Richard Paul Evans' #1 New York Times bestseller The Christmas Box has become a holiday classic, a tale so touching that it continues to "tug families' heartstrings" (USA Today). His exquisite prequel, Timepiece, and The Letter completed the glorious trilogy of the Parkin family. Now all three magical stories are compiled in one extraordinary treasury that -reaches into that place where all broken hearts will forever be made whole" (The Star, Chicago).
The Christmas Box
A Christmas story unlike any other, The Christmas Box is the poignant tale of a widow and the young family who moves in with her. Together, they discover the first gift of Christmas -- and what the holiday is really all about.
Timepiece
Tracing the lives of a young couple as they discover love, loyalty, and the power of forgiveness, Timepiece is a tale of wisdom and of hope -- and a gentle reminder that the connections from one generation to the next are indelible.
The Letter
A mysterious letter is found at the grave of a couple's only child in this unforgettable conclusion to the collection. As they face love's greatest challenge, they find its truest meaning and learn the lessons that are echoed throughout.
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Richard Paul Evans is the #1 New York Times and USA TODAY bestselling author of more than forty novels. There are currently more than thirty-five million copies of his books in print worldwide, translated into more than twenty-four languages. Richard is the recipient of numerous awards, including two first place Storytelling World Awards, the Romantic Times Best Women’s Novel of the Year Award, and is a five-time recipient of the Religion Communicators Council’s Wilbur Awards. Seven of Richard’s books have been produced as television movies. His first feature film, The Noel Diary, starring Justin Hartley (This Is Us) and acclaimed film director, Charles Shyer (Private Benjamin, Father of the Bride), will debut in 2022. In 2011 Richard began writing Michael Vey, a #1 New York Times bestselling young adult series which has won more than a dozen awards. Richard is the founder of The Christmas Box International, an organization devoted to maintaining emergency children’s shelters and providing services and resources for abused, neglected, or homeless children and young adults. To date, more than 125,000 youths have been helped by the charity. For his humanitarian work, Richard has received the Washington Times Humanitarian of the Century Award and the Volunteers of America National Empathy Award. Richard lives in Salt Lake City, Utah, with his wife, Keri, and their five children and two grandchildren. You can learn more about Richard on his website RichardPaulEvans.com.
Chapter One of The Christmas Box: The Widow's Mansion
It may be that I am growing old in this world and have used up more than my share of allotted words and eager audiences. Or maybe I am just growing weary of a skeptical age that pokes and prods at my story much the same as a middle-school biology student pokes and prods through an anesthetized frog to determine what makes it live, leaving the poor creature dead in the end. Whatever the reason, I find that with each passing Christmas the story of the Christmas Box is told less and needed more. So I record it now for all future generations to accept or dismiss as seems them good. As for me, I believe. And it is, after all, my story.
My romantic friends, those who believe in Santa Claus in particular, have speculated that the ornamented brown Christmas Box was fashioned by Saint Nick himself from the trunk of the very first Christmas tree, brought in from the cold December snows so many seasons ago. Others believe that it was skillfully carved and polished from the hard and splintered wood from whose rough surface the Lord of Christmas had demonstrated the ultimate love for mankind. My wife, Keri, maintains that the magic of the box had nothing to do with its physical elements, but all to do with the contents that were hidden beneath its brass, holly-shaped hinges and silver clasps. Whatever the truth about the origin of the box's magic, it is the emptiness of the box that I will treasure most, and the memory of the Christmas season when the Christmas Box found me.
I was born and raised in the shadow of the snow-clad Wasatch range on the east bench of the Salt Lake Valley. Just two months before my fourteenth birthday my father lost his job, and with promise of employment, we sold our home and migrated to the warmer, and more prosperous, climate of Southern California. There, with great disappointment, I came to expect a green Christmas almost as religiously as the local retailers. With the exception of one fleeting moment of glory as the lead in the school musical, my teenage years were uneventful and significant only to myself. Upon graduation from high school, I enrolled in college to learn the ways of business, and in the process learned the ways of life; met, courted, and married a fully matriculated, brown-eyed design student named Keri, who, not fifteen months from the ceremony, gave birth to a seven-pound-two-ounce daughter whom we named Jenna.
