The aunties are back, fiercer than ever and ready to handle any catastrophe—even the mafia—in this delightful and hilarious sequel by Jesse Q. Sutanto, author of Dial A for Aunties.
Meddy Chan has been to countless weddings, but she never imagined how her own would turn out. Now the day has arrived, and she can't wait to marry her college sweetheart, Nathan. Instead of having Ma and the aunts cater to her wedding, Meddy wants them to enjoy the day as guests. As a compromise, they find the perfect wedding vendors: a Chinese-Indonesian family-run company just like theirs. Meddy is hesitant at first, but she hits it off right away with the wedding photographer, Staphanie, who reminds Meddy of herself, down to the unfortunately misspelled name.
Meddy realizes that is where their similarities end, however, when she overhears Staphanie talking about taking out a target. Horrified, Meddy can’t believe Staphanie and her family aren’t just like her own, they are The Family—actual mafia, and they're using Meddy's wedding as a chance to conduct shady business. Her aunties and mother won’t let Meddy’s wedding ceremony become a murder scene—over their dead bodies—and will do whatever it takes to save her special day, even if it means taking on the mafia.
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Jesse Q. Sutanto grew up shuttling back and forth between Indonesia, Singapore, and Oxford, and considers all three places her home. She has a Masters from Oxford University, but she has yet to figure out how to say that without sounding obnoxious. Jesse has forty-two first cousins and thirty aunties and uncles, many of whom live just down the road. When she's not writing, she's gaming with her husband (mostly first-person shooters), or making a mess in the kitchen with her two daughters.
1
I try not to breathe as the last corset hook is yanked into place. "Ow, that's digging into my rib cage."
Yenyen huffs a breath through his teeth and gives one last vicious tug, which forces a squeak out of me. "In the past, brides would break their ribs to fit into their wedding dresses," he says, and it strikes me that he's not saying it in a horrified tone, but rather a wistful one, which is somewhat worrying. "How do you feel?"
I risk breathing again, and to my surprise, despite the torturous time I had getting stuffed into the dress, once I'm in, it's actually-dare I say it-comfortable. What sort of black magic is this? I could've sworn I would hardly be able to take even the tiniest sip of air. I blink at him in surprise. "I can breathe in it."
I can't quite see his eyes behind the round, purple-tinted sunglasses, but I'm pretty sure I hear them roll.
"Aduuuh, of course you can breathe in it, silly. Yenyen's creations aren't just beautiful, they're also build for maximum comfort."
I can't help but smile at him. Yenyen has a tendency to refer to himself in third person, which should sound mildly deranged but actually comes off as somewhat endearing. His real name is Yenzhen, but nobody is allowed to call him that. Within the Chinese tradition, it's common to have phonetically repeated names as a pet name, and as Yenyen says, he's everybody's best friend, so we must call him Yenyen.
"Now, are you ready to see it?" he says.
Am I? My heart rate rises. My cheeks grow warm. This will be the forty-millionth dress I've tried on. I swear I've tried on every wedding dress L.A. has to offer, and each time, there's been something that Ma or my aunts didn't like. Over the last few months, as we exhausted every bridal boutique in greater Los Angeles, their comments have seared themselves onto my brain.
"Sequin not shiny enough."
"The lace look itchy, is making me itchy, is making you itchy?"
"Body too slutty." (Second Aunt meant bodice. I think.)
And so on and so forth, until Nathan announced that he'd arranged for Indonesia's premiere wedding dress designer to come to L.A. with custom-made dresses. Including-and this is the pice de rŽsistance-dresses for the mother and aunts of the bride.
I swallow and nod at Yenyen. "I'm ready."
"Okay, keep your eyes closed, though!" He gathers the skirt behind me as I turn slowly to face the floor-length mirror. After a minute of rustling and fussing, he says, "Open your eyes."
I do as he says.
My mouth drops open. "Yenyen-" My breath catches in my throat. There are no words to describe this dress. I know, in that moment, that this is it. This is The One. The bodice is swathed in the softest, most delicate lace that looks like it was sewn by fairies using spider silk. The skirt is a gorgeous frothy affair that somehow remains light enough for me to move around in. The entire thing hugs my body in all the right places and accentuates my curves in a way that is at once sexy and conservative. I feel as though I'm wearing a cloud. Tears rush to my eyes. "It's perfect," I whisper.
