Nick Paleologus is summoned to the unyielding bosom of his family to help resolve a dispute which threatens to set his brothers and sisters against their aged and irascible father. Michael Paleologus, retired archaeologist and supposed descendent of the last Emperors of Byzantium, lives alone at Trennor, a remote and rambling house on the Cornish bank of the Tamar. A ridiculously generous offer has been made for the house, but he refuses to sell despite the urgings of his children, for whom the proceeds would solve a variety of problems. Nick accomplished little in the role of mediator, but the stalemate is soon tragically broken. Only then do Nick and his siblings discover why their father was bound at all costs to reject the offer and what may really be the motives of the prospective buyer. Their increasingly desperate efforts to conceal the truth drag them into a deadly conflict with an unseen and unknown enemy, who seems as determined to force them into a confrontation with their family's past as he is to conceal his own identity. Late in the day, perhaps too late, Nick realizes that the only way to escape from the trap their persecutor has set for them is to hunt him down, wherever - and whoever - he may be. But the hunt involves excavating a terrible secret from their father's archaeological career. And once that secret is known, nothing will ever be the same again.
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Robert Goddard was born in Hampshire. He read History at Cambridge and worked as an educational administrator in Devon before becoming a full-time novelist. His bestselling novels are: PAST CARING, IN PALE BATTALIONS, PAINTING THE DARKNESS, INTO THE BLUE (winner of the first WH Smith Thumping Good Read Award and dramatized for TV in 1997, starring John Thaw), TAKE NO FAREWELL, HAND IN GLOVE, CLOSED CIRCLE, BORROWED TIME, OUT OF THE SUN (a sequel to INTO THE BLUE), BEYOND RECALL, CAUGHT IN THE LIGHT, SET IN STONE, SEA CHANGE AND DYING TO TELL.
PART ONE
CHAPTER ONE
He did not regret agreeing to go. He had long learned to accept the consequences of every decision he took with a degree of equanimity. Regret, then, was hardly the word for it. But consequences hatch slowly and not always sweetly. The long drive west had reminded him of the point more forcefully with every mile. His past was a hostile country, his present a tranquil plain. By going home he was not only abandoning a refuge, but proclaiming that he no longer needed one - which, naturally, he would have said was self-evidently true. But saying and believing are very different things, as different as noise and silence. And what he heard most through the tinted glass and impact-proof steel of his sleek grey company car . . . was silence.
Heading west to reach home was also a contradiction in historical terms. However well he played the part of a coolly efficient middle-management Englishman, Nicholas Paleologus was, if his grandfather's genealogical researches were to be believed, something altogether more exotic: a descendant of the last Emperor of Byzantium. He had always displayed, and almost always felt, a keen disdain for his semi-legendary eastern roots. The attention they had attracted had been at best unwelcome, at worst . . . But he did not care to dwell on the worst he could remember. Since isolating himself from his family, he had been prepared to admit to Greek ancestry, but nothing more, denying any imperial connection to those pitiful few who recognized the name.
It scarcely seemed likely, after all, that the last of the Paleologi should have found their way to England. Yet so their patchy history insisted. The Paleologus dynasty had ruled Byzantium for the last and least glorious two hundred years of its existence, until Emperor Constantine XI of that ilk had fallen defending the walls of Constantinople in vain against the besieging Turks in 1453. The disaster had scattered those of the family it had not destroyed, to mix with humbler bearers of the name around the Mediterranean, until Constantine's great-great-great-great-nephew, Theodore, fleeing an attempted murder charge in Italy, had set fugitive foot on English soil - and never left it. He had lived out his final years as a guest of the Lower family at their mansion, Clifton, on the Cornish bank of the Tamar, opposite Plymouth, in the parish of Landulph, where he had died in 1636.
It was Theodore Paleologus's memorial plaque in Landulph Church that had inspired Nick's grandfather, Godfrey Paleologus, to settle in the area and devote the numerous leisure hours a sizeable inheritance allowed him to proving his descent from the imperial line. He had bought a tumbledown farmhouse called Trennor halfway between the church and the village of Cargreen and slowly transformed it into a comfortable family home. A Plymothian by birth, he had never quite clinched his blood connection with the long-dead Theodore, but had at least achieved his ambition of being buried at Landulph, though not in the seventeenth-century Paleologus vault.
