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Dead Dead Girls (A Harlem Renaissance Mystery, Band 1) - Softcover

Buch 1 von 4: A Harlem Renaissance Mystery

Afia, Nekesa

 
9780593199107: Dead Dead Girls (A Harlem Renaissance Mystery, Band 1)
Softcover
ISBN 10: 0593199103 ISBN 13: 9780593199107
Verlag: Penguin Publishing Group, 2021

Inhaltsangabe

“In this terrific series opener, Afia evokes the women’s lives in all their wayward and beautiful glory, especially the abruptness with which their dreams, hopes and fears cease to exist.”--The New York Times

The start of an exciting new historical mystery series set during the Harlem Renaissance from debut author Nekesa Afia

Harlem, 1926. Young Black women like Louise Lloyd are ending up dead.

Following a harrowing kidnapping ordeal when she was in her teens, Louise is doing everything she can to maintain a normal life. She’s succeeding, too. She spends her days working at Maggie’s Café and her nights at the Zodiac, Harlem’s hottest speakeasy. Louise’s friends, especially her girlfriend, Rosa Maria Moreno, might say she’s running from her past and the notoriety that still stalks her, but don’t tell her that.

When a girl turns up dead in front of the café, Louise is forced to confront something she’s been trying to ignore—two other local Black girls have been murdered in the past few weeks. After an altercation with a police officer gets her arrested, Louise is given an ultimatum: She can either help solve the case or wind up in a jail cell. Louise has no choice but to investigate and soon finds herself toe-to-toe with a murderous mastermind hell-bent on taking more lives, maybe even her own....

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Über die Autorin bzw. den Autor

Twenty-four-year-old Nekesa Afia just finished her undergrad degree (bachelor's in journalism, with a minor in English) and is a publishing student. When she isn't writing, she's dancing, sewing, and trying to pet every dog she sees. She's been writing since she was a child and this is her debut novel.

Auszug. © Genehmigter Nachdruck. Alle Rechte vorbehalten.

PROLOGUE

Winter 1916

The wind whips against her face. Snowflakes stick to her hair, her cheeks, her eyelashes.

She’s disoriented as she tries to find her way home. The sun set at four in the afternoon, but it’s much later now. It’s so dark that it feels as if blackness has swallowed up the city. She’s making her way down the streets, relying on streetlamps and muscle memory. It’s impossible to see in the snow.

She knows two things: first, that she’s going to be in big trouble for being so late; second, that it’s not going to be easy to locate her house in this terrible storm. It’s a small home. She’s the oldest of four girls. The youngest are twins—­high energy and overly demanding of her patience. It’s exhausting to keep them in line. They don’t behave as they’re supposed to. Even worse, they’re all crammed into one bedroom.

They live with their widowed father and his sister. Her aunt is strict, but her father is ruthless. He works in the church and has high standards for his children. She also suspects he resents all of them for not being boys. He can snap at any time, for any reason. Anything she can do to protect the twins, she will do.

What’s the world like outside of this place? she wonders.

Maybe someday she’ll find out.

Maybe not.

She’s crossing the street now, turning the collar of her coat to the wind, the residents of Harlem passing her by. They all seem to be in the same rush, wanting to get home and out of the cold. The stove will be nice. She’s going to sit in front of it until her face is glowing from the heat. After that, maybe she’ll read. Or perhaps write a letter using the new fountain pen in her pocket, which she bought earlier in the day. Or maybe—­

Someone grabs her from behind, a pair of hands that seems to have come out of nowhere. She tries to pull away. She slams her elbows back. Kicks hard. Her hands ball into fists and she turns to throw a punch. But it’s too late. A raggedy cloth presses over her nose and mouth.

The world spins. The buildings blur.

After a few seconds, it all goes black.

She won’t be going home tonight.

Her hands are shaking. That’s the first thing she notices. They’re tied tightly behind her back. She immediately begins trying to get loose. The room is small and dark. In the distance, maybe a few steps away—­the blackness is so bewildering that she can’t tell for sure—­someone is crying softly.

The winter cold has settled into her bones. The tips of her fingers have gone numb; her feet, too. Her coat is also gone. It provided some comfort against the cold, but now she’s trembling under her thin clothes.

