She's Come Undone (Oprah's Book Club) - Softcover

Lamb, Wally

 
9780671003753: She's Come Undone (Oprah's Book Club)
Softcover
ISBN 10: 0671003755 ISBN 13: 9780671003753
Verlag: Atria, 1996

Inhaltsangabe

In this New York Times bestselling extraordinary coming-of-age odyssey, Wally Lamb invites us to hitch a wild ride on a journey of love, pain, and renewal with the most heartbreakingly comical heroine to come along in years.

"Mine is a story of craving: an unreliable account of lusts and troubles that began, somehow, in 1956 on the day our free television was delivered...."

Meet Dolores Price. She's thirteen, wise-mouthed but wounded, having bid her childhood goodbye. Beached like a whale in front of her bedroom TV, she spends the next few years nourishing herself with the Mallomars, potato chips, and Pepsi her anxious mother supplies. When she finally rolls into young womanhood at 257 pounds, Dolores is no stronger and life is no kinder. But this time she's determined to rise to the occasion and give herself one more chance before really going belly up.

In this extraordinary coming-of-age odyssey, Wally Lamb invites us to hitch a wild ride on a journey of love, pain, and renewal with the most heartbreakingly comical heroine to come along in years. At once a fragile girl and a hard-edged cynic, so tough to love yet so inimitably lovable, Dolores is as poignantly real as our own imperfections. She's Come Undone includes a promise: you will never forget Dolores Price.

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Über die Autorin bzw. den Autor

Wally Lamb is the author of seven New York Times bestselling novels: The River Is Waiting, I’ll Take You There, We Are Water, Wishin’ and Hopin’, The Hour I First Believed, I Know This Much Is True, and She’s Come Undone. Lamb also edited Couldn’t Keep It to Myself and I’ll Fly Away, two volumes of essays from students in his writing workshop at York Correctional Institution, a women’s prison in Connecticut, where he was a volunteer facilitator for twenty years. Lamb lives in Connecticut with his wife, Christine, and they have three sons.

Auszug. © Genehmigter Nachdruck. Alle Rechte vorbehalten.

1

IN ONE OF MY EARLIEST MEMORIES, MY MOTHER AND I ARE ON the front porch of our rented Carter Avenue house watching two delivery men carry our brand-new television set up the steps. I’m excited because I’ve heard about but never seen television. The men are wearing work clothes the same color as the box they’re hefting between them. Like the crabs at Fisherman’s Cove, they ascend the cement stairs sideways. Here’s the undependable part: my visual memory stubbornly insists that these men are President Eisenhower and Vice President Nixon.

Inside the house, the glass-fronted cube is uncrated and lifted high onto its pedestal. “Careful, now,” my mother says, in spite of herself; she is not the type to tell other people their business, men particularly. We stand watching as the two delivery men do things to the set. Then President Eisenhower says to me, “Okay, girlie, twist this button here.” My mother nods permission and I approach. “Like this,” he says, and I feel, simultaneously, his calloused hand on my hand and, between my fingers, the turning plastic knob, like one of the checkers in my father’s checker set. (Sometimes when my father’s voice gets too loud at my mother, I go out to the parlor and put a checker in my mouth—suck it, passing my tongue over the grooved edge.) Now, I hear and feel the machine snap on. There’s a hissing sound, voices inside the box. “Dolores, look!” my mother says. A star appears at the center of the green glass face. It grows outward and becomes two women at a kitchen table, the owners of the voices. I begin to cry. Who shrank these women? Are they alive? Real? It’s 1956; I’m four years old. This isn’t what I’ve expected. The two men and my mother smile at my fright, delight in it. Or else, they’re sympathetic and consoling. My memory of that day is, like television itself, sharp and clear but unreliable.

We hadn’t bought the set; it was a gift from Mrs. Masicotte, the rich widow who was my father’s boss. My father and Mrs. Masicotte’s relationship had started the previous spring, when she’d hired him to spray-paint several of her huge apartment houses and then wooed him into repainting his own pickup truck in her favorite color, peach, and stenciling the words “Masicotte Properties, General Manager” on the doors. The gift of the television celebrated my father’s decision.

If I reach far back, I can see my father waving to my mother and me and climbing down from his ladder, spray gun in hand, as we arrive with his lunch in our turquoise-and-white car. Daddy reaches the ground and pulls off his face mask. The noise of his chugging orange air compressor is in my throat and legs, the sudden silence when he unplugs it delicious. There are speckles of paint in his hair and ears and eyebrows, but the mask has protected the rest of his face. I look away when his clean mouth talks.

