On a planet remarkably similar to our own, in the voraciously capitalist United States of Atlantis, the most powerful (i.e. richest) man in the world is media and IT tycoon John Lockes, who made his fortune by copyrighting the Return Key on computer keyboards. But Lockes is also a philanthropist and has, through his company Infologix, devised a scheme that will effectively end all crime: tiny transmitters will be 'implanted' into convicted felons, allowing them to be tracked at all times by satellite. Once this 'Rectag' technology is in place, all that remains is to launch the satellite.
But Lockes is an elusive figure, a man of many secrets and many guises. And the man who perhaps knows him best is embittered investigative journo-turned-tabloid hack Macauley Connor. Realizing he's reached rock bottom when he's sent to investigate a farmer who claims his chickens have been abducted by aliens, he readily accepts a commission to write a warts-'n'-all biography of Lockes.
Meanwhile, a beautiful astronaut and an Infologix employee fall in love in orbit, a presidential candidate discovers he will stop at nothing to get elected and a bank heist goes horribly, and hysterically, wrong when two rival gangs hit the same place at the same time.
Wicked, anarchic, outrageous and ebullient, Let There Be Lite is a first novel that takes some unerringly accurate swipes at - amongst other things - American politics, presidential elections, spin doctors, tabloid journalism, software billionaires, the fashion industry, fast food and food fads, chat shows (here hosted by the utterly asinine Lola Colaco) and the very nature of celebrity.
Imagine Gary Larson's cartoons in novel form or The Fast Show on speed and you've some idea of what sort of glorious anarchy to expect within the covers of Let There Be Lite...
'Rupert Morgan's satire of modern life is brilliant. He is like Ben Elton at his wittiest but minus the worthiness: although he makes salient points about our time, taking swipes at democracy, big business, justice and celebrity - you don't feel as if they are being rammed down your throat. His writing is fast and his characterization superb...Definitely one to watch'
The Express
'Satire which takes you up to the edge of libellous - and gets away with it...Nothing is spared by Rupert Morgan's blistering pen: neither love, family, democracy, race relations, politics, nor journalism. Atlanta is a place where logic is dangerously inverted and morality a dangerously old-fashioned concept. As a story it rattles along with the pace of a thriller. As an inventive swipe at the Establishment, it will make you laugh while you wince'
Daily Mail
'Bittersweet, laugh-out-loud funny, and all too true' FAY WELDON
'Outstanding...Fans of Kurt Vonnegut and Douglas Adams will adore this dazzling satire on the digital age, but it is startlingly original from its side-splitting first lines to the thoughtful conclusion...Packed with fresh comic touches' amazon.co.uk
'Rupert Morgan's irrepressible wit sees humour wherever he looks. The plot unfolds like a firework display, one explosion after another, each one more outrageous than the one before...The pace of the performance builds up into a grand finale that leaves you gasping and wide-eyed. This is a first novel by someone who has perfected his craft. The interweavings of plot and character are skilfully executed. But above all it is so good to be made to laugh - really laugh. This is one of those books, like Louis de Berniere's, which will have your friends and family furiously demanding to see what you are reading that makes you so roar with laughter'
Oxford Times
'Amusing and inventive' PETER ACKROYD
'You must read Rupert Morgan's outstanding Let There Be Lite...It's fast-moving and hilarious...Kurt Vonnegut and Douglas Adams will be spitting feathers'
Esquire
'At its best when taking pot-shots at a wide variety of modern ills - fast food, tabloid media, downsizing, soap-opera politics...One of Morgan's nicer inventions is a computer program that boils down complex texts to their essentials. Its treatment of the Old Testament renders it down to: "Because I say so, that's why"'
Independent
'The match of the madder moments of John Irving or Tom Sharpe...this is a promisingly entertaining "lite" read' The Times
'A really brilliant first novel, he is obviously a major talent' PRUNELLA SCALES
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Rupert Morgan was born in London in 1965, to Scottish parents. He currently lives, with his wife and two daughters, on a boat in Paris. Rule No.1 is his third novel. His first two, Let There Be Lite and Something Sacred, are also available in Bantam paperback. Rupert Morgan can be contacted on rupert.morgan@wanadoo.fr
We are all in the gutter, but some of us are looking at the stars . . . That's us all right, Susan Summerday reflected: in the gutter, looking at the stars.
