"Zurückhaltend, schüchtern, unfehlbar modern, Ashbery ist so unorthodox [wie] jeder der großen Schöpfer des 20. Jahrhunderts: Breton, Strawinsky, Picasso", beobachtete Jeremy Reed in Britain's Poetry Review. "Wir sind privilegiert, zu einer Zeit da zu sein, in der er schreibt. Flussdiagramm, ein Gedicht in Buchlänge, das erstmals 1991 erschien, könnte Ashberys größte Schöpfung sein: ein atemberaubender und üppiger "Flut der Erfindung, der einem epischen Gedicht so nahe kommt, wie unsere postmoderne, nichtlineare, dekonstruierte Sensibilitäten es zulassen.
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Ashbery's latest torrent of invention--a book-length meditation-cum-narrative whose true subject may be the process of its own unfolding--comes as close to an epic poem as our postmodern, nonlinear, deconstructed sensibilities will allow. Smoothly and deceptively cast in the syntax of discourse and persuasion, the poem forges on in hot pursuit of the unknowable, challenging us to keep up while simultaneously forcing us to reexamine what we've just read. "We are both part of a living thing now," the poet writes, and to read is to become implicated in the living process of the poem. "The force/ of meaning never extrudes," and Ashbery's sense of play and illusion confounds the scrawny powers of logic. Antecedents are untraceable, created and lost at the moment we are aware of their departures. Flow Chart gives us Ashbery at his most robust and determined.
- Fred Muratori, Cornell Univ. Lib.
Copyright 1991 Reed Business Information, Inc.
Ashbery invents and reinvents his self in this book-length stream-of-consciousness poem. In manically articulate free verse of long, supple lines, he conjures a secular landscape dotted with shadows of ancient gods, wherein he ferrets out "signs of life in the land of waiting." Bathos sets the mood: Alvin and the Chipmunks, Osiris, Mercury and Argus share common ground. Everyday reality is transmuted by imagination, wish, memory, and by the poet's romantic dialogues with an unnamed significant other. Is the universe a big joke, or is there meaning, perhaps even an organizing principle, behind it? Are free will and predestination reconcilable? How does one move beyond "a lifetime of self-loathing and shallow interests"? Ashbery ( Some Trees ) weaves a haunted, haunting music around these and other big questions, squeezing joy, ennui, despair, hope and a thirst for belonging out of ordinary experience.
Copyright 1991 Reed Business Information, Inc.
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Anbieter: Better World Books, Mishawaka, IN, USA
Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Artikel-Nr. 11590951-75
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Anbieter: Second Story Books, ABAA, Rockville, MD, USA
Hardcover. First Edition, First Printing. Square Octavo, 216 pages. In Very Good minus condition with a Very Good minus dust jacket. Spine red with white lettering. Dust jacket protected with mylar covering, price uncut: "$20.00". Slight age toning to edges of dust jacket and edges of boards. Minor foxing to edges of text block. Signed by Ashbery on title page. Shelved Case 0. 1399843. Shelved Dupont Bookstore. Artikel-Nr. 1399843
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