Called "one of the most original talents to emerge in the '90s" by Kirkus Reviews, award-winning author Laurie R. King delivers an intelligent, terrifying, engrossing drama of good and evil, unlike any she has written before....
A respected university professor, Anne Waverly has a past known to few: Years ago, her own unwitting act cost Anne her husband and daughter. Fewer still know that this history and her academic specialty--alternative religious movements--have made her a brilliant FBI operative. Four times she has infiltrated suspect communities, escaping her own memories of loss and carnage to find a measure of atonement. Now, as she begins to savor life once more, she has no intention of taking another assignment. Until she learns of more than one hundred children living in the Change movement's Arizona compound....
Anne soon realizes that Change is no ordinary community and hers is no ordinary mission. For, far from appeasing the demons of her past, this assignment is sweeping her back into their clutches...and to the razor's edge of danger.
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Laurie R. King is the New York Times bestselling author of thirteen Mary Russell mysteries, five contemporary novels featuring Kate Martinelli, the Stuyvesant & Grey novels Touchstone and The Bones of Paris, and the acclaimed A Darker Place, Folly, and Keeping Watch. She lives in Northern California.
Called "one of the most original talents to emerge in the '90s" by "Kirkus Reviews, award-winning author Laurie R. King delivers an intelligent, terrifying, engrossing drama of good and evil, unlike any she has written before....
A respected university professor, Anne Waverly has a past known to few: Years ago, her own unwitting act cost Anne her husband and daughter. Fewer still know that this history and her academic specialty--alternative religious movements--have made her a brilliant FBI operative. Four times she has infiltrated suspect communities, escaping her own memories of loss and carnage to find a measure of atonement. Now, as she begins to savor life once more, she has no intention of taking another assignment. Until she learns of more than one hundred children living in the Change movement's Arizona compound....
Anne soon realizes that Change is no ordinary community and hers is no ordinary mission. For, far from appeasing the demons of her past, this assignment is sweeping her back into their clutches...and to the razor's edge of danger.
The woman at the focal point of the tiered rows of red and blue seats in the lecture hall did not at first glance seem the type to hold the attention of two hundred and fifty undergraduates at the slump time of three in the afternoon. She was small and her hair was going gray, and her figure, though slim, was long past the litheness of youth. Her voice was quiet and deliberate, which in another speaker would have lulled the back rows to sleep, and the subject of her lecture was more cerebral than kept the average twenty-year-old on the edge of his chair.
The number of sleepers was few, however, and the percentage of spines inclined forward over the tiny writing surfaces attached to the chairs was high. There was an intensity in her that proved contagious, a vivid urgency in her voice and her body that overcame her undistinguished appearance and the torpor of the unseasonably early warmth of the day, transforming her limp into the stately pace of a sage and the wooden cane she leaned on into the staff of a prophetess.
In the eyes of her undergraduates, at any rate.
"What the hell is she talking about?" whispered the woman standing high up at the back of the hall, speaking to the man at her side. The two were not undergraduates; even if their age had not disqualified them, her skirt and blazer and his gray suit made them stand out in the denim-clad crowd.
The man gestured for her to be quiet, but it was too late; they had been noticed. A nearby girl glanced over her shoulder at them, then openly stared, and turned to nudge the boy next to her. The woman saw the girl's mouth form the word "narcs," and then she felt her temporary partner's hand on her elbow, pulling her out the door and out of the lecture hall. Professor Anne Waverly's voice followed them, saying, "In fourth-century Israel this concept of a personal experience of God came together with the political--" before her words were cut off by the doors, and then the police officer and the FBI agent were back out in the watery sunlight.
In truth, neither was a narcotics officer, although both had worked narcotics cases in the past. Glen McCarthy made for a bench just outside the building and dropped into it. Birdsong came, and voices of students walking past; in the distance the freeway growled to itself.
"Did you understand what she was talking about?" Gillian Farmer asked idly, examining the bench closely before she committed the back of her skirt to it.
"Merkabah mysticism as one of the bases for early Christian heresies," Glen answered absently.