Yenyen waves me off, but it's obvious he's fighting off a huge smile. "Shall we show your family?"
Here we go. Deep breath. I don't know what I'll do if they say they don't like it. I steel myself, tightening my hands into fists. I'll fight for this dress. I've acquiesced to their never-ending laundry list of complaints, despite many of the dresses I've tried on being perfectly fine. This one isn't just perfectly fine, though. It's actually perfect. And I won't let them ruin it for me. I won't. I-
"Ta-da!" Yenyen cries as he yanks open the bedroom door with a flourish.
I grit my teeth, awaiting the cascade of complaints, but there are none. In fact, there is nobody around. The sofa and chairs arranged in a semicircle in Ma's living room are empty.
"Aduh," Yenyen cries, throwing up his hands. "Yenyen can't work like this. You know how important a good entrance is? This isn't just a dress; it's an experience!"
"I'm so sorry. I don't know where they went. Maybe to the bathroom?" I'm about to call out for them when footsteps thunder down the hallway.
"Meddy? That you? Sudahan ya?" Ma calls out.
"Yes, she is done!" Yenyen snaps. "Please take your seats so your daughter can show you her beautiful wedding gown."
"Eh, tunggu! Meddy, you close your eyes!"
"What?" Yenyen's face is turning red. His whole moment is being ruined, poor guy.
"Just go with it." I pat him on the shoulder.
"Unbelievable!" he snaps, but takes control of himself and arranges my skirt and train so it cascades flawlessly across the hardwood floor.
"Ready or not, ah?" Second Aunt shouts.
"Yes." I close my eyes, half-dreading what I'm about to see. Ma and the rest of my aunts come out of Ma's bedroom giggling like schoolgirls. But before they get to the living room, Yenyen mutters, "This feels wrong," and rushes over to the hallway to see them.
His gasp can be heard all the way over in Santa Monica. "Those are not the dresses Yenyen brought you!"
"No, it's the dresses Jonjon brought them," someone else says regally.
Okay, not even the strongest-willed person can keep their eyes closed through this. I crack one eye open just as a tall, thin man wrapped in a tight-fitting snakeskin suit emerges from the kitchen.
Yenyen gasps again. "Jonjon. How dare you!"
"What's going on?" I say.
"Hello, nice to meet you. I'm Jonjon, you might have heard of me? Voted most avant-garde fashion designer in Indonesia? I was featured in Tatler and Vogue?" He extends a hand dripping with various chunky rings. Unsure what to do, I shake it limply. "Your family asked me to design their gowns for your wedding."
"But Yenyen designed their gowns!" Yenyen cries.
Jonjon snorts. "Those lumpy brown sacks? I don't think so. These ladies deserve better. Ready to see them?"
"Wait, wait!" Yenyen grabs a wool blanket off the couch and throws it around me. "Okay, when the time is right, throw off the blanket with a flourish, ya?"
"Um. Okay." I hug the blanket tight around me and nod at Jonjon, half-dreading what I'm about to see.
"Behold!" Jonjon waves grandly, taps on his phone, and tinny pop music plays as, one by one, my family struts down the hallway.
I turn around. And stare in shock-horror at the spectacle before me.
Big Aunt, Second Aunt, Ma, and Fourth Aunt are all decked out in the most blinged-out, most aggressively purple dresses I have ever laid eyes on. Ever. How do I describe the particular shade of purple? It's as if flamingo pink and electric blue had a baby and then that baby snorted a line of coke and proceeded to punch you in the face. It is a lot of purple. And it's a lot of different kinds of material. I'm talking taffeta, and embroidery, and sequins-oh god, so many sequins. With every move my mother and aunts make, crystals and jewels flash and threaten to blind me. And that's not even the worst part.
"What are those things on your heads?" My voice comes out hushed with horror, but Fourth Aunt must have misheard it as awe, because she simpers and flutters her fake lashes at me.
"Aren't these just gorgeous?" She pats the-the thing on her head gently. "It's called a fascinator. They are a must-have for English weddings. We're going to fit in so well."
"With that thing on your head? I mean, what-I-but-" I sputter.
"Aiya, you hate it!" Ma wails. She turns to her sisters. "I tell you, I say, Komodo dragon is not good choice, we should have gone with flamingo!"
My mouth opens and closes, but no words come out. What does one say when faced with four women wearing ten-inch-tall Komodo dragons on their heads? Well, not...
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