Clive Barker's Books of Blood: Volume One (Movie Tie-In) - Softcover

Über die Autorin bzw. den Autor

Born in Liverpool in 1952, Clive Barker has written and produced a number of plays, including The History of the Devil and Frankenstein in Love, which are as diverse in style and subject as the fiction he has written since. His volumes of short fiction, Books of Blood, earned him immediate praise from horror fans and literary critics alike. He won both the British and World Fantasy awards, and was nominated for the coveted Booker Prize, Britain’s highest literary award. His bestselling novels include The Damnation Game, Imajica, Coldheart Canyon, The Thief of Always, The Great and Secret Show, Everville, the Abarat series, and The Scarlet Gospels. He is also the creator of the now-classic Hellraiser films as well as Nightbreed and Lord of Illusions.

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The dead have highways.

They run, unerring lines of ghost-trains, of dream-carriages, across the wasteland behind our lives, bearing an endless traffic of departed souls. Their thrum and throb can be heard in the broken places of the world, through cracks made by acts of cruelty, violence and depravity. Their freight, the wandering dead, can be glimpsed when the heart is close to bursting, and sights that should be hidden come plainly into view.

They have signposts, these highways, and bridges and lay-bys. They have turnpikes and intersections.

It is at these intersections, where the crowds of dead mingle and cross, that this forbidden highway is most likely to spill through into our world. The traffic is heavy at the crossroads, and the voices of the dead are at their most shrill. Here the barriers that separate one reality from the next are worn thin with the passage of innumerable feet.

Such an intersection on the highway of the dead was located at Number 65, Tollington Place. Just a brick-fronted, mock-Georgian detached house, Number 65 was unremarkable in every other way. An old, forgettable house, stripped of the cheap grandeur it had once laid claim to, it had stood empty for a decade or more.

It was not rising damp that drove tenants from Number 65. It was not the rot in the cellars, or the subsidence that had opened a crack in the front of the house that ran from doorstep to eaves, it was the noise of passage. In the upper story the din of that traffic never ceased. It cracked the plaster on the walls and it warped the beams. It rattled the windows. It rattled the mind too. Number 65, Tollington Place, was a haunted house, and no one could possess it for long without insanity setting in.

At some time in its history a horror had been committed in that house. No one knew when, or what. But even to the untrained observer the oppressive atmosphere of the house, particularly the top story, was unmistakable. There was a memory and a promise of blood in the air of Number 65, a scent that lingered in the sinuses, and turned the strongest stomach. The building and its environs were shunned by vermin, by birds, even by flies. No wood lice crawled in its kitchen, no starling had nested in its attic. Whatever violence had been done there, it had opened the house up, as surely as a knife slits a fish's belly; and through that cut, that wound in the world, the dead peered out, and had their say.

That was the rumor anyway . . .

It was the third week of the investigation at 65 Tollington Place. Three weeks of unprecedented success in the realm of the paranormal. Using a newcomer to the business, a twenty-year-old called Simon McNeal, as a medium, the Essex University Parapsychology Unit had recorded all but incontrovertible evidence of life after death.

b

In the top room of the house, a claustrophobic corridor of a room, the McNeal boy had apparently summoned the dead, and at his request they had left copious evidence of their visits, writing in a hundred different hands on the pale ochre walls. They wrote, it seemed, whatever came into their heads. Their names, of course, and their birth and death dates. Fragments of memories, and well-wishes to their living descendants, strange elliptical phrases that hinted at their present torments and mourned their lost joys. Some of the hands were square and ugly, some delicate and feminine. There were obscene drawings and half-finished jokes alongside lines of romantic poetry. A badly drawn rose. A game of noughts and crosses. A shopping list.

The famous had come to this wailing wall-Mussolini was there, Lennon and Janis Joplin-and nobodies too, forgotten people, had signed themselves beside the greats. It was a roll call of the dead, and it was growing day by day, as though word of mouth was spreading amongst the lost tribes, and seducing them out of silence to sign this barren room with their sacred presence.

After a lifetime's work in the field of psychic research, Doctor Florescu was well accustomed to the hard facts of failure. It had been almost comfortable, settling back into a certainty that the evidence would never manifest itself. Now, faced with a sudden and spectacular success, she felt both elated and confused.

b

She sat, as she had sat for three incredible weeks, in the main room on the middle floor, one flight of stairs down from the writing room, and listened to the clamor of noises from upstairs with a sort of awe, scarcely daring to believe that she was allowed to be present at this miracle. There had been nibbles before, tantalizing hints of voices from another world, but this was the first time that province had insisted on being heard.

Upstairs, the noises stopped.

Mary looked at her watch: it was six-seventeen p.m.

For some reason best known to the visitors, the contact never lasted much after six. She'd wait 'til half-past, then go up. What would it have been today? Who would have come to that sordid little room and left their mark?

"Shall I set up the cameras?" Reg Fuller, her assistant, asked.

"Please," she murmured, distracted by expectation.

"Wonder what we'll get today?"

"We'll leave him ten minutes."

"Sure."

Upstairs, McNeal slumped in the corner of the room, and watched the October sun through the tiny window. He felt a little shut in, all alone in that damn place, but he still smiled to himself, that wan, beatific smile that melted even the most academic heart. Especially Doctor Florescu's: oh yes, the woman was infatuated with his smile, his eyes, the lost look he put on for her . . .

It was a fine game.

Indeed, at first that was all it had been-a game. Now Simon knew they were playing for bigger stakes; what had begun as a sort of lie-detection test had turned into a very serious contest: McNeal versus the Truth. The truth was simple: he was a cheat. He penned all his "ghost-writings" on the wall with tiny shards of lead he secreted under his tongue: he banged and thrashed and shouted without any provocation other than the sheer mischief of it: and the unknown names he wrote, ha, he laughed to think of it, the names he found in telephone directories.

Yes, it was indeed a fine game.

She promised him so much, she tempted him with fame, encouraging every lie that he invented. Promises of wealth, of applauded appearances on the television, of an adulation he'd never known before. As long as he produced the ghosts.

He smiled the smile again. She called him her Go-Between: an innocent carrier of messages. She'd be up the stairs soon-her eyes on his body, her voice close to tears with her pathetic excitement at another series of scrawled names and nonsense.

He liked it when she looked at his nakedness, or all but nakedness. All his sessions were carried out with him only dressed in a pair of briefs, to preclude any hidden aids. A ridiculous precaution. All he needed were the leads under his tongue, and enough energy to fling himself around for half an hour, bellowing his head off.

He was sweating. The groove of his breastbone was slick with it, his hair plastered to his pale forehead. Today had been hard work: he was looking forward to getting out of the room, sluicing himself down and basking in admiration awhile. The Go-Between put his hand down his briefs and played with himself, idly. Somewhere in the room a fly, or flies maybe, was trapped. It was late in the season for flies, but he could hear them somewhere close. They buzzed and fretted against the window, or around the light bulb. He heard their tiny fly voices, but didn't question them, too engrossed in his thoughts of the...