Harold Pinter is our foremost living dramatist; and in this ground-breaking book - the first authorized biographical study - Michael Billington examines Pinter's work in the context of his life. Pinter's plays, including such acknowledged masterpieces as The Caretaker and The Homecoming, are subjected to close textual scrutiny and are seen to spring from a mixture of experience, memory and the unfettered poetic imagination. Billington's book also demolishes the myth that Pinter's political commitment is either belated or aesthetically detrimental; the dramatist is seen from the outset as a vehement opponent of authoritarian structures.
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Michael Billington has been theatre critic of the Guardian since 1971 and of Country Life since 1986. He is the author of biographies of Harold Pinter and Peggy Ashcroft, critical studies of Tom Stoppard and Alan Ayckbourn, of a celebration of Ken Dodd, a collection of reviews, One Night Stands, State of the Nation: British Theatre since 1945, which won the Theatre Book Prize 2008, and The 101 Greatest Plays: From Antiquity to the Present. He has also edited Directors' Shakespeare: Twelfth Night and Stage and Screen Lives selected from the Dictionary of National Biography.
He frequently lectures and broadcasts on the arts, teaches drama for the University of Pennsylvania and is a Visiting Professor at King's College, London and an Honorary Fellow of St Catherine's College, Oxford.
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