Unlike traditional Japanese literature, which has a rich tradition of comedy, modern Japanese literature is commonly associated with a high seriousness of purpose. In this path-breaking study, Joel R. Cohn analyzes works by three writers—Ibuse Masuji (1898-1993), Dazai Osamu (1909-1948), and Inoue Hisashi (1934- )—whose works constitute a relentless assault on the notion that comedy cannot be part of serious literature.
Cohn focuses on thematic, structural, and stylistic elements in the works of these writers to show that modern Japanese comedic literature is a product of a particular set of historical, social, and cultural experiences. Cohn finds that cultural and social forces in modern Japan have led to the creation of comic literature that tends to deflect attention away from a human other and turn in on itself in different forms.
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Joel R. Cohn is Associate Professor of Japanese at the University of Hawai'i at Mānoa.
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Zustand: New. Modern Japanese literature is commonly associated with high seriousness of purpose. In this study, Joel R. Cohn analyzes works by three writers whose works constitute an assault on the notion that comedy cannot be part of serious literature. Series: Harvard-Yenching Institute Monograph Series. Num Pages: 250 pages. BIC Classification: 2GJ; DSBH; DSK. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 235 x 158 x 23. Weight in Grams: 520. . 1998. Hardcover. . . . . Books ship from the US and Ireland. Artikel-Nr. V9780674847118
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Gebunden. Zustand: New. Unlike traditional Japanese literature, with its rich tradition of comedy, modern Japanese literature is commonly associated with high seriousness. Cohn analyzes works by three writers-Ibuse Masuji (1898-1993), Dazai Osamu (1909-1948), and Inoue Hisashi (19. Artikel-Nr. 594877206
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Buch. Zustand: Neu. Neuware - Unlike traditional Japanese literature, which has a rich tradition of comedy, modern Japanese literature is commonly associated with a high seriousness of purpose. In this path-breaking study, Joel R. Cohn analyzes works by three writers--Ibuse Masuji (1898-1993), Dazai Osamu (1909-1948), and Inoue Hisashi (1934- )--whose works constitute a relentless assault on the notion that comedy cannot be part of serious literature. Cohn focuses on thematic, structural, and stylistic elements in the works of these writers to show that modern Japanese comedic literature is a product of a particular set of historical, social, and cultural experiences. Cohn finds that cultural and social forces in modern Japan have led to the creation of comic literature that tends to deflect attention away from a human other and turn in on itself in different forms. Artikel-Nr. 9780674847118
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