His son Michael had read archaeology at Oxford and gone on to teach it there. His five children, including Nick, had all been born in the city. But Michael had never sold Trennor, keeping it as a holiday home even after his parents' deaths and ultimately retiring there himself. Since his wife's death, he had lived alone, though four of his children were close by, tied to the area by choice or chance. Only Nick ploughed a distant furrow. And now he too was returning. Though not for long. And not, he suspected, for the very best of reasons.
It was Friday afternoon. A dank winter nightfall had outpaced him on the road. Maybe it was just as well, he thought, as the wayside mileage signs counted him down to his destination. Maybe the cover of darkness was what he needed. Cover of some sort, for sure. He always needed that.
Sunday would be his eldest brother's fiftieth birthday. Andrew farmed sheep on Bodmin Moor, cutting an ever more forlorn figure - according to their sister, Irene - thanks to divorce, estrangement from his only son and the dire state of British agriculture. A birthday party at Trennor - a gathering of the siblings - would do them all good, Andrew especially. It was a summons Nick could not very well ignore. But in luring him down, Irene had admitted that there was more to it than that. 'We need to talk about the future. I don't see how Dad can cope at Trennor on his own much longer. A possibility's cropped up and we'd like your input.' She had declined to be specific over the telephone, hoping, Nick inferred, to rouse his curiosity as well as his conscience. Which she had done, though not as conclusively as she must have hoped. Nick had agreed in the end because he had no reasonable excuse not to.
The rush-hour traffic was just beginning to thin as Nick reached Plymouth. He followed the A38 as it sliced through the city to the Tamar Bridge, where widening work slowed progress to a crawl over the broad, black expanse of the river. A train was crossing the railway bridge to his left, heading back the way he had come. He could not help wishing he was on it, could not help surrendering for an instant his well-practised equanimity.
But only for an instant. Then he was in control once more. On the other side of the bridge, he turned off into the centre of Saltash and doubled back through the oldest part of the town, descending the steep hill to the river, with the road and railway looming above him. As he turned right at the bottom of the hill, he saw at once ahead of him along the quayside the warmly lit windows of the Old Ferry Inn, where Irene Viner, née Paleologus, had presided as landlady for the past twelve years. The pub trade had been her husband's idea, following redundancy from Devonport Dockyard. But he had soon started drinking most of the takings, a problem Irene had solved only with the help of a divorce lawyer. She had freely admitted that running a pub had never been an ambition of hers, but had gone on to make a much better job of it than Nick would ever have predicted.
He pulled into the small yard behind the pub and edged his car into a narrow gap between Irene's Vauxhall and a large plastic bottle-bin, turned off the engine and climbed out. Only in that moment, he realized, had he really arrived, when he inhaled a first lungful of chill, moist riverside air. Almost vertically above him was the ancient span of the railway bridge, dark and silent now the eastbound train had passed. Ahead soared the modern road bridge, the workmen's cradles slung beneath it and the glare of the sodium lights confusing its shape. His sister had chosen a strange kind of home, one literally overshadowed by the structural necessities of travel and named in memory of one form of transport that was no longer to be found there. The Old Ferry was, however you viewed it, a dead end.
So it certainly seemed to Nick. But what of it? He was here for the weekend only. He had come, yes, but soon, very soon, he would go.
He fetched his bag from the boot of the car, walked round to the bar entrance at the front of the pub and dipped his head as he stepped in through the doorway. The nature of the building preserved the distinction between public and lounge, though Irene and her customers referred to the two rooms merely as front and back, served by a double-sided bar. The ceilings were low, the floors uneven, the walls as thick as a dungeon's. It did not wear its five hundred or so years lightly. But there was nothing museum-like about it either. Two fruit machines and a smattering of local youth ensured there was not a lot of fustiness to greet the newcomer.
Cigarette smoke was quite another matter. Nick, one of nature's non-smokers, coughed involuntarily as he strode through, drawing leery glances from the group by the fruit machine. The...
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