tell him to get his hair cut it fell below his shoulders, covering a thick purple scar. Even at division he never went anywhere without at least a .45 and a knife, and he thought I was a freak because I wouldn’t carry a weapon.
 
“Didn’t you ever meet a reporter before?” I asked him.
 
“Tits on a bull,” he said. “Nothing personal.”
 
But what a story he told me, as one-pointed and resonant as any war story I ever heard, it took me a year to understand it:
 
“Patrol went up the mountain. One man came back. He died before he could tell us what happened.”
 
I waited for the rest, but it seemed not to be that kind of story; when I asked him what had happened he just looked like he felt sorry for me, fucked if he’d waste time telling stories to anyone dumb as I was.
 
His face was all painted up for night walking now like a bad hallucination, not like the painted faces I’d seen in San Francisco only a few weeks before, the other extreme of the same theater. In the coming hours he’d stand as faceless and quiet in the jungle as a fallen tree, and God help his opposite numbers unless they had at least half a squad along, he was a good killer, one of our best. The rest of his team were gathered outside the tent, set a little apart from the other division units, with its own Lurp-designated latrine and its own exclusive freeze-dry rations, three-star war food, the...

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Verlag
Knopf Doubleday Publishing Group
Erscheinungsdatum
1991
Sprache
Englisch
ISBN 10 
0679735259
ISBN 13 
9780679735250
Einband
Taschenbuch
Anzahl der Seiten
272
Kontakt zum Hersteller
Nicht verfügbar
Verantwortliche Person
Libri GmbH
gpsr@libri.de

Europaallee 1
Bad Hersfeld
Hessen
Deutschland