This book looks at the ways in which prime ministers manage and fail to manage their public communication.
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Colin Seymour-Ure has been researching and writing about political communication and mass media since the 1960s. He is Emeritus Professor of Government and former Dean of Social Sciences at the University of Kent, Canterbury. His publications include The British Press and Broadcasting since 1945 (Blackwell Publishing, second edition 1996) and a biography of the cartoonist David Low (1985). He is a Council member of the Hansard Society, and he used to chair the Independent Television Commission’s committee responsible for advising on advertising rules.
Issues of power and control – the endless efforts of political leaders to be understood as they would like – lie at the core of this revealing new study. At a time when media saturate politics, how – and how successfully – can prime ministers manage their public communication? Sometimes they dominate media, like Tony Blair in the late 1990s; at others they are victims, like John Major before him.
After examining what the job of prime minister demands of its holders in the way of public communication, and what resources are available, the book goes on to trace the growth of the Downing Street press office from inconspicuous beginnings to contentious prominence. But many factors affecting a prime minister’s public image are not open to direct control: the book explores a contrasting selection of these, including political rumours, political places (the nature of a ‘capital city’), political cartoons (a range of which is reproduced in the book) and media barons. The focus is on contemporary and there are frequent international comparisons, especially with the USA.
Issues of power and control – the endless efforts of political leaders to be understood as they would like – lie at the core of this revealing new study. At a time when media saturate politics, how – and how successfully – can prime ministers manage their public communication? Sometimes they dominate media, like Tony Blair in the late 1990s; at others they are victims, like John Major before him.
After examining what the job of prime minister demands of its holders in the way of public communication, and what resources are available, the book goes on to trace the growth of the Downing Street press office from inconspicuous beginnings to contentious prominence. But many factors affecting a prime minister’s public image are not open to direct control: the book explores a contrasting selection of these, including political rumours, political places (the nature of a ‘capital city’), political cartoons (a range of which is reproduced in the book) and media barons. The focus is on contemporary and there are frequent international comparisons, especially with the USA.
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