For the first time, this collection brings together a selection of philosophically challenging interpretations of Kierkegaard's thought in a coherent critique of his own philosophy.
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Jonathan Rée is lecturer in Philosophy at Middlesex University.
Jane Chamberlain is attached to the Centre for Research in Modern European Philosophy at Middlesex University.
Soren Kierkegaard – the prodigious Danish author who published dozens of genre-bending works of fiction, theology, philosophy and personal confession before his death in 1855 at the age of forty-two – would appear to be changing. Hitherto he has been interpreted either as a grim preacher of doom or as a precursor of ‘existentialism’. But at the end of the twentieth century he is beginning to emerge as a fundamental philosophical theorist and a scintillating theoretical stylist – on of the greatest figures of modern European thought, and perhaps a proto-postmodern to rival Nietzsche and Heidegger both in theme and significance.
Beginning with an editorial introduction outlining the contradictory history of Kierkegaard’s reputation, this Critical Reader brings together a range of essays – some previously published – which together paint a vivid picture of the new Kierkegaard.
Contributors include Paul Ricoeur, Emmanuel Levinas, Wilhelm Anz, David Wood, Joakim Garff, George Steiner, Gabriel Josipovici, Syviane Agacinski and Jacque
Derrida.
Soren Kierkegaard – the prodigious Danish author who published dozens of genre-bending works of fiction, theology, philosophy and personal confession before his death in 1855 at the age of forty-two – would appear to be changing. Hitherto he has been interpreted either as a grim preacher of doom or as a precursor of ‘existentialism’. But at the end of the twentieth century he is beginning to emerge as a fundamental philosophical theorist and a scintillating theoretical stylist – on of the greatest figures of modern European thought, and perhaps a proto-postmodern to rival Nietzsche and Heidegger both in theme and significance.
Beginning with an editorial introduction outlining the contradictory history of Kierkegaard’s reputation, this Critical Reader brings together a range of essays – some previously published – which together paint a vivid picture of the new Kierkegaard.
Contributors include Paul Ricoeur, Emmanuel Levinas, Wilhelm Anz, David Wood, Joakim Garff, George Steiner, Gabriel Josipovici, Syviane Agacinski and Jacque
Derrida.
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