SOME TOWNS ARE MORE HAUNTED THAN OTHERS...
An irresistible and bittersweet coming-of-age story in the vein of Stranger Things and Stand by Me about a group of misfit kids who spend an unforgettable summer investigating local ghost stories and urban legends
"A celebration of the secret lives of children, both their wonders and their horrors . . . Immensely enjoyable, piercingly clever, and satisfyingly soulful." -Jason Heller, NPR
Growing up in 1980s Niagara Falls - a seedy but magical, slightly haunted place - Jake Baker spends most of his time with his uncle Calvin, a kind but eccentric enthusiast of occult artifacts and conspiracy theories. The summer Jake turns twelve, he befriends a pair of siblings new to town, and so Calvin decides to initiate them all into the "Saturday Night Ghost Club." But as the summer goes on, what begins as a seemingly light-hearted project may ultimately uncover more than any of its members had imagined. With the alternating warmth and sadness of the best coming-of-age stories, The Saturday Night Ghost Club is a note-perfect novel that poignantly examines the haunting mutability of memory and storytelling, as well as the experiences that form the people we become, and establishes Craig Davidson as a remarkable literary talent.
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Craig Davidson has published five other books of literary fiction: Rust and Bone, which was made into a Golden Globe–nominated feature film, The Fighter, Sarah Court, the Scotiabank Giller Prize–nominated Cataract City, and Cascade. Davidson is a graduate of the Iowa Writers’ Workshop, and his articles and journalism have been published in Esquire, GQ, and The Washington Post, among other places. He lives in Toronto, Canada, with his partner and their child. He also publishes bestselling horror fiction under the pseudonym Nick Cutter.
1.
MONSTERS
Most people believe the human brain is solid. They imagine a loaf of bread soaked in gelatin: you can hack off quivering slices, same as you would with a Jell-O mold at a family picnic. But the truth is, the brain's texture is more like toothpaste. Brain matter will squeeze through a keyhole. In cases of severe cranial swelling, surgeons use a drill-I prefer the RA-II, a Korean model: 30,000 rpm, with silicone handgrips for comfort-to bore into the skull. If the swelling cannot be stopped, the living brain will project from the hole in an inverted funnel. This is called a "coning," and it marks an end.
Most people also believe the brain is gray. Its cells are called gray matter, after all, and isn't that how the organ looks in horror flicks: a slaty walnut floating in a jar of formaldehyde in some mad scientist's lab? But a sheathed brain is bracingly pink. The tissue only turns gray once the cerebrospinal sac has been perforated, once the air hits it. When a brain cones, the tissue changes color; traceries of ash thread through that bubblegum pink as a million thoughts flicker and die.
People think neurosurgeons cut into brains with a scalpel. Another myth. How can you carve toothpaste? An infant's brain matter is even less substantial than an adult's, like pancake batter. I operate with a sucker wand, a tool that is exactly as it sounds. As I investigate the runnels of a patient's brain, it grips me that something unforgivingly solid-my wand-is moving through something ephemeral, dreamlike: a patient's memories. Though I work carefully and with a keen knowledge of the cerebral topography, my wand remains a beast blundering through fields of budding shoots. If I trample something critical, the patient may awaken lacking a vital memory. That one where they gazed into the sky as a child wondering how a star might taste, settling on breathtaking wintergreen. The smell of their newborn daughter's scalp, or that haunting tingle on their lips following their first kiss.
I navigate the storerooms of a patient's consciousness, passing memories in their golden vaults, my wand clumsily bayoneting-it often seems-the pink jelly that holds everything the patient is or will ever be. Hard as I try not to disturb the furniture, things happen. I am forced to accept these tragic outcomes for the same reason that the patients on my table must accept their own lot: we are only human, a condition of perpetual uncertainty and failure.
The brain is the seat of memory, and memory is a tricky thing. At base level, memories are stories-and sometimes these stories we tell allow us to carry on. Sometimes stories are the best we can hope for. They help us to simply get by, while deeper levels of our consciousness slap bandages on wounds that hold the power to wreck us. So we tell ourselves that the people we love closed their eyes and slipped painlessly away from us. That our personal failures are the product of external forces rather than unfixable weaknesses. That we were too damn good for the rat-assed bastards who jilted us, anyway. Tell yourself these stories long enough and you will discover they have a magical way of becoming facts.
But a secret can be hidden from everyone save its holder, and the brain is not only a storyteller, it is a truth-seeking organ. If the stories we tell are no more than an overlay, the equivalent of six feet of caliche covering a pool of toxic sludge, something's bound to bubble up, right? And the most awful truths will do so in the darkest hours of night, when we're most vulnerable.
If you bury those secrets so deep that you forget they ever happened, okay, maybe you've beat the devil. But the truth is a bloodhound. That's something I can tell you with certainty. The truth is that abandoned dog following you over sea and land, baying from barren clifftops, never tiring and never quitting, forever pining after you-and the day will come when that dog is on your porch, scratching insistently at your door, forcing you to claim it once again.
i.
