A dynamic, inventive and articulate stage director explores in practical, down-to-cases language "The Method: " what it is and is not; the nonsense, the misconceptions, the myths that have sprung up and flourished around it; its development as a workable theory of stage technique and its application to all types of theatrical production.
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Robert (Bob) Lewis is a Colorado-based author, editor, publisher, magician, scholar, podcaster, YouTuber, entrepreneur, and more. He holds degrees with Latin honors in Biology, English, Mathematics, and Psychology from the University of Colorado Denver (where he also took an Astrophysics minor) as well as a Master of Education in Science and the Public from the University at Buffalo. A dedicated polymath, he likes to tell people that his hobby is to collect new hobbies. Among his current favorite pastimes are chess, cooking, woodworking, tinkering in his workshop, collecting bizarre artifacts and curiosities, and (re)learning his musical instruments. By the time you read this, he'll assuredly have added some more to the list. Professionally speaking, he is the founder, owner, and executive editor of Polymath Press, host of the YouTube channel Phobophile, co-host of the Do You Like Scary Movies horror podcast, member of the Rocky Mountain Paranormal Research Society, and performs as a magician at Bob Lewis Magic. He's the co-author (with Bryan Bonner) of the Case Files of the Rocky Mountain Paranormal Research Society series and the editor of In the Woods: A Fiction Foundry Anthology, both of which are available from Polymath Press. By the time you read this, there's a good chance he'll be in the process of adding something to this list as well.
Common sense has become rather desperately needed in regard to the Method which may simply be defined as a codified formalization of the technique of acting. The author is trying to make the point that there is an historical or chronological correspondence between the realistic school of dramaturgy and the Method, the Method relates to every kind of acting - good acting - and not narrowly to realistic acting as such.
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