She shot him a dubious glance and settled onto the edge of the bench.
"And what is mer-whatever mysticism?" she asked, although she was less interested in the question than in the underlying one of how he came by his easy familiarity with the subject of Professor Anne Waverly's arcane lecture. She listened with half an ear as he explained about the Jewish idea of the merkabah, or chariot, mystical experience, the "lifting up" of the devotee to the divine presence. The scattering of early flowers and one lethargic bee held more of her attention than his words, and he either saw this or had little to say on the subject, because he kept the lecture brief.
After a moment's silence, the bee stumbled off and the subject Gillian really wanted to talk about worked its way to the surface.
"This whole thing has got to be unconventional, at least," she said finally.
"I suppose it looks that way."
The mildness of his answer irritated her. "You don't think that hauling a middle-aged professor of religion out of her ivory tower and into the field to investigate a cult is a little unusual?"
"I wouldn't use the word "cult' in her hearing if I were you," Glen suggested. "Not unless you're interested in a twenty-minute lecture on the difference between cult, sect, and new religious movement."
Gillian Farmer was not to be diverted. "It still sounds like something out of an Indiana Jones movie, not at all like a setup the FBI would come within a mile of."
"The bureau has changed since the days of J. Edgar. Now we do whatever works."
"And you think this will work?"
"It has three times before."
"And, as I understand it, once it didn't. People died."
"We were too late there--the final stages were already in motion before Anne could work her way in. I don't think even she can still feel much guilt about that one."
"Why on earth does she do it?" Gillian asked after a while. "Undercover work has got to be the most nerve-racking job in the world, and she's not even a cop."
But the man from the FBI was not yet ready to answer that question.
Seven minutes later, the double doors burst open and the first students tumbled out into the spring air, heading for the coffeehouse. After a pause, they were followed by the main body of participants, walking more thoughtfully and talking among themselves. When this larger group began to thin out, Glen got to his feet and turned to face the hall, pausing to run his palms over his hair and straighten his necktie. This was the first sign of nerves Gillian had seen in him, and it surprised her; since they had met ten days before, she had found McCarthy more idiosyncratic than the caricature of the FBI man, but every bit as cold and competent as the most stiff-necked of them.
Agent and police detective walked back through the double glass doors and down the hallway to the big lecture hall, where they again took up positions on the flat walkway that circled the top tier of seats. Gillian was seething with impatience; she did not at all like the feeling of being kept in the dark. McCarthy had his hands in his pockets, his feet set apart and his head drooping as he gazed down the length of the hall at Anne Waverly, who was now discussing papers, projects, and reading material with the six or eight remaining students.
She put off noticing the intruders for as long as she could--until, in fact, one of the students touched her arm and leaned forward to speak into her ear. She stood very still for three long seconds, then with great deliberation pulled off her reading glasses and slowly raised her eyes to the two figures on the high ground at the back of her lecture hall.
Her expression did not change, but even from on high Gillian Farmer could feel the impact their presence had on her. When the woman bent her head again and slid the glasses back onto her nose, she still looked strong, but she seemed older, somewhat flattened, and her uncharacteristic distraction from the words of her students was obvious. The young men and women knew that something was up and grew taut with a curiosity that verged on alarm; however, when eventually she wished them a good week, they could only disperse, reluctantly, and make their slow and suspicious way up the stairs and past the two intruders.
One boy, however, found retreat more than he could bear. He scowled at Glen as he went by, and then turned back to the podium to ask loudly, "Do you want some help, Dr. W?" His stance even more than his words made it obvious that he was offering an assistance considerably more physical than merely carrying her books, but McCarthy was careful not to smile, and Gillian Farmer merely glanced at the boy.
The woman he had called "Dr. W" did smile. "Thank you, Josh, I'll be fine."
Their protests unvoiced, the students left, with a furtive rush of low conversation that was cut off when the glass doors shut behind them. The lecturer turned her back on McCarthy and Farmer, gathering up her papers from the table and...
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