From the author of the acclaimed Women of the Otherworld series comes an exciting new heroine whose most secret identity is both lucrative...and lethal.
Regulars at Nadia’s nature lodge don’t ask what she does in the off-season. And that’s a good thing. If she told them, she’d have to kill them. She’s a hit woman for a Mafia family. Tough and self-sufficient, Nadia doesn’t owe anyone any explanations. But that doesn’t mean she always works alone. One of her contacts has recruited her in the hunt for a ruthlessly efficient serial killer cutting a swath of terror across the country. The assassin is far too skilled to be an amateur—and the precision of the killings is bringing the Feds much too close to the hit man community for comfort.
To put an end to the murders, Nadia will have to turn herself from predator to prey as she employs every trick she knows to find the killer. Before the killer finds her...
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Kelley Armstrong lives in rural Ontario with her husband, three children and far too many pets. She is the author of a new crime series, the Women of the Otherworld series and an upcoming young adult trilogy, The Darkest Power.Excerpt. © Reprinted by permission. All rights reserved.:
I twisted my fork through the blueberry pie and wished it was apple. I've never been fond of blueberry, not even when the berries were wild and fresh from the forest. These were fresh from a can.
Barry's Diner advertised itself as "home of the best blueberry pie in New York City." That should have been the tip-off, but the sign outside said only Award-Winning Homemade Pie. So I'd come in hoping for a slice of fresh apple and found myself amid a sea of diners eating blueberry. Sure, the restaurant carried apple, but if everyone else was eating blueberry, I couldn't stand out by ordering something different. It didn't help that I had to accompany the pie with decaf coffee--in a place that seemed to brew only one pot and leave it simmering all day.
The regular coffee smelled great, but caffeine was off my menu today, so I settled for inhaling it as I nibbled the crust on my pie. At least that was homemade. I shifted on my seat, the vinyl-covered stool squeaking under me, the noise lost in the sounds of the diner--the clatter of china and silverware, the steady murmur of conversation regularly erupting in laughs or shouts. The door behind me opened with a tinkle of the bell, a gust of October air and a belch of exhaust fumes that stole that rich scent of fresh coffee.
A man in a dirt-encrusted ball cap clanked his metal lunch box onto the counter beside my plate. "He got another one last night. Number four. Police just confirmed it."
I slanted my gaze his way, in case he was talking to me. He wasn't, of course. I was invisible . . . or as close to it as a nonsuperhero could get, having donned the ultimate female disguise: no apparent makeup and thirty-five pounds of extra padding.
"Who'd he get this time?" the server asked as she poured coffee for the newcomer.
"Little old Chinese lady closing up her shop. Choked her with a wire."
"Garroted," said a man sitting farther down the counter.
The other man folded his newspaper, rustling it with a flourish. "Garroted. If you use something to strangle someone, it's called garroting. The Spanish used it as a method of execution."
I glanced at the speaker. A silver-haired man in a suit, manicured fingernails resting on his Wall Street Journal. Not the sort you'd expect to know the origin of the term "garroted." Next thing you know, his neighbors would be on TV, telling the world he'd seemed like such a nice man.
They continued talking. I struggled to ignore them. Had to ignore them. I had a job to do, and couldn't allow myself to be sidetracked.
It wasn't easy. Words and phrases kept tumbling my way. Killer. Victim. Police. Investigation. No leads. I could, with effort, block the words, remind myself that they had nothing to do with me, but the voices weren't so easy to push aside. Sharp with excitement, as if this was something they'd seen in a movie and the victims were nothing more than actors who, when the credits rolled, would stand up, wash off the fake blood and grab a cigarette before heading home to their families.
The Helter Skelter killer. Even the name was catchy, almost jocular. I bet he was proud of it. He'd risen from the ranks of the unnamed and now he was someone--the Helter Skelter killer. I pictured him sitting in a coffee shop like this, eavesdropping on a conversation like this one, his heart tripping every time he heard his new name. My hand tightened on my fork. A burr on the handle dug in. I squeezed until pain forced my thoughts back on track.
It wasn't my concern. There were dozens of killers all across the continent, plotting crimes just as ruthless. Nothing to be done about it, and I was no longer in a position to try.
I took a swig of coffee. Bitter and burned, foul on my tongue, acid in my stomach. I took another gulp, deeper, almost draining the mug. Then I pushed it aside with my half-eaten pie, got to my feet and walked out.
