This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Die Inhaltsangabe kann sich auf eine andere Ausgabe dieses Titels beziehen.
Samuel Richardson (1689-1761) was born in Derbyshire, the son of a joiner. He received little formal education and in 1706 was apprenticed to a printer in London. Thirteen years later he set himself up as a stationer and printer and became of the leading figures in the trade. He printed political material, newspapers and literature. He began writing Pamela as a result of a suggestion from friends that he should compile a book of model letters for use by unskilled writers. Pamela was a great success and went on to write Clarissa, one of the masterpieces of European literature.
Angus Ross is Emeritus Professor of English at the University of Sussex. He writes on eighteenth-century and other literature and has edited Swift as well as a number of anthologies.
Epistolary novel by Samuel Richardson, published in 1747-48. Richardson first presents the heroine, Clarissa Harlowe, when she is discovering the barely masked motives of her family, who want to force her into a loveless marriage to improve their fortunes. When Lovelace, a romantic who holds the code of the Harlowes in contempt, offers her protection, she runs off with him. She is physically attracted by if not actually in love with Lovelace, but she is to discover that he wants her only on his own terms and she refuses to marry him. In Lovelace's letters to his friend Belford, Richardson shows that what is driving him to conquest and finally to rape is really revenge for her family's insults and his sense of Clarissa's moral superiority. For Clarissa, however, accepting marriage as a convenience is no better than accepting the opportunistic moral code of her family. As the novel comes to its long-drawn-out close, she is removed from the world of both the Harlowes and the Lovelaces, and she dies true to herself to the end. -- The Merriam-Webster Encylopedia of Literature
„Über diesen Titel“ kann sich auf eine andere Ausgabe dieses Titels beziehen.
Buchbeschreibung Viking, 1985. 1st edition.. Imitation cloth, dj, VG/VG. 1534pp, fore edges a little foxed, dustjacket very slightly edge worn. Richardsons huge epistolatry novel [ so large as he printed & published his own works as weekely serials - the longer they ran, the more he made ] on the love life & worries of a young maiden. 1800 grams. Artikel-Nr. 48063