As a boy, I believed in monsters.
I was convinced that if I said "Bloody Mary" in front of a mirror, a hideous witch-woman would reach through the glass with nails sharp as splinters. I considered it a fact that the Devil lingered at shadowy crossroads and went to dance halls in disguise, where he'd ask the prettiest girl to dance and reel her across the floor while spectators stood terror-stricken at the sight of the Devil's goatish shanks, until the girl fainted dead away and the Unclean One vanished in a puff of brimstone.
There was no falsehood I wouldn't swallow, no quilt of lies you couldn't drape over my all-too-gullible shoulders. But for a boy like me-chubby, freckled, awkward; growing up in a city where the erection of a new Kmart occasioned our mayor to announce, "This marks a wondrous new chapter in our town's history"-imagination was my greatest asset. Not to mention my defense against a foe worse than the most fearsome monster: loneliness.
My ally against that foe was my uncle Calvin. If I told him there was a bottomless pit in my basement, he'd say, "Tell me, Jake, is the air denser around the mouth of the pit than in other areas of the basement?" Cocking an eyebrow: "Do ominous growling sounds emanate from this pit of yours?"
Uncle C was the ideal nursemaid for my paranoid fantasies. His knowledge of urban legends and folklore was encyclopedic-with the added bonus that he seemed to consider most of it true.
"Hey," he'd say, "did you know there are crocodiles living in the sewers of our fair city? The poor suckers get smuggled up from Florida by dumb tourists. Sure, they're cute as a bug's ear when they're six inches long. But when they grow up and get nippy? Ba-whooosh, down the porcelain mistake eraser. They get fat 'n' sassy down there in the pipes, where there's plenty to eat if you're not choosy. Every year a couple of sanitation department workers get gobbled up by sewer crocs. The press bottles it up, unscrupulous snakes that they are, but it's a fact you can set your watch to."
Uncle C would fiddle with the beads of his bracelet-each an ornate pewter Cthulhu head, mouths and eye sockets sprouting tentacles-and offer a wistful sigh. "And that, Jake, is why owning a pet is a big responsibility."
Once, when I was six or seven, I became convinced a monster lived in my closet. I told my dad, who did what 99 percent of adults do when their child makes this claim: he flung my closet door open, rattled coat hangers and shoved shoeboxes aside, making a Broadway production of it. "See? No monsters, Jake."
But monsters make themselves scarce when adults are around, only to slither back after dark. Every kid knew this to be an unshakable fact.
Uncle C arrived for dinner that night, as usual-Mom invited him every Sunday. He got an inkling of my worry as I sat picking at my Salisbury steak.
"What's the matter, hombre?"
"We have an unwanted visitor in a closet, apparently," Mom informed him.
"But we've established that there's no monster," my father said. "Right, buddy?"
"Ah," said Uncle C. "I have some expertise in this area. Sam, with your permission?"
Mom turned to my father and said, "Sam," in the tone of voice you'd use to calm a jittery horse.
"Of course, Cal, as you like," my father said.
My uncle pedaled home to his house, returning ten minutes later with a toolbox. Once we were in my bedroom he motioned to the closet. "I take it this is its lair?"
I nodded.
"Closets are a favorite haunt of monsters," my uncle explained. "Most are harmless, even good-tempered, if they have enough dust bunnies and cobwebs to eat. Do you clean your closet?"
I assured him that it was hardly ever tidied unless my mother forced the chore on me.
"Good, let them...
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Taschenbuch. Zustand: Neu. Neuware - SOME TOWNS ARE MORE HAUNTED THAN OTHERS.An irresistible and bittersweet coming-of-age story in the vein of Stranger Things and Stand by Me about a group of misfit kids who spend an unforgettable summer investigating local ghost stories and urban legends'Acelebration of the secret lives of children, both their wonders and their horrors . . .Immensely enjoyable, piercingly clever, and satisfyingly soulful.' -Jason Heller, NPRGrowing up in 1980s Niagara Falls - a seedy but magical, slightly haunted place - Jake Baker spends most of his time with his uncle Calvin, a kind but eccentric enthusiast of occult artifacts and conspiracy theories. The summer Jake turns twelve, he befriends a pair of siblings new to town, and so Calvin decides to initiate them all into the 'Saturday Night Ghost Club.' But as the summer goes on, what begins as a seemingly light-hearted project may ultimately uncover more than any of its members had imagined. With the alternating warmth and sadness of the best coming-of-age stories, The Saturday Night Ghost Club is a note-perfect novel that poignantly examines the haunting mutability of memory and storytelling, as well as the experiences that form the people we become, and establishes Craig Davidson as a remarkable literary talent. Artikel-Nr. 9780593512968
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