In this groundbreaking study, Anton Bierl uses recent approaches in literary and cultural studies to investigate the chorus of Old Comedy. After an extensive theoretical introduction that also serves as a general introduction to the dramatic chorus from the comic vantage point, a close reading of Aristophanes' Thesmophoriazusae shows that ritual is indeed present in both the micro- and macrostructure of Attic comedy, not as a fossilized remnant of the origins of the genre but as part of a still existing performative choral culture. The chorus members do play a role within the dramatic plot, but they simultaneously refer to their own performance in the here and now and to their function as participants in a ritual. Bierl's investigation also includes an unparalleled treatment of the phallic songs preserved by Semos.
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Anton Bierl is Professor of Greek Philology at the University of Basel.
Alexander Hollmann is Assistant Professor of the Classics at the University of Washington.
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Zustand: New. Presents a study investigating the chorus of Old Comedy. This book offers a general introduction to the dramatic chorus from the comic vantage point. It includes a close reading of Aristophanes' "Thesmophoriazusae", which shows that ritual is indeed present in both the micro- and macrostructure of Attic comedy. Translator(s): Hollmann, Alexander. Series: Hellenic Studies Series. Num Pages: 530 pages, black & white illustrations. BIC Classification: 2AHA; DSBB. Category: (P) Professional & Vocational. Dimension: 229 x 140 x 22. Weight in Grams: 562. . 2010. New and REV Englis ed. Paperback. . . . . Books ship from the US and Ireland. Artikel-Nr. V9780674023734
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Taschenbuch. Zustand: Neu. Neuware - In this groundbreaking study, Anton Bierl uses recent approaches in literary and cultural studies to investigate the chorus of Old Comedy. After an extensive theoretical introduction that also serves as a general introduction to the dramatic chorus from the comic vantage point, a close reading of Aristophanes' 'Thesmophoriazusae' shows that ritual is indeed present in both the micro- and macrostructure of Attic comedy, not as a fossilized remnant of the origins of the genre but as part of a still existing performative choral culture. The chorus members do play a role within the dramatic plot, but they simultaneously refer to their own performance in the here and now and to their function as participants in a ritual. Bierl's investigation also includes an unparalleled treatment of the phallic songs preserved by Semos. Artikel-Nr. 9780674023734
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