The Last Dance (87th Precinct) - Softcover

Über die Autorin bzw. den Autor

Ed McBain, a recipient of the Mystery Writers of America's coveted Grand Master Award, was also the first American to receive the Diamond Dagger, the British Crime Writers Association's highest award. His books have sold more than one hundred million copies, ranging from the more than fifty titles in the 87th Precinct series (including the Edgar Award-nominated Money, Money, Money) to the bestselling novels written under his own name, Evan Hunter -- including The Blackboard Jungle (now in a 50th anniversary edition from Pocket Books) and Criminal Conversation. Fiddlers, his final 87th Precinct novel, was recently published in hardcover. Writing as both Ed McBain and Evan Hunter, he broke new ground with Candyland, a novel in two parts. He also wrote the screenplay for Alfred Hitchcock's The Birds. He died in 2005.

Visit www.edmcbain.com.

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Chapter One

"He had heart trouble," the woman was telling Carella.

Which perhaps accounted for the tiny pinpricks of blood on the dead man's eyeballs. In cases of acute right-heart failure, you often found such hemorrhaging. The grayish-blue feet sticking out from under the edge of the blanket were another matter.

"Told me he hadn't been feeling good these past few days," the woman was saying. "I kept telling him to go see the doctor. Yeah, I'll go, I'll go, don't worry, like that, you know? So I stopped by this morning to see how he was, found him just this way. In bed. Dead."

"So you called the police," Meyer said, nodding.

Because he'd expected to go out on a narcotics plant this morning, he was wearing blue jeans, a sweat shirt, and Reeboks. Instead, he'd caught this one with Carella and here he was. On a fishing expedition with a woman he felt was lying. Burly and bald, he posed his question with wide, blue-eyed innocence, just as if it did not conceal a hand grenade.

"Yes," she said, "I called the police. That was the first thing I did."

"Knew straight off he was dead, is that right?"

"Well...yes. I could see he was dead."

"You didn't take his pulse or anything like that, did you?" Carella asked.

Looking trimmer and fitter than he had in a long while -- he had deliberately lost six pounds since his fortieth birthday -- he was dressed casually this morning in dark blue trousers, a gray corduroy jacket, a plaid sports shirt, and a dark blue knit tie. He had not anticipated this particular squeal at a little past ten in the morning. In fact, he had scheduled a ten-fifteen squadroom interview with a burglary victim. Instead, here he was, talking to a woman he, too, felt was lying.

"No," she said. "Well, yes. Well, not his pulse. But I leaned over him. To see if he was still breathing. But I could see he was dead. I mean...well, look at him."

The dead man was lying on his back, covered with a blanket, his eyes and his mouth open, his tongue protruding. Carella glanced at him again, a faint look of sorrow and pain momentarily knifing his eyes. In these moments, he felt particularly vulnerable, wondering as he often did if he was perhaps unsuited to a job that brought him into frequent contact with death.

"So you called the police," Meyer said again.

"Yes. Told whoever answered the phone..."

"Was this 911 you called? Or the precinct number direct?"

"911. I don't know the precinct number. I don't live around here."

"Told the operator you'd come into your father's apartment and found him dead, is that right?"

"Yes."

"What time was this, Miss?"

"A little after ten this morning. It's Mrs., by the way," she said almost apologetically.

Carella looked at his watch. It was now twenty minutes to eleven. He wondered where the medical examiner was. Couldn't touch anything in here till the ME pronounced the victim dead. He wanted to see the rest of the body. Wanted to see if the legs matched the feet.

"Mrs. Robert Keating," the woman said. "Well, Cynthia Keating, actually."

"And your father's name?" Meyer asked.

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"Andrew. Andrew Hale."

Better to let Meyer stay with it for now, Carella thought. He had noticed the same things Carella had, was equally familiar with the telltale signs of a hanging, which this one resembled a great deal, but you couldn't hang yourself lying flat on your back in bed with no noose around your neck.

"How old was he, can you tell us?"

"Sixty-eight."

"And you say he had heart trouble?"

"Two heart attacks in the past eight years."

"Serious?"

"Oh yes."

"Bypasses?"

"No. Two angioplasties. But his condition was very grave. He almost lost his life each time."

"And he continued having trouble, is that it?"

"Well...no."

"You said he had heart trouble."

"Two serious heart attacks in eight years, yes, that's heart trouble. But he wasn't restricted in his activities or anything."

"Good morning, gentlemen," a voice said from the bedroom doorway. For a moment, the detectives couldn't tell whether the man standing there was Carl Blaney or Paul Blaney. Not very many people knew that Carl Blaney and Paul Blaney were twin brothers. Most of the detectives in this city had spoken to them separately, either on the phone or in person at the morgue, but they assumed the similarity of their surnames and the fact that they both worked for the Medical Examiner's Office were attributable to mere coincidence. As every working cop knew, coincidence was a major factor in police work.

Both Blaneys were five feet, nine inches tall. Paul Blaney weighed a hundred and eighty pounds, whereas his brother Carl weighed a hundred and sixty-five. Carl still had all of his hair. Paul was going a bit bald at the back of his head. Both Paul and Carl had violet eyes, although neither was related to Elizabeth Taylor.

"Carl," the man in the doorway said, clearing up any confusion at once. He was wearing a lightweight topcoat, a plaid muffler draped loose around his neck. He took off the coat and muffler and threw them over a straight-backed chair just inside the bedroom door.

"You are?" he asked Cynthia.

"His daughter," she said.

"I'm sorry for your trouble," he...