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Three Guineas (Shakespeare Head Press Edition of Virginia Woolf) - Hardcover

Woolf, Virginia

 
9780631177241: Three Guineas (Shakespeare Head Press Edition of Virginia Woolf)

Inhaltsangabe

This prestigious new edition of the most controversial of Woolf's works includes an illuminating introduction and full annotations by the editor.

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Über die Autorin bzw. den Autor

Naomi Black, Professor Emerita of Political Science and Women's Studies at York University, Toronto, is the author of Social Feminism and Feminist Politics on the Farm (with Gail Cuthbert Brandt) as well as articles on Virginia Woolf, feminism and the women's movement.

Von der hinteren Coverseite

The highly controversial Three Guineas was Virginia Woolf's most explicit statement of her feminism. Forming part of the prestigious Shakespeare Head Press series of Woolf's works, this authoritative new edition includes her carefully considered selection of photographs, her discursive endnotes and extensive new annotations of her references and allusions.

In an illuminating introduction, editor Naomi Black guides the reader through this allusive, highly artful book, discussing its structure and argument and tracing the history of its composition and critical reception. She analyses the text as a representation of Woolf's feminism, including the way in which the book's form subverts male conventions of scholarship. All variants and emendations are listed, but the text itself is free of interventions.

Aus dem Klappentext

The highly controversial Three Guineas was Virginia Woolf's most explicit statement of her feminism. Forming part of the prestigious Shakespeare Head Press series of Woolf's works, this authoritative new edition includes her carefully considered selection of photographs, her discursive endnotes and extensive new annotations of her references and allusions.

In an illuminating introduction, editor Naomi Black guides the reader through this allusive, highly artful book, discussing its structure and argument and tracing the history of its composition and critical reception. She analyses the text as a representation of Woolf's feminism, including the way in which the book's form subverts male conventions of scholarship. All variants and emendations are listed, but the text itself is free of interventions.

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