For too long, readers throughout the Federation have been exposed to The Tragedy of Khamlet, Son of the Emperor of Qo'nos, that classic work of Klingon™ literature, only through inadequate and misleading English translations. Now at last, thanks to the tireless efforts of the Klingon Language Institute, this powerful drama by the legendary Klingon playwright, Wil'yam Shex'pir, can be appreciated in the elegance and glory of its original tongue.
This invaluable volume contains the complete text of the play, along with an English translation for easy consultation and comparison. In addition, an incisive introduction explains the play's crucial importance in Klingon culture, while copious notes illustrate how the debased English version diverges from the original, often distorting and even reversing the actual meaning of the verses.
Khamlet, the Restored Klingon Version, is a work that belongs in the library of every human who hopes truly to understand what it means to be Klingon.
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The Klingon Language Institute is a nonprofit organization with the mission of providing a forum for individuals interested in Klingon linguistics to learn and exchange ideas.
"You have not experienced Shakespeare, until you have read him in the original Klingon". Thus speaks Chancellor Gorkon, in the film Star Trek "RM" VI: The Undiscovered Country "TM". For some viewers the line produced hearty chuckles and knowing nods. Among others it served as inspiration....
-- from the Foreword
For too long, readers throughout the Federation have been exposed to The Tragedy of Khamlet, Son of the Emperor of Qo'nos, that classic work of Klingon "TM" literature, only through inadequate and misleading English translations. Now at last, thanks to the tireless efforts of the Klingon Language Institute, this powerful drama by the legendary Klingon playwright, Wil'yam Shex'pir, can be appreciated in the elegance and glory of its original tongue.
This invaluable volume contains the complete text of the play, along with an English translation for easy consultation and comparison. In addition, an incisive introduction explains the play's crucial importance in Klingon culture, while copious notes illustrate how the debased English version diverges from the original, often distorting and even reversing the actual meaning of the verses.
Khamlet, the Restored Klingon Version, is a work that belongs in the library of every human who hopes truly to understand what it means to be Klingon.
HAMLET,
Prince of Denmark
DRAMATIS PERSONAE
CLAUDIUS, King of Denmark
HAMLET, son to the late, and nephew to the present King
POLONIUS, Lord Chamberlain
HORATIO, friend to Hamlet
LAERTES, son to Polonius
VOLTIMAND
CORNELIUS
ROSENCRANTZ
GUILDENSTERN
OSRIC
A Gentleman
A Priest
MARCELLUS
BERNARDO
FRANCISCO, a soldier
REYNALDO, servant to Polonius
Five Players
Two Clowns, grave-diggers
FORTINBRAS, prince of Norway
A Captain
English Ambassadors
A Lord
A Soldier
Two Messengers
A Servant to Horatio
Danes
Ghost of Hamlet's Father
GERTRUDE, queen of Denmark, and mother to Hamlet
OPHELIA, daughter to Polonius
Non-Speaking: Lords, Ladies, Officers, Soldiers, Sailors, and other Attendants
SCENE: Denmark.
ACT I
SCENE I Elsinore. A platform before the castle.
[FRANCISCO at his post. Enter to him BERNARDO]
Bernardo: Who's there?
Francisco: Nay, answer me: stand, and unfold yourself.
Bernardo: Long live the king!
Francisco: Bernardo?
Bernardo: He.
Francisco: You come most carefully upon your hour.
Bernardo: 'Tis now struck twelve; get thee to bed, Francisco.
Francisco: For this relief much thanks: 'tis bitter cold,
And I am sick at heart.
Bernardo: Have you had quiet guard?
Francisco: Not a mouse stirring.
Bernardo: Well, good night.
If you do meet Horatio and Marcellus,
The rivals of my watch, bid them make haste.
Francisco: I think I hear them. Stand, ho! Who is there?
[Enter HORATIO and MARCELLUS]
Horatio: Friends to this ground.
Marcellus: And liegemen to the Dane.
Francisco: Give you good night.
Marcellus: O, farewell, honest soldier:
Who hath reliev'd you?
Francisco: Bernardo has my place.
Give you good night.
[Exit]
Marcellus: Holla! Bernardo!
Bernardo: Say,
What, is Horatio there?
Horatio: A piece of him.
Bernardo: Welcome, Horatio -- welcome, good Marcellus.
Marcellus: What, has this thing appear'd again to-night?
