A catastrophic, unexplainable plane crash leaves three hundred and thirty dead -- no survivors. Among the victims are the wife and two daughters of Joe Carpenter, a Los Angeles Post crime reporter.
A year after the crash, still gripped by an almost paralyzing grief, Joe encounters a woman named Rose, who claims to have survived the crash. She holds out the possibility of a secret that will bring Joe peace of mind. But before he can ask any questions, she slips away.
Driven now by rage (have the authorities withheld information?) and a hope almost as unbearable as his grief (if there is one survivor, are there others?), Joe sets out to find the mysterious woman. His search immediately leads him into the path of a powerful and shadowy organization hell-bent on stopping Rose before she can reveal what she knows about the crash.
Sole Survivor unfolds at a heart-stopping pace, as a desperate chase and a shattering emotional odyssey lead Joe to a truth that will force him to reassess everything he thought he knew about life and death -- a truth that, given the chance, will rock the world and redefine the destiny of humanity.
From the Trade Paperback edition.
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When he was a senior in college, Dean Koontz won an Atlantic Monthly fiction competition. He has been writing ever since. His books are published in 38 languages; worldwide sales are over 300 million copies.
Ten of his novels have risen to number one on the New York Times hardcover best-seller list (The Husband, One Door Away From Heaven, From The Corner Of His Eye, Midnight, Cold Fire, Hideaway, Dragon Tears, The Bad Place, Intensity, and Sole Survivor). Thirteen of his books have risen to the number one position in paperback.
Several of his books have been adapted into feature films and TV miniseries, including the highly rated “Intensity” on the Fox Network. The Husband is currently in development as a major motion picture by Focus Features/Random House Films.
The New York Times has called his writing "psychologically complex, masterly and satisfying." The New Orleans Times-Picayune said Koontz is "lyrical without ever being naive or romantic. [He creates] a grotesque world, much like that of Flannery O'Connor or Walker Percy ... scary, worthwhile reading." The London Times called him "a literary juggler," and Publishers Weekly recently stated in a starred review that Koontz "gives readers bright hope in a dark world. He is a true original."
Dean Koontz was born and raised in Pennsylvania. He graduated from Shippensburg State College (now Shippensburg University), and his first job after graduation was with the Appalachian Poverty Program, where he was expected to counsel and tutor underprivileged children on a one-to-one basis. His first day on the job, he discovered that the previous occupier of his position had been beaten up by the very kids he had been trying to help and had landed in the hospital for several weeks. The following year was filled with challenge but also tension, and Koontz was more highly motivated than ever to build a career as a writer. He wrote nights and weekends, which he continued to do after leaving the poverty program and going to work as an English teacher in a suburban school district outside Harrisburg. After he had been a year and a half in that position, his wife, Gerda, made him an offer he couldn't refuse: "I'll support you for five years," she said, "and if you can't make it as a writer in that time, you'll never make it." By the end of those five years, Gerda had quit her job to run the business end of her husband's writing career. Dean and Gerda Koontz live in southern California with their golden retriever, Trixie, who herself has written two successful books—Life Is Good and Christmas Is Good.
ic, unexplainable plane crash leaves three hundred and thirty dead -- no survivors. Among the victims are the wife and two daughters of Joe Carpenter, a Los Angeles Post crime reporter.
A year after the crash, still gripped by an almost paralyzing grief, Joe encounters a woman named Rose, who claims to have survived the crash. She holds out the possibility of a secret that will bring Joe peace of mind. But before he can ask any questions, she slips away.
Driven now by rage (have the authorities withheld information?) and a hope almost as unbearable as his grief (if there is one survivor, are there others?), Joe sets out to find the mysterious woman. His search immediately leads him into the path of a powerful and shadowy organization hell-bent on stopping Rose before she can reveal what she knows about the crash.
Sole Survivor unfolds at a heart-stopping pace, as a desperate chase and a shattering emotional odyssey lead Joe to a truth that will force him to reass
Chapter Two
Later Saturday morning, driving to Santa Monica, Joe Carpenter suffered an anxiety attack. His chest tightened, and he was able to draw breath only with effort. When he lifted one hand from the wheel, his fingers quivered like those of a palsied old man.
He was overcome by a sense of falling, as from a great height, as though his Honda had driven off the freeway into an inexplicable and bottomless abyss. The pavement stretched unbroken ahead of him, and the tires sang against the blacktop, but he could not reason himself back to a perception of stability.
Indeed, the plummeting sensation grew so severe and terrifying that he took his foot off the accelerator and tapped the brake pedal.
Horns blared and skidding tires squealed as traffic adjusted to his sudden deceleration. As cars and trucks swept past the Honda, the drivers glared murderously at Joe or mouthed offensive words or made obscene gestures. This was Greater Los Angeles in an age of change, crackling with the energy of doom, yearning for the Apocalypse, where an unintended slight or an inadvertent trespass on someone else's turf might result in a thermonuclear response.
His sense of falling did not abate. His stomach turned over as if he were aboard a roller coaster, plunging along a precipitous length of track. Although he was alone in the car, he heard the screams of passengers, faint at first and then louder, not the good-humored shrieks of thrill seekers at an amusement park, but cries of genuine anguish.
As though from a distance, he listened to himself whispering, "No, no, no, no."
