Inheritance - Hardcover

Ganesan, Indira

 
9780679434429: Inheritance
Hardcover
ISBN 10: 0679434429 ISBN 13: 9780679434429
Verlag: Alfred a Knopf Inc, 1998

Inhaltsangabe

In her first novel since her debut with The Journey, Indira Ganesan gives us the story of Sonil, who at fifteen has come to her adored grandmother's house on a paradisaical island off the coast of India ("a tiny eye, to the teardrop that was Sri Lanka") to mend her shaky health. She has been living on the mainland with her aunts, to whom she was sent by her mother when she was a baby, and she yearns to find out why she was exiled and where her American father might be.
Little by little, her spirits revive, and we see Sonil begin to move out of the magical world of her grandmother's compound into the wider life of the island, until she finds the perfect escape from her mother's reflection in a passionate affair with a young American. It is through her feelings for him that she begins to discover the means to forgive her mother and to look to herself for the answers she will need in the coming years.

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Über die Autorinnen und Autoren

Indira Ganesan is on the faculty of the English Department at Southampton College on Long Island, and is a 1997-98 Bunting Fellow at Radcliffe College.

Indira Ganesan was born in Srirangam, India, and moved to the United States when she was in grammar school. She graduated from Vassar College and received an M.F.A. from the Iowa Writers' Workshop. She is on the faculty of the English Department at Southampton College on Long Island, and is a 1997-98 Bunting Fellow at Radcliffe College. Her first novel was <i>The Journey,</i> and she was a Granta Best Young American Novelist Award finalist.

Aus dem Klappentext

novel since her debut with <i>The Journey,</i> Indira Ganesan gives us the story of Sonil, who at fifteen has come to her adored grandmother's house on a paradisiacal island off the coast of India ("a tiny eye, to the teardrop that was Sri Lanka") to mend her shaky health. She has been living on the mainland with her aunts, to whom she was sent by her mother when she was a baby, and she yearns to find out why she was exiled and where her American father might be.<br><br>On the island, she spends her time studying Italian with her absentminded uncle . . . talking about boys and clothes with her favorite cousin, Jani . . . spying on her mysteriously distant mother. The gorgeous surroundings--the mango trees, the flowers, the heat, the monkeys--awaken her senses, and ours too, as she settles in for a seemingly endless summer.<br><br>Little by little, her spirits revive, and we see Sonil begin to move out of the magical world of her grandmother's compound into the wider life o

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One

My mother awoke in the holy hour before dawn, rumple-eyed and irritable. From the branches of the coral jasmine tree, a night-flowering wonder, small orange-centered blossoms fell to the ground in slow rhythms outside her window. She let a comb creep through her hair, with her fingertips touched sandalwood oil to her throat, between her breasts, her eyes closed in dreams. Perhaps she thought of marrying again. My mother wore a sari of pale yellow, and I imagined she felt she could write a novel then and there. Didn't she have forty-six years of life to tell?

But in came my grandmother, scattering my mother's thoughts away, shuffling on feet that had turned as hard as stone. Trumpeting words like an elephant, she asked my mother, "Have you brushed your teeth yet? Do you want your coffee now?" My mother, caught in her dreams, caught with her hand on her breast, nodded yes. The house was awake. The maids began to wash the dishes from the night before, and the cook yelled at them while cutting vegetables. The orange vendors and tomato sellers were already at the doorstep, calling out their wares. In the midst of this morning chaos, it was my mother who was labeled the maddest. She was the strange one, the daughter gone wrong, the bad woman who refused to go to temple, who needed her own mother to fetch her morning coffee, who would not wear widow-white. "Why should I wear white if I still have fifty years more of my life to live?" she had asked when her first husband died, refusing to look at my grandmother's face.

I imagined my mother in the mornings like this, imagined her thoughts, her longings. She did not speak to me. When I was six, and arrived at my grandmother's house on the island of Pi, dusty and yet presentable after a sultry train and boat journey from India, only my grandmother and Great-uncle Raj were at the table set for the midday meal. Even before I saw her bold-patterned sari and unbound hair, I knew my mother was watching me, suspicious, from a corner. For days we edged past each other. She spoke no words to me.

When I turned fifteen, I came to my grandmother's house for a long stay, this time to rest, to get over a dragging spell of bronchitis. I had been given four months leave from my pre-university. My life was filled with so much illness that I had become a kind of heroine for my younger cousins. ("This is Sonil," they told their friends. "She gets a lot of diseases.") There were hardly two days apart when I was not sick. It was when the huskiness in my voice was lifting, and my chest no longer ached as if a tiger were walking about inside, that my grandmother suggested I spend the summer months at her home, away from the infected cities.

