The Secret Life of Puppets - Softcover

Nelson plots an illuminating journey through a carnival funhouse...Unlike many similar, wide-ranging culture studies, Nelson's book arrives with no agenda, blaming no one; instead, she offers a learned, exciting ride through a phantasmagoric landscape filled with dark mysteries. Publishers Weekly 20011202 From Harry Potter and Lord of the Rings, A. I., and X-Files, to the genre grotesqueries of Child's Play and The Puppet Master, so much of our popular storytelling concerns forces and phenomena our culture firmly insists aren't real and cannot exist...In a dizzying and fascinating alternate history scored with subterranean connections, Nelson presents alchemists, Platonists, Gnostics and magi in their own terms and contexts...In this rich work of erudite charms, Nelson convincingly argues that the cultural pendulum is swinging back to the platonic side. But because our rigid scientific materialism doesn't allow us to take any of this seriously, we are left with mostly unconscious expressions that overemphasize the sensational and horrific dark side, with a little sentimental New Age nod to the latent good. -- William S. Kowinski San Francisco Chronicle 20020126 In the opening chapter, Victoria Nelson issues a caveat that deliberately echoes the warnings that preface tales of horror. Do not expect to emerge unchanged. To read this book is akin to entering an ancient grotto, the ante-chamber of the otherworld. Since the Enlightenment, says Nelson,, Western culture has dismissed the supernatural as mere superstition and displaced these religious impulses into popular entertainments such as fantasy and science fiction. The emergence of new grottos such as cyberspace are signs that we are entering a new era of sensibility, in which the Platonic and Aristotelian world view can coexist. As a diagnosis of the role of the supernatural in modern secular society, this is a work of extraordinary originality, erudition and flair. Read it and be transformed. -- Fiona Capp The Age 20020316 Freud theorized that modern civilization (the one in which he lived, anyway) repressed our sexual instincts. In her provocative new book, The Secret Life of Puppets, Victoria Nelson contends that modern civilization has repressed our spiritual instincts. And these, she argues, like all repressed instincts, have come back to surprise us in strange new forms. -- Merle Rubin Christian Science Monitor 20020314 Translating ancient thought systems into contemporary terms, finding equivalents of the old in the new, Nelson skillfully manages to thrust the sphere of academic research headlong into popular culture, making this both accessible and erudite...In a dizzying journey that opens with a Renaissance grotto and concludes with The Truman Show and virtual reality, we are taken on a rollercoaster ride through the underside of western mysticism. As Nelson herself warns the reader, when crawling out from the "hole of this book", whatever emerges "will not be the same as what went in." -- Aura Satz Financial Times 20020223 This is no ordinary work of intellectual history...This is New Age prophecy at its most verbally sexy and literarily savvy. It is fun, enticing, and chockfull of brilliance. -- Laura Bass Washington Times 20020414 Some books are fated and feted for cult status. They have a particular feel and fervency about them. The Secret Life of Puppets by Victoria Nelson, a writer on writing...seems like one of those uncanny, unclassifiable books that break the mould and promise to have a market appeal across disciplines and hobbies, among sober seekers after enlightenment as well as cranks...Nelson's breathtaking jaunt through the underground of Western culture is certainly illuminating and sometimes intoxicating...Expertly researched, forcefully written, magnificently produced, The Secret Life of Puppets is a haunting, highly charged book that leaves a strong after-image of worlds within worlds. -- William Keenan Journal of Contemporary Religion 20030101 The Secret Life of Puppets explores the hauntings, possessions, and other uncanny phenomena proliferating in literature and entertainment (and by no means only on the margins); she argues strongly, through vivid and original readings of H. P. Lovecraft, Edgar Allan Poe and many artifacts in a variety of media, for a new approach to the uses of fantasy and to the relationship between material and immaterial phenomena. -- Marina Warner Times Literary Supplement 20021206 In a remarkable scholarly book, The Secret Life of Puppets, Victoria Nelson argues that our sense of the supernatural and yearning for immortality has been displaced from religion to such expressions of popular culture as superheroes, robots and cyborgs. -- Francisco Goldman New York Times Magazine 20041128

In one of those rare books that allows us to see the world not as we've never seen it before, but as we see it daily without knowing, Victoria Nelson illuminates the deep but hidden attraction the supernatural still holds for a secular mainstream culture that forced the transcendental underground and firmly displaced wonder and awe with the forces of reason, materialism, and science. In a backward look at an era now drawing to a close, The Secret Life of Puppets describes a curious reversal in the roles of art and religion: where art and literature once took their content from religion, we came increasingly to seek religion, covertly, through art and entertainment. In a tour of Western culture that is at once exhilarating and alarming, Nelson shows us the distorted forms in which the spiritual resurfaced in high art but also, strikingly, in the mass culture of puppets, horror-fantasy literature, and cyborgs: from the works of Kleist, Poe, Musil, and Lovecraft to Philip K. Dick and virtual reality simulations. At the end of the millennium, discarding a convention of the demonized grotesque that endured three hundred years, a Demiurgic consciousness shaped in Late Antiquity is emerging anew to re-divinize the human as artists like Lars von Trier and Will Self reinvent Expressionism in forms familiar to our pre-Reformation ancestors. Here as never before, we see how pervasively but unwittingly, consuming art forms of the fantastic, we allow ourselves to believe.