We lunch in the grass. My father eats sandwiches stuffed with smelly foods Ma and I refuse to eat: liverwurst, vinegar peppers, Limburger cheese. He drinks hot coffee right from the thermos and his Adam’s apple moves up and down when he swallows. He talks about “she” in a way that confuses me; “she” is either this half-white house of Mrs. Masicotte’s or the old woman herself.

Old. I’m almost forty, probably as close now to Mrs. Masicotte’s age as I am to the age of my parents as they sat on that lawn, laughing and blowing dandelion puffs at me, smoking their shared Pall Mall cigarettes and thinking Mrs. Masicotte was the answer to their future—that that black-and-white Emerson television set was a gift free and clear of the strings that would begin our family’s unraveling.

Television watching became my habit, my day. “Go out back and play, Dolores. You’ll burn that thing up,” my mother would warn, passing through the parlor. But my palm against the box felt warm, not hot; soothing, not dangerous like the boy across the street who threw rocks. Sometimes I turned the checker knob as far as it would go and let the volume shake my hand.

Ma always stopped her housework for our favorite program, “Queen for a Day.” We sat together on the sofa, my leg hooked around Ma’s, and listened to the women whose children were crippled by polio, whose houses had been struck by lightning and death and divorce. The one with the saddest life, the loudest applause, got to trade her troubles for a velvet cape and roses and modern appliances. I clapped along with the studio audience—longest and hardest for the women who broke down and cried in the middle of their stories. I made my hands sting for these women.

My father’s duties as Mrs. Masicotte’s manager, in addition to painting the outsides and insides of her properties, included answering tenants’ complaints and collecting their monthly rents. The latter he did on the first Saturday of every month, driving from house to house in Mrs. Masicotte’s peach-colored Cadillac. By the time I was a first grader, I was declared old enough to accompany him. My job was to ring tenants’ bells. None seemed happy to see my father and most failed to notice me at all as I peeked past them into their shadowy rooms, inhaling their cooking smells, eavesdropping on their talking TVs.

Mrs. Masicotte was a beer drinker who loved to laugh and dance; the package store was one of our regular Saturday afternoon errands. “Case o’ Rheingold, bottles,” my father would tell the clerk, an old man whose name, Cookie, struck me funny. Cookie always offered me a cellophane-wrapped butterscotch candy and, by virtue of Mrs. Masicotte’s order, a chance to vote for Miss Rheingold at the cardboard ballot box next to his cash register. (Time after time I voted for the same Rheingold girl, whose dark brown hair and red-lipped smile reminded me both of Gisele MacKenzie from “Your Hit Parade” and my own mother, the best looking of the three.)

My father was proud and protective of his own dark good looks. I remember having sometimes to hop around and hold my pee until he was finished with his long grooming behind the pink bathroom door on Carter Avenue. When he emerged, I’d stand on the stool amidst the steam and the aroma of uncapped Old Spice, watching my face wobble and drip in the medicine cabinet mirror. Daddy lifted barbells in the cellar—barefoot, wearing his undershirt and yellow bathing suit. Sometimes he’d strut around the kitchen afterward, popping his muscle at Ma or picking up the toaster to give his reflection a kiss. “You’re not conceited, you’re convinced!” Ma would joke. “Convinced you, all right, didn’t I?” he’d answer, then chase her around the kitchen, snapping the dish towel at her fanny and mine. Ma and I whooped and protested, delighted with his play.

After the television came, Daddy brought his barbells upstairs and exercised in front of his favorite programs. Quiz shows were what he liked: “The $64,000 Question,” “Tic Tac Dough,” “Winner Take All.” Sometimes in the middle of his grunting and thrusting he’d call out the answers to losing players or, if they blew their chances, swear at them. “Well,” he’d tell my mother, “another poor bastard bites the dust, another poor slob gets to stay a working stiff like the rest of us.” He hated returning champions and rooted for their defeat. His contempt for them seemed somehow connected to his ability to lift the weights.

According to my father, we should have been rich. Money was, in his mind, somehow...

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Verlag
Atria
Erscheinungsdatum
1996
Sprache
Englisch
ISBN 10 
0671003755
ISBN 13 
9780671003753
Einband
Taschenbuch
Anzahl der Seiten
512
Kontakt zum Hersteller
Nicht verfügbar
Verantwortliche Person
Simon and Schuster Netherlands BV
info@simonandschuster.nl

Herculesplein 96
Utrecht
3584 AA
Niederlande

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