"The island air is so good--she'll recover well," wrote my grandmother to my guardian aunts in Madras.

"And Lakshmi, what about Lakshmi? Has she recovered as well?" whispered my aunts on the phone.

Lakshmi: that name had been whispered, lingered over in soft tones in my undetected presence for years. My mother, Lakshmi, who hadn't seen me in nine years. Only from the merest shreds of conversation had I gathered bits of my mother's story. They would not tell me the whole truth, so I became an eavesdropper, not knowing they shielded me from whatever harm could be imparted in words. It would be unthinkable, they said, to live with my mother. Only bad would come of it, they thought. What are they afraid of? Would she spit at me, scream at me, shake me as enraged madwomen do in the movies? Or was it simply the association they feared, that her strange ways would rub off on me, the way certain flowers left gold dust on my fingers? But despite the protests, my grandmother, who can wear a face as strong as any god's, had her way.

So I went to Pi, to spend a summer full of change and wonder. It was a summer of attuned perceptions, a turnover, a prelude to adulthood; even now, I have not fully recovered from it. It was a summer of awakening. My grandmother's house was different from my home in Madras. Here, I could walk under the mango trees in a place that lacked only a waterfall to make it a kind of paradise. In the mornings, tiny parrots, blazes of red and green, rushed into the skies that were brighter than any in Madras. The trees were full of monkeys, bright fruit stuffed into their mouths. I could make a telescope out of my hands and see their glittery old-man eyes.

Since she wouldn't speak to me, I spied on my mother, wanting to learn the facts, the truths to tie a kind of monkey-knot to her, a knot that could not be undone. I wanted to know about the circumstances before and after my birth. They had said my arrival was not graceful.

They wouldn't let my mother in the kitchen, I observed, to ward off the evil that must surround her, to keep it away from the most holy place in the house. She would take her coffee outside to the brick steps near the pots of roses. She would snap off a deep red bud to adorn herself, having no patience to wait for the lame girl who sold stringed jasmine wound with sage to wear in one's hair. My mother, from her perch, and I, from mine, kept abreast of the flirtations between the cook's daughter and the driver, noting the way he casually brushed by the daughter's perfumed arms before my great-uncle rushed out for his morning drive. They didn't worry about my mother's gaze, so inconsequential was she.

My mother was infuriating. She refused to eat with the rest of us, making Grandmother set an extra plate for her after we'd eaten, before she, my grandmother, could eat. My grandmother insisted on serving all of us, Mother included, before she herself ate. This I did not think was nice of my mother, to delay my grandmother's dinner. But maybe my grandmother enjoyed the conversation with my mother, for the two of them often spoke together for two hours, one for my mother's dining, one for my grandmother's. Their voices were only murmurs, hard for me to hear.

Maybe my mother ran away from me because there was a gene in our family that caused people to run and hide. Our family was shy, excepting my mother, and even she might be shy, for wouldn't that have caused her to flee from me, her third daughter? For she did run away, run away from the American, my father, and leave me to my aunts.

My mother had three daughters. Her first she presented to a husband who wanted a son; she tried to fix things by choosing a name that could pass for masculine: Ramani. After her husband died, taking his secrets to the fire, several trendy college girls began to invite my mother, lovely at twenty-one, to their lawn parties. At one party, a rich boy, coolly dressed after the fashion dictated by his affected English accent, a filmmaker's son, promised to marry my mother. Whether she believed him or not, surely she was seduced by his voice, which ran like warm champagne. She named his child after Savitri, the most dutiful of wives in Hindu legend, a woman whose footsteps followed her husband's even after his death. My mother didn't trail after the filmmaker's boy, though. She met an American expatriate, a photographer who came to Pi to capture on film the faces of wise seers and shy, mysterious women. The village women say she asked him to sleep with her, and he accepted, and she gave birth to me.

They named me Sonil, a name with no definite roots. When I was younger, I used to make up stories regarding my father's death and my mother's grief, but they brought me nowhere. My parents remained as distant as any in a thousand tales from folklore. Why did she want a third daughter? What caused her need to be full of another baby? Why did she send him away? Perhaps my mother had always wanted to raise a troop of strong highway-bandit queens by herself, and perhaps she was prevented. She would have been a good robber rani herself, a brave...

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Verlag
Alfred a Knopf Inc
Erscheinungsdatum
1998
Sprache
Englisch
ISBN 10 
0679434429
ISBN 13 
9780679434429
Einband
Gebundene Ausgabe
Anzahl der Seiten
193
Kontakt zum Hersteller
Nicht verfügbar
Verantwortliche Person
Nicht verfügbar

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