She blinks as her eyes adjust. How long has she been here? A day? A week? She has no idea. The last thing she remembers is trying to get home, then fighting as hard as she could to free herself from someone’s grasp. But that could have been a month ago. She could be in an entirely different city, maybe even a different state.

Her eyes are heavy. She wants to go back to sleep. Just for a moment, she thinks. Maybe if I sleep for a bit, I’ll wake up and find myself next to the stove in my house. But she knows better than that. If she closes her eyes again, she may never wake up. It’s too cold in here. Her stomach is swirling. Cramps tear through her legs in gripping waves.

She must stay awake and alert.

The room is even smaller than she’d first thought. Now that the dark isn’t as menacing, she can make out the dirty walls. And she’s not alone. There’s a girl with smudges on her face several feet away, curled into a little ball, one arm tied to the wall. Next to her is another girl. They’re leaning on each other for warmth, or support. A third girl is lying on her back, frail and shaking, crying.

She doesn’t say anything. She doesn’t know what to say, but a million questions have bubbled to her lips.

“You’re up,” the girl with dirt on her face says. “He should be back soon to feed us.”

“Who?”

“The man.”

It’s not much of a response, and she doesn’t know what to do with it. “It’s only him?”

“Only one I’ve seen.”

The dim winter light streams through the only window. Bars cover the glass, but it’s too high to reach, even if she could somehow untie the ropes. Then she remembers: the pen in her pocket. It’s still there; she can feel its hardness against her skin. She lifts her hands, slips two fingers into her skirt, and manages to fish it out. She uses the tip to start cutting through her binds. It’s slow, but it’s working.

“I’m going to get us out of here,” she tells the other girls.

The girl with dirt on her face looks up. In the dim lighting, she can see that they’re all like her: young and Black. “What’s going to happen to us?” the girl asks.

She’s about to answer when the door swings open.

All the girls look up, watching as light floods into the room, momentarily blinding them.

The man enters, a mask covering his face, a gun holstered at his side. He’s tall—­at least six foot—­and well built. She manages to keep her eyes closed, her hands folded across her lap as if they’re still bound.

She waits.

Waits.

When he turns to check on the girls by the wall, she leaps off the chair and throws herself at him.

He drops the tray he was holding, and loaves of stale bread and a pitcher of water fall to the floor. He throws her back and she crashes against the cold concrete stars clouding her vision. The pen rolls under the chair, but still she attacks again, rough and unrefined, concerned only with saving herself and the girls. She manages to connect on a few more blows, one hitting him square in his stomach.

He yells. The girls scream. She feels a second burst of energy running through her veins.

While he doubles over, grunts, and tries to shake away the pain, she reaches under the chair and grabs the pen. He turns back toward her, staring into her eyes with a wild glare, never once looking down to the object in her palm. There’s a pause, as if he’s trying to figure out how he wants to kill her.

He glances at a sharp-­edged brick protruding from one of the walls.

He nods as if delighted by the agony her body will no doubt feel when he slams her against it.

But he never gets the chance. As soon as he’s within two feet of her, she lifts the pen and buries its razor-­sharp tip into his shoulder. He howls in pain. His screaming echoes off the walls. In that moment, she grabs the gun from his holster and aims it at him while she unties the other girls, the idea of freedom giving them the strength they need to get out.

Then they stumble, one girl limping, for the door.

As she shepherds the other girls to safety, she decides that she’ll never be made a victim again.

1

Summer 1926

Something about the booming band made Louise Lloyd feel alive. Really, truly alive in a way she had thought impossible. Sweat rolled down her back, down her face, sticking her hair to her cheeks and red lips. She didn’t bother to brush away the strands as she concentrated on dancing. The strap of her dress fell, revealing her shoulder, and she put it back into place. She was panting for breath, her heart beating wildly. She let her muddy hazel eyes flicker shut for just one moment, taking one beat to reset.

The Zodiac was the hottest club in the West...

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Verlag
Penguin Publishing Group
Erscheinungsdatum
2021
Sprache
Englisch
ISBN 10 
0593199103
ISBN 13 
9780593199107
Einband
Taschenbuch
Anzahl der Seiten
336
Kontakt zum Hersteller
Nicht verfügbar
Verantwortliche Person
preigu
mail@preigu.de

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