The poetry of Peter Davison, of which this is the ninth volume, covers a broad range of subject matter. Musical and supple, with rewards for the eye, the ear, and the mind, concerned as much with country as with city matters, Davison's poems move past personality. They open questions of identity, explorations of the natural world, personal and religious conflict, and the mysterious workings of memory. His poetry, such as the long poem "The Great Ledge," is especially moving and powerful when read aloud.
This volume, combining Davison's most recent work with all the earlier poems he wishes to preserve, reveals a poet in his late middle age writing out of the midst of a life both active and contemplative, yet given over to poetry. He is a worthy heir to the passionate poetic tradition of Thomas Hardy and Robert Frost.
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Schooled in Colorado and at Harvard and Cambridge Universities and long a resident of Boston, Peter Davison-is known as one of the foremost poetry editors, especially in his work for Houghton Mifflin Company and The Atlantic Monthly. In addition to the explorations in his nine books of poetry, he has recorded his memoirs in Half Remembered: A Personal History and in The Fading Smile: Poets in Boston, 1955-1960, from Robert Frost to Robert Lowell to Sylvia Plath.
f Peter Davison, of which this is the ninth volume, covers a broad range of subject matter. Musical and supple, with rewards for the eye, the ear, and the mind, concerned as much with country as with city matters, Davison's poems move past personality. They open questions of identity, explorations of the natural world, personal and religious conflict, and the mysterious workings of memory. His poetry, such as the long poem "The Great Ledge," is especially moving and powerful when read aloud.<br><br>Though Davison is perhaps most widely known as an editor of poetry, his poems are neither academic nor exclusive. John Hall Wheelock wrote, after Davison's earliest book won the Yale Series of Younger Poets Award in 1963, "With Peter Davison, feeling has come back into poetry." May Swenson, reviewing his second book, said: "There is a savage self-revelation and deep understanding of the hearts and minds of others." Alfred Kazin spoke of "the bone-sharp integrity of D
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