Having drawn comparisons to Gone with the Wind and Out of Africa, The Fever Tree is a page-turner of the very first order.
In London she was caged by society.
In South Africa, she is dangerously free.
Frances Irvine, left destitute in the wake of her father’s sudden death, has been forced to abandon her life of wealth and privilege in London and emigrate to the Southern Cape of Africa. 1880 South Africa is a country torn apart by greed. In this remote and inhospitable land she becomes entangled with two very different men—one driven by ambition, the other by his ideals. Only when the rumor of a smallpox epidemic takes her into the dark heart of the diamond mines does she see her path to happiness.
But this is a ruthless world of avarice and exploitation, where the spoils of the rich come at a terrible human cost and powerful men will go to any lengths to keep the mines in operation. Removed from civilization and disillusioned by her isolation, Frances must choose between passion and integrity, a decision that has devastating consequences.
The Fever Tree is a compelling portrait of colonial South Africa, its raw beauty and deprivation alive in equal measure. But above all it is a love story about how—just when we need it most—fear can blind us to the truth.
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Jennifer McVeigh graduated from Oxford University in 2002 with a First in English Literature. She went on to work in film, television, radio, and publishing before giving up her day job to write fiction. The Fever Tree is her first novel.Review:
“Debut author Jennifer McVeigh has created a fully realized sensory tour of 19th-century South Africa: You feel the grit of each dust storm, taste the mealie Frances chokes down, hear the cicadas scraping through the heat-parched air along with Frances’ plaintive piano playing. Against this desperate backdrop is an exploration of the vicissitudes of passion, the brutality of imperialism and the diamond trade's deeply racist beginnings. Though the book is a page-turner of the ‘who will she choose?’ variety right until the end, the most fascinating strand of the story is Frances, and her struggles to come to terms with her new ideas about society, marriage, family and love.” —Oprah.com
“Fabulous ... this debut novel displays real power. McVeigh brings alive the diamond mines, the boom-or-bust frenzy created by instant wealth, the hostility between the Dutch-speaking Boers and the new British colonists. It also conveys the arid beauty of the sun-drenched terrain with its spiders, snakes and meerkats. Most of all, McVeigh captures how greed and racism blinded whites to the savage mistreatment of the black Africans being robbed of their land and its wealth. History has rarely been more vividly presented.” —USA Today
“A page-turner to tempt you.” —Good Housekeeping
“Read England's hottest book! The Fever Tree by Jennifer McVeigh is already a bestseller in the UK (Downton Abbey creator Julian Fellows is a fan!) —Woman’s World
“Jennifer McVeigh’s first novel, The Fever Tree, is a lovely one. . . . tremendously appealing . . . a page-turner.” —Associated Press
“McVeigh has imagined a rich and dramatic story.”—The Washington Post
“There is nothing more exciting than a new writer with a genuine voice. I loved it.” —Julian Fellowes, creator of Downton Abbey
“McVeigh’s distinctive first novel is a lush, sweeping take of willful self-deception. . . . [t]he sensory detail and sweep of the novel are exquisite, particularly for a debut.” —Publishers Weekly
“While epic in both geographic and emotional scope, it also does a lovely job of illuminating how easy it is to see everything we lack and how hard it is to see what’s already in front of us. It’s earned comparisons to both Gone with the Wind and Out of Africa.” —Examiner.com
“[A] bewitching tale of loss, betrayal and love.” —Vogue, UK
“Fans of romantic classics such a The Thorn Birds and A Woman of Substance will be thrilled to discover McVeigh.” —San Antonio Express-News
"The Fever Tree is such a tale, a big bralwing book that's reminiscent of an old-time classic. . . . There's much to enjoy in this historical novel that delves into the injustices of diamond mining. . . . The Fever Tree is entertaining, the plot moves along, and is engaging. . . ." —The Missourian
“Forceful and direct, yet surprisingly lyrical, McVeigh’s narrative weaves top-notch research and true passion for the material with a well-conceived plot. . . . Overall, this story’s a gem.” —Kirkus Reviews
"With its cinematic descriptions and compulsively readable plotline, this debut novel may well become a book-club favorite. . . . With its social-justice angle; exotic, ruggedly beautiful location; and universal theme of emotional growth, this will have wide appeal.” —Booklist
“[R]iveting debut . . . McVeigh’s exhaustive research shines through . . . The Fever Tree is an engaging read; its capricious heroine grabs you from the start, urging you to ride out her journey before the morning alarm rings.” —BookPage
“The Fever Tree is vividly written, and moves so fluidly from Victorian drawing rooms to the wild, spare plains and brutal diamond mines of South Africa; place and people come alive in this book.... A gripping story—I found myself thinking of scenes from this book long after I had turned the last page.” —Kim Edwards, New York Times–bestselling author
“I loved it. I found Frances very convincing as a quiet but deep and passionate Victorian Englishwoman making her way in the most unfamiliar and grueling of circumstances in colonial South Africa. Jennifer McVeigh brilliantly evokes her life and times and the vast, unforgiving landscape. It’s a beautifully written novel of great feeling.” —Rachel Hore, bestselling author of The Place of Secrets and A Gathering Storm
“Jennifer McVeigh writes with perception and grace. This is an epic story of love, deception, and courage, and a young woman’s journey of self-discovery in a country of spectacular beauty.” —Patricia Wastvedt, author of The German Boy
“I whizzed through it and the writing was flawless and I was in awe of the breadth and scope. It is a rattling good read.” —Suzannah Dunn, author of The Confession of Katherine Howard and The Sixth Wife
“A world of red dust plains, pioneering grit, and the cruelty of colonial greed. Vividly described and supremely well-paced, this is an unforgettable journey into a heart of darkness.” —Deborah Lawrenson, author of The Lantern
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