Breaking our damn necks.
The previous owner of the Hotel Excelsior broke his by taking God's elevator from the penthouse terrace down to 16th Avenue. Which, it has to be said, is about the most stylish way a man could commit suicide in Entropolis. You're still just a mess on the sidewalk, of course, but a mess with an address.
Turning her back on the chattering huddles in the penthouse Banqueting Room, Susan let the velvet of the curtains brush her bare shoulder as she gazed out over the city and downed the rest of her champagne in one long, ladylike sip. The curtains, hanging long and rich from the high ceiling, were held apart like spread legs by sashes at the knees. Standing between their thighs, gazing over the city, Susan Summerday could justifiably consider herself one of the select few, sitting on top of all the humans piled up on this rock, looking down upon the world.
From which vantage point, if she was honest with herself, it made no more sense than it did from anywhere else.
It never had, and it most likely never would. Which was probably why it came to be about making all these other things: a name, a splash, money, or at least ends that met . . . because it apparently couldn't make that one simple thing that would make everything else all right: sense.
And it came to be about cities like Entropolis, a vast beast of ambition to swallow people whole and shit them stripped of innocence. They slid out the other end looking much the same, like tinned corn, but they were almost as empty as the reflections Susan Summerday saw in the glass before her - those of her husband Michael, the fifty-odd smiling couples who comprised the ilite political strata of these great United States of Atlantis, and, almost invisible but for the whites of their eyes, the unsmiling waiters.
For they did not have to smile, of course. That was where they could find superiority over these pale, cream-voiced people they were here to serve.
Susan Summerday, for instance, had to smile like she was an advertisement for life itself. For eight years she had smiled the smile of a vice-president's wife, the smile of a Senator's wife for a decade prior to that, and now, God help her, she had to smile the smile of a woman whose husband should be elected President.
She sometimes believed it was only the lotions that kept her pretty face from cracking in two.
But tonight, she knew, she would smile especially brightly, a smile just for their host, should he ever deign to turn up.
The surprise in political circles had been palpable when, after a prolonged period of secrecy, the identity of the venerable hotel's new owner was revealed to be John Lockes. Why on earth would the reclusive billionaire, whom no one outside the confines of Infologix's hi-tech headquarters had seen in nigh-on ten years, want to buy the Excelsior? His field was information technology, not hotels. True, he'd branched out last year by taking over P. S. Yorsakt, the fast-food conglomerate, but the debt-ridden Excelsior? It wasn't even a serious hotel, for that matter, being more of a political club masquerading as a hotel. What it lost in money it more than made up for in kudos, but that was of no interest to a man like Lockes, unless . . .
And sure enough, the pieces had started to fall into place. That initial surprise had mutated into suspicion as the invitations to tonight's select party arrived. It was all too clear: Lockes is one of the single most generous donators to the campaign funds of politicians across the spectrum; Lockes buys the Excelsior; Lockes invites a small band of key power-brokers to an informal get-together . . . ergo Lockes wanted something back for his years of generosity.
Nothing could be more natural, of course, but the frisson it had sent through their subtle community was all the greater for the fact that he had never, in all his years of fiscal support, contacted any of them personally, let alone asked anything in return. Susan Summerday knew it had everyone else in the room as rattled as Michael, coming just months away from the elections. There was nothing that a politician liked less than not knowing the price of a bargain he had already made. Not that that ever stopped them, in her experience.
But which of them could refuse their host anything now? To provoke his wrath, to make him switch his financial support to an opponent, would be suicide: John Lockes, the founder and president of Infologix, was the richest man in the world.
Quite literally the host with the most.
The actual figures involved were beyond Susan's comprehension, but it was enough for her to know that one of the country's leading collections of modern art was owned by a man who, fifteen years ago, had accepted the offer of a few Infologix shares in lieu of the price of the pizza he had been delivering to Lockes' student dorm. Lucky son of a bitch. Legend has it that it was even the wrong pizza.
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