Examines the previously unexplored artistic and personal relationships that existed between pairs of Impressionist artists, re-creating the colorful, turbulent, and aesthetic world in which they lived, loved, and worked. 25,000 first printing. BOMC Alt. Tour.
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Barbara Ehrlich White is an adjunct professor of art history at Tufts University. She is the author of Renoir: His Life, Art, and Letters (1984) and the editor of the anthology Impressionists in Perspective (1978). A well-known lecturer, she also wrote an Emmy-winning PBS film on Renoir (1973). She and her husband live near Boston.
Barbara Ehrlich White is Adjunct Professor of Art History at Tufts University.
aordinary volume, art historian Barbara Ehrlich White considers the achievements of the Impressionists from an entirely fresh perspective. She focuses on the personal and professional relationships between seven pairs of artists: Degas and Manet, Monet and Renoir, Cézanne and Pissaro, Manet and Morisot, Cassatt and Degas, Morisot and Renoir, and Cassatt and Renoir. Looking at the work of each pair, she finds, in their treatment of identical subjects and in their portraits of each other, a new illumination of their art and lives...how they relied on each other for comradeship, support, inspiration, ideas, and techniques...how they were bound by the ties of friendship...and how, at times, these same associations could include envy, antagonism, and even deep dislike.
To tell this story Barbara Ehrlich White has assembled hundreds of illustrations, scores of which are reproduced here in full color for the first time. All the canv
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