I stood in the subway station and waited for Dean Moretti.
Moretti was a Mafia wannabe, a small-time thug with tenuous connections to the Tomassini crime family. Three months earlier, he had decided it was time to strike out on his own, so he'd made a deal with the nephew of a local drug lord. Together they'd set up business in a residential neighborhood previously untapped--probably because it was under the protection of the Riccio family.
When the Riccios found out, they went to the Tomassinis, who went to the drug lord, who decided, among the three of them, that this was not an acceptable entrepreneurial scheme. The drug lord's nephew had caught the first plane to South America and was probably hiding in the jungle, living on fish and berries. Moretti wasn't so easily spooked, which probably speaks more to a lack of intelligence than an excess of nerve.
While I waited for him, I wandered about the platform, taking note of every post, every garbage can, every doorway. Busywork, really. I'd already scouted this station so well I could navigate it blindfolded, but I kept checking and double-checking.
My stomach fluttered. Not fear. Anticipation. I kept moving, trying to work past it. There was no more room here for anticipation than there was for fear. It was a job. It had to be approached with cool, emotionless efficiency. You cannot enjoy this work. If you do, you step onto the fast slide to a place you'll never escape, become something you swore you'd never be.
I kept my brain busy with last-minute checks. There was one security camera down here, but an antiquated one, easy to avoid. I'd heard rumors of post-9/11 upgrades, but so far, this station had avoided them. Though I hadn't seen a uniformed transit cop, I knew there could be a plainclothes one, so I spotted the most likely suspects and stayed out of their way. Not that it mattered--in addition to the extra padding I was wearing a wig, colored contacts, eyeglasses and makeup to darken my skin tone.
I'd spent three days watching Moretti, long enough to know he was a man who liked routines. Right on schedule, he bounced down the subway steps, ready for his train home after a long day spent breaking kneecaps for a local bookie.
Partway down the stairs he stopped and surveyed the crowd below. His gaze paused on anyone of Italian ancestry, anyone wearing a trench coat, anyone carrying a bulky satchel, anyone who looked . . . dangerous. Too dumb to run, but not so dumb that he didn't know he was in deep shit with the Tomassinis. At work, he always had a partner with him. From here, he'd take the subway to a house where he was bunking down with friends, taking refuge in numbers. This short trip was the only time he could be found alone, obviously having decided that public transit was safe enough.
As he scouted the crowd from the steps, people jostled him from behind, but he met their complaints with a snarl that sent them skittering around him. After a moment, he continued his descent into the subway pit. At the bottom, he cut through a group of young businessmen, then stopped beside a gaggle of careworn older women chattering in Spanish. He kept watching the crowd, but his gaze swept past me. The invisible woman.
I made my way across the platform, eyes straining to see down the tunnel, pretending to look for my train, flexing my hands as I allowed myself one last moment of anticipation. I closed my eyes and listened to the distant thumping of the oncoming train, felt the currents of air from the tunnel.
It was like standing in an airplane hatch, waiting to leap. Everything planned, checked, rechecked, every step of the next few minutes choreographed, the contingencies mapped out, should obstacles arise. Like skydiving, I controlled what I could, down to the most minute detail, creating the ordered perfection that set my mind at ease. Yet I knew that in a few seconds, when I made my move, I left some small bit to fate.
I inhaled deeply and concentrated on the moment, slowing my breathing, my pulse. Focusing.
No time to second-guess. No chance to turn back.
At the squeal of the approaching train, I opened my eyes, unclenched my hands and turned toward Moretti.
I quickened my pace until I was beside him. Tension blew off him in waves. His right hand was jammed into his pocket, undoubtedly fondling a nice piece of hardware.The train headlights broke through the darkness.
Moretti stepped forward. I stepped on the heel of the woman in front of me. She stumbled. The crowd, pressed so tightly together, wobbled as one body. As I jostled against Moretti, my hand slid inside his open jacket. A deft jab followed by a clumsy shove as I "recovered" my balance. Moretti only grunted and pushed back, then clambered onto the train with the crowd.
I stepped onto the subway car, took a seat at the back, then disembarked at the next stop, merging with the crowd once again.
Job done. Payment collected. Equipment discarded. Time to go home . . . almost.
Outside the city, I sat in my rented car, drinking in my first unguarded moment in three days. Although the scent of the city was overpowering, I swore I could detect the faint smell of dying leaves and fresh air on the breeze. Wishful thinking, but I closed my eyes and basked in the fantasy, feeling the cold night air on my face.