Neither Keri nor I ever cared much for the crowds of the big city, so when a few weeks before graduation we were informed of a business opportunity in my hometown, we jumped at the chance to return to the thin air and white winters of home. We had expended all but a small portion of our savings in the new venture and, as the new business's initial returns, albeit promising, were far from abundant, we learned the ways of thrift and frugality. In matters financial, Keri became expert at making much from little, so we rarely felt the extent of our deprivation. Except in the realm of lodging. The three of us needed more space than our cramped, one-bedroom apartment afforded. The baby's crib, which economics necessitated the use of in spite of the fact that our baby was now nearly four, barely fit in our bedroom, leaving less than an inch between it and our bed, which was already pushed up tightly against the far wall. The kitchen was no better, cluttered with Jenna's toy box, Keri's sewing hutch, and stacked cardboard boxes containing cases of canned foods. We joked that Keri could make clothing and dinner at the same time without ever leaving her seat. The topic of overcrowding had reached fever pitch in our household just seven weeks before Christmas and such was the frenzied state of our minds when the tale of the Christmas Box really began, at the breakfast table in our little apartment, over eggs over-easy, toast, and orange juice.
"Look at this," Keri said, handing me the classifieds:
Elderly lady with large Avenues home seeks live-in couple for meal preparation, light housekeeping, and yard care. Private quarters. Holidays off. Children/infants welcome. 445-3989. Mrs. Parkin
I looked up from the paper.
"What do you think?" she asked. "It's in the Avenues, so it has to be large. It's close to the shop and it really wouldn't be that much extra trouble for me. Whats one extra person to cook and wash for?" she asked rhetorically. She reached over and took a bite of my toast. "You're usually gone in the evenings anyhow."
I leaned back in contemplation.
"It sounds all right," I said cautiously. "Of course, you never know what you might be getting into. My brother Mark lived in this old man's basement apartment. He used to wake Mark up in the middle of the night screaming at a wife who had been dead for nearly twenty years. Scared Mark to death. In the end he practically fled the place."
A look of disbelief spread across Keri's face.
"Well, it does say private quarters," I conceded.
"Anyway, with winter coming on, our heating bill is going to go through the roof in this drafty place and I don't know where the extra money will come from. This way we might actually put some money aside," Keri reasoned.
It was pointless to argue with such logic, not that I cared to. I, like Keri, would gladly welcome any change that would afford us relief from the cramped and cold quarters where we were presently residing. A few moments later Keri called to see if the apartment was still vacant and upon learning that it was, set up an appointment to meet with the owner that evening. I managed to leave work early and, following the directions given to Keri by a man at the house, we made our way through the gaily lit downtown business district and to the tree-lined streets leading up the foothills of the Avenues.
The Parkin home was a resplendent, red-block Victorian mansion with ornate cream-and-raspbeny wood trim and dark green shingles. On the west side of the home, a rounded bay window supported a second-story veranda balcony that overlooked the front yard. The balcony, like the main floor porch, ran the length of the exterior upheld by large, ornately lathed beams and a decorative, gold-leafed frieze. The wood was freshly painted and well kept. A sturdy brick chimney rose from the center of the home amid wood and wrought-iron spires that shot up decorously. Intricate latticework gingerbreaded the base of the house, hidden here and there by neatly trimmed evergreen shrubs. A cobblestone driveway wound up the front of the home, encircling a black marble fountain that lay iced over and surrounded by a snow-covered retaining wall.
I parked the car near the front steps, and we climbed the porch to the home's double door entryway. The doors were beautifully carved and inlaid with panes of glass etched with intricate floral patterns. I rang the bell and a man answered.
"Hello, you must be the Evanses."
"We are," I confirmed.
"MaryAnne is expecting you. Please come in."
We passed in through the entry, then through a second set of doors of equal magnificence leading into the home's marbled foyer. I have found that old homes usually have an olfactory presence to them, and though not often pleasant, unmistakenly distinct. This home was no exception, though the scent was a tolerably pleasant combination of cinnamon and kerosene. We walked down a wide corridor with frosted walls. Kerosene sconces, now wired for electric lights, dotted the walls and cast dramatic lighting the length of the hall.
"MaryAnne is in the back parlor," the man said.
The parlor lay at the end of the corridor, entered through an elaborate cherry-wood door casing. As we entered the room, an attractive silver-haired woman greeted us from behind a round marble-topped rosewood table. Her attire mimicked the elaborate, rococo decor that surrounded...
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