Bernardo: I have seen nothing.
Marcellus: Horatio says 'tis but our fantasy,
And will not let belief take hold of him
Touching this dreaded sight, twice seen of us:
Therefore I have entreated him along
With us to watch the minutes of this night;
That if again this apparition come,
He may approve our eyes and speak to it.
Horatio: Tush, tush, 'twill not appear.
Bernardo: Sit down awhile;
And let us once again assail your ears,
That are so fortified against our story
What we have two nights seen.
Horatio: Well, sit we down,
And let us hear Bernardo speak of this.
Bernardo: Last night of all,
When yon same star that's westward from the pole
Had made his course to illume that part of heaven
Where now it burns, Marcellus and myself,
The bell then beating one, --
[Enter Ghost]
Marcellus: Peace, break thee off; look, where it comes again!
Bernardo: In the same figure, like the king that's dead.
Marcellus: Thou art a scholar; speak to it, Horatio.
Bernardo: Looks it not like the king? mark it, Horatio.
Horatio: Most like -- it harrows me with fear and wonder.
Bernardo: It would be spoke to.
Marcellus: Question it, Horatio.
Horatio: What art thou, that usurp'st this time of night,
Together with that fair and warlike form
In which the majesty of buried Denmark
Did sometimes march? by heaven I charge thee, speak!
Marcellus: It is offended.
Bernardo: See, it stalks away!
Horatio: Stay! speak, speak! I charge thee, speak!
[Exit Ghost]
Marcellus: 'Tis gone, and will not answer.
Bernardo: How now, Horatio! you tremble and look pale:
Is not this something more than fantasy?
What think you on't?
Horatio: Before my God, I might not this believe
Without the sensible and true avouch
Of mine own eyes.
Marcellus: Is it not like the king?
Horatio: As thou art to thyself:
Such was the very armour he had on
When he the ambitious Norway combated;
So frown'd he once when, in an angry parle,
He smote the sledded Polacks on the ice.
'Tis strange.
Marcellus: Thus twice before, and just at this dead hour,
With martial stalk hath he gone by our watch.
Horatio: In what particular thought to work I know not;
But in the gross and scope of my opinion,
This bodes some strange eruption to our state.
Marcellus: Good now, sit down, and tell me, he that knows,
Why this same strict and most observant watch
So nightly toils the subject of the land;
And why such daily cast of brazen cannon,
And foreign mart for implements of war;
Why such impress of shipwrights, whose sore task
Does not divide the Sunday from the week;
What might be toward, that this sweaty haste
Doth make the night joint-labourer with the day:
Who is't that can inform me?
Horatio: That can I;
At least, the whisper goes so. Our last king,
Whose image even but now appear'd to us,
Was, as you know, by Fortinbras of Norway,
Thereto prick'd on by a most emulate pride,
Dar'd to the combat; in which our valiant Hamlet --
For so this side of our known world esteem'd him --
Did slay this Fortinbras; who, by a seal'd compact,
Well ratified by law and heraldry,
Did forfeit, with his life, all those his lands,
Which he stood seiz'd of, to the conqueror:
Against the which, a moiety competent
Was gaged by our king; which had return'd
To the inheritance of Fortinbras,
Had he been vanquisher; as, by the same cov'nant,
And carriage of the article design'd,
His fell to Hamlet. Now, sir, young Fortinbras,
Of unimproved mettle hot and full,
Hath in the skirts of Norway, here and there,
Shark'd up a list of lawless resolutes,
For food and diet, to some enterprise
That hath a stomach in't: which is no other --
As it doth well appear unto our state --
But to recover of us, by strong hand,
And terms compulsative, those foresaid lands
So by his father lost: and this, I take it,
Is the main motive of our preparations,
The source of this our watch, and the chief head
Of this post-haste and romage in the land.
Bernardo: I think it be no other, but e'en so:
Well may it sort, that this portentous figure
Comes armed through our watch; so like the king
That was and is the question of these wars.
Horatio: A mote it is to trouble the mind's eye.
In the most high and palmy state of Rome,
A little ere the mightiest Julius fell,
The graves stood tenantless, and the sheeted dead
Did squeak and gibber in the Roman streets:
As, stars with trains of fire and dews of blood,
Disasters in the sun; and the moist star,
Upon whose influence Neptune's empire stands,
Was sick almost to doomsday with eclipse:
And even the like precurse of...
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