This was my first hit without a gun. Distance shooting was my specialty, but my mentor, Jack, had been pushing me to try something else. Carrying a gun these days wasn't as easy as it had been five years ago, and there were times when using one just wasn't feasible. So he'd trained me in poisons--which to choose, how to deliver it, how to carry the syringe and poison disguised as insulin. Then he'd encouraged me to find an excuse to try it. With Moretti, it hadn't been so much an excuse as a necessity.
The Tomassinis had confirmed that Moretti had suffered a fatal heart attack on the train. There had been some commotion and the police had been summoned, probably because Moretti had realized in his final moments that he'd been poisoned. That, Jack said, was a chance you took using concentrated potassium chloride in a public place, on a victim who knew he was a target. It didn't matter. With Moretti, the Tomassinis wanted to send a message, and it was clearer if his death wasn't mistaken for natural causes.
As for what else I felt after killing Moretti, I suppose there are many things one should feel in the aftermath of taking a life. Dean Moretti may have earned his death, but it would affect someone who didn't deserve the pain of loss--a brother, girlfriend, someone who cared.
I knew that. I'd been there, knocking on the door of a parent, a spouse, a lover, seeing them crumple as I gave them the news. Your father was knifed by a strung-out junkie client. Your daughter was shot by a rival gang member. Your husband was killed by a man he tried to rob. I'd seen their grief, the pangs made all the worse by knowing they'd seen that violent end coming . . . and been unable to stop it.
Yet in this case, it was the other victims I saw--the teens Moretti sold drugs to, the lives he'd touched. Killing him didn't solve any problems. It was like scooping water from the ocean. Yet, the next time the Tomassinis called, if the job was right, I'd be back. I had to.
It was the only thing that kept me sane.
On my way out of the city, as the lights of New York faded behind me, the radio DJ paused his endless prattle with a "special bulletin," announcing that the Helter Skelter killer may have struck again, this time in New York City. "Speculation is mounting that the Helter Skelter killer is responsible for the rush-hour subway death of Dean Moretti . . ."
My calm shattered and I nearly ran my car off the road.
Cool under pressure. If they posted employment ads for hitmen, that'd be the number-two requirement, right after detail-oriented. A good hitman must possess the perfect blend of personality type A and B traits, a control freak who obsesses over every clothing fiber yet projects the demeanor of the most laid-back slacker. After pulling a hit, I can walk past police officers without so much as a twitch in my heart rate. I'd love to chalk it up to nerves of steel, but the truth is I just don't rattle that easily.
But driving up to the U.S./Canada border that morning, I was so rattled I could hear my fillings clanking. How could Moretti's hit be mistaken for the work of some psycho? Any cop knows the difference between a professional hit and a serial killing.
Had I unintentionally copied part of the killer's MO? The case had been plastered across the airwaves and newspapers for a week now, but I'd behaved myself. If an update came on the radio, I'd changed the station. If the paper printed an article, I'd flipped past it. It hadn't been easy. Few aspects of American culture are as popular with the Canadian media as crime. We lap it up with equal parts fascination and condescension: "What an incredible case. Thank God things like that hardly ever happen up here." But I no longer allowed myself to be fascinated. In hindsight, it was a choice that warranted a special place on the overcrowded roster of "Nadia Stafford's Regrettable Life Decisions."
I'd driven all night, as I always did, eager to get home as soon as my work was done. It was just past seven now, with only a few short lines of early morning travelers at the border. As the queue inched forward, I rolled down my window, hoping the chill air would freeze-dry my sweat before I reached the booth. Somewhere to my left, a motorcycle revved its engine and my head jerked up.
Normally, crossing the border was no cause for alarm. Even post-9/11, it's easy enough, so long as you have photo ID. Mine was the best money could buy. Half the time, the guards never gave it more than the most cursory glance. I'm a thirty-two-year-old, white, middle-class woman. Run me through a racial profile and you get "cross-border shopper."
In light of the Helter Skelter killings, they'd probably look closer at everyone, but I had nothing to hide. I'd switched my New York-plated rental for my Ontario-plated one. I'd disposed of my disguise in New York. The Tomassinis paid me in uncut gemstones, which are small enough that I could hide them in places no border agent would normally look.
I pulled forward. Second in line now.
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