A brief gap in traffic allowed him to angle the Honda off the pavement. The shoulder of the freeway was narrow. He stopped as close as possible to the guardrail, over which lush oleander bushes loomed like a great cresting green tide.
He put the car in Park but didn't switch off the engine. Even though he was sheathed in cold sweat, he needed the chill blasts of air conditioning to be able to breathe. The pressure on his chest increased. Each stuttering inhalation was a struggle, and each hot exhalation burst from him with an explosive wheeze.
Although the air in the Honda was clear, Joe smelled smoke. He tasted it too: the acrid mélange of burning oil, melting plastic, smoldering vinyl, scorched metal.
When he glanced at the dense clusters of leaves and the deep-red flowers of the oleander pressing against the windows on the passenger side, his imagination morphed them into billowing clouds of greasy smoke. The window became a rectangular porthole with rounded corners and thick dual-pane glass.
Joe might have thought he was losing his mind—if he hadn't suffered similar anxiety attacks during the past year. Although sometimes as much as two weeks passed between episodes, he often endured as many as three in one day, each lasting between ten minutes and half an hour.
He had seen a therapist. The counseling had not helped.
His doctor recommended anti-anxiety medication. He rejected the prescription. He wanted to feel the pain. It was all he had.
Closing his eyes, covering his face with his icy hands, he strove to regain control of himself, but the catastrophe continued to unfold around him. The sense of falling intensified. The smell of smoke thickened. The screams of phantom passengers grew louder.
Everything shook. The floor beneath his feet. The cabin walls. The ceiling. Horrendous rattling and twanging and banging and gong-like clanging accompanied the shaking, shaking, shaking.
"Please," he pleaded.
Without opening his eyes, he lowered his hands from his face. They lay fisted at his sides.
After a moment, the small hands of frightened children clutched at his hands, and he held them tightly.
The children were not in the car, of course, but in their seats in the doomed airliner. Joe was flashing back to the crash of Flight 353. For the duration of this seizure, he would be in two places at once: in the real world of the Honda and in the Nationwide Air 747 as it found its way down from the serenity of the stratosphere, through an overcast night sky, into a meadow as unforgiving as iron.
Michelle had been sitting between the kids. Her hands, not Joe's, were those that Chrissie and Nina gripped in their last long minutes of unimaginable dread.
As the shaking grew worse, the air was filled with projectiles. Paperback books, laptop computers, pocket calculators, flatware and dishes—because a few passengers had not yet finished dinner when disaster struck--plastic drinking glasses, single-serving bottles of liquor, pencils, and pens ricocheted through the cabin.
Coughing because of the smoke, Michelle would have urged the girls to keep their heads down. Heads down. Protect your faces.
Such faces. Beloved faces. Seven-year-old Chrissie had her mother's high cheekbones and clear green eyes. Joe would never forget the flush of joy that suffused Chrissie's face when she was taking a ballet lesson, or the squint-eyed concentration with which she approached home plate to take her turn at bat in Little League baseball games. Nina, only four, the pug-nosed munchkin with eyes as blue as sapphires, had a way of crinkling her sweet face in pure delight at the sight of a dog or cat. Animals were drawn to her—and she to them—as though she were the reincarnation of St. Francis of Assisi, which was not a far-fetched idea when one saw her gazing with wonder and love upon even an ugly garden lizard cupped in her small, careful hands.
Heads down. Protect your faces.
In that advice was hope, the implication that they would all survive and that the worst thing that might happen to them would be a face-disfiguring encounter with a hurtling laptop or broken glass.
The fearsome turbulence increased. The angle of descent grew more severe, pinning Joe to his seat, so that he couldn't easily bend forward and protect his face.
Maybe the oxygen masks dropped from overhead, or maybe damage to the craft had resulted in a systems failure, with the consequence that masks had not been deployed at every seat. He didn't know if Michelle, Chrissie, and Nina had been able to breathe or if, choking on the billowing soot, they had struggled futilely to find fresh air.
Smoke surged more thickly through the passenger compartment. The cabin became as claustrophobic as any coal mine deep beneath the surface of the earth.
In the blinding blackdamp, hidden sinuosities of fire uncoiled like snakes. The wrenching terror of the aircraft's uncontrolled descent was equaled by the terror of not knowing where those flames were or when they might flash with greater vigor through the 747.
As the stress on the airliner increased to all but intolerable levels, thunderous vibrations shuddered through the fuselage. The giant wings thrummed as though they would tear loose. The steel frame groaned like a living beast in mortal agony, and perhaps minor welds broke with sounds as loud and sharp as gunshots. A few rivets sheered off, each with a piercing screeeeek.
To Michelle and Chrissie and little Nina, perhaps it seemed that the plane would disintegrate in flight and that they would be cast into the black sky, be spun away from one another, plummeting in their separate seats to three separate deaths, each abjectly alone at the instant of impact.
The huge 747-400, however, was a marvel of design and a triumph of engineering, brilliantly conceived and soundly constructed. In spite of the mysterious hydraulics failure that rendered the aircraft uncontrollable, the wings did not tear loose, and the fuselage did not disintegrate. Its powerful Pratt and Whitney engines screaming as if in defiance of gravity, Nationwide Flight 353...
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