Performances by Mary Beth Hurt and David Strathairn
Two cassettes, 3 hours
One unremarkable June morning, Alice Goodwin is, as usual, trying to keep in check both her temper and her tendency to blame herself for her family's shortcomings. When the Goodwins took over the last dairy farm in the small Midwestern town of Prairie Center, they envisioned their home a self-made paradise. But these days, as Alice is all too aware, her elder daughter Emma is prone to inexplicable fits of rage, her husband Howard distrusts her maternal competence, and Prairie Center's tight-knit suburban community shows no signs of warming to "those hippies who think they can run a farm." A loner by nature, Alice is torn between a yearning for solitude coupled with a deep need to be at the center of a perfect family.
On this particular day, Emma has started the morning with a violent tantrum, her little sister Claire is eating pennies, and it is Alice's turn to watch her neighbor's two small girls as well as her own. She absentmindedly steals a minute alone that quickly becomes ten: time enough for a devastating accident to occur. Her neighbor's daughter Lizzy drowns in the farm's pond, and Alice - whose own volatility and unmasked directness keep her on the outskirts of acceptance - becomes the perfect scapegoat. At the same time, a seemingly trivial incident from Alice's past resurfaces and takes on gigantic proportions, leading the Goodwins far from Lizzy's death into a maze of guilt and doubt culminating in a harrowing court trial and the family's shattering downfall.
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<b>Jane Hamilton</b> lives, works, and writes in an orchard farmhouse in Wisconsin. Her short stories have appeared in Harper's magazine. Her first novel, <i>The Book of Ruth</i>, won the PEN/Ernest Hemingway Foundation Award for best first novel and was a selection of the Oprah Book Club. Her second novel, <i>A Map of the World</i>, is an international bestseller.
I used to think if you fell from grace it was more likely than not the result of one stupendous error, or else an unfortunate accident. I hadn't learned that it can happen so gradually you don't lose your stomach or hurt yourself in the landing. You don't necessarily sense the motion. I've found it takes at least two and generally three things to alter the course of a life: You slip around the truth once, and then again, and one more time, and there you are, feeling, for a moment, that it was sudden, your arrival at the bottom of the heap.
I opened my eyes on a Monday morning in June last summer and I heard, somewhere far off, a siren belting out calamity. It was the last time I would listen so simply to a sound that could mean both disaster and pursuit. Emma and Claire were asleep and safe in their beds, and my own heart seemed to be beating regularly. If the barn was out the window, clean, white, the grass cropped as close as a golf course, the large fan whirring in the doorway, then my husband Howard was all right. I raised up to take a look. It was still standing, just as I suspected it would be. I had never said out loud a little joke I used to say to myself now and again:
Everywhere that barn goes, Howard, you are sure to be close behind. He was a philosophical and poetical farmer who bought Golden Guernseys because he both liked their color and the way "Golden Guernsey" floated off his tongue. It was secondary that the breed was famous for their butterfat. I worried about his choice when we bought the farm because I was certain that poetry is almost never rewarded. Now, in my more charitable moods, I wonder if our hardworking, God-fearing community members punished us for something as intangible as whimsy. We would not have felt eccentric in a northern city, but in Prairie Center we were perhaps outside the bounds of the collective imagination.
The ambulances were streaking down the highway while I lay in bed in our farmhouse, in what used to be a very small town called Prairie Junction. Three years before they had built a greyhound racetrack outside of the city limits, a facility which has brought so many businesses and goods and services to the area the governing body voted to change the name of the new, improved version of our town to Prairie Center. Even people who lived there could never remember where they were.
I wondered if a building was burning down, if there was a car accident at the perilous intersection, or a baby coming early in one of the subdivisions. Our range of disaster in that town was fairly limited, but we were due for something, certainly. The last rain had come at the beginning of April and now, at the first of June, all but the hardiest mosquitoes had left their papery skins in the grass. It was already seven o'clock in the morning, long past time to close the windows and doors, trap what was left of the night air, slightly cooler only by virtue of the dark. The dust on the gravel had just enough energy to drift a short distance and then collapse on the flower beds. The sun had a white cast, as if shade and shadow, any flicker of nuance, had been burned out by its own fierce center. There would be no late afternoon gold, no pale early morning yellow, no flaming orange at sunset. If the plants had vocal cords they would sing their holy dirges like slaves.
I often had the fanciful thought that the pond would save us; it would be the one thing that would postpone our deaths by scorching as the climate of our part of the world changed. We were going to spend the long summer months ahead thinking always of the relief of our own unspoiled waters. Most afternoons our daughters, Emma and Claire, and I, and occasionally Howard, farmer, husband, and father, would walk the thirty yards down the wooded path to the jewel of the property, the clear water gurgling up from a spring into a seven-acre pond. There were no leeches, no film or scum or snapping turtles, no monstrous vestiges from the Cretaceous Age lurking in the depths. There, under the blazing sun, were cool, clean ripples spreading from their mysterious source and fanning to the shore, while trout circled beneath.
I needed to get out of bed. Howard, in his quiet, sissing voice, soothing as a dove, had told me to sleep in, but I should have been up to help him, should have woken hours earlier. I lay still and took another minute to smell: I smelled the warm, sweet, all-pervasive smell of silage, as well as the sour dirty laundry spilling over the basket in the hall. I could pick out the acrid smell of Claire's drenched diaper, her sweaty feet, and her hair crusted with sand. The heat compounded the smells, doubled the fragrance. Howard always smelled and through the house his scent seemed always to be warm. His was a musky smell, as if the source of a muddy river, the Nile or the Mississippi, began right in his armpits. I had grown used to thinking of his smell as the fresh man smell of hard work. Too long without washing and I tenderly beat his knotty arms with my fists. That morning there was alfalfa on his pillow and cow manure embedded in his tennis shoes and the cuffs of his coveralls that lay by the bed. Those were sweet reminders of him. He had gone out as one shaft of searing light came through the window. He had put on clean clothes to milk the cows.
I knew just then, in a brief glimmer of truth, that the stink and mess, the frenetic dullness of farming, our marriage, the tedium of work and love—all of it was my savior. Half the world seemed to be scheming to escape husbands or wives, but I was planted firmly enough, striving, always striving, to take root. I was sure that that morning our family was connected by a ribbon of pure, steaming, binding, inviolable stench, going from room to room and out to the barn. I was so far from my mistakes of the school year, never considering in the freedom of summer that my winter's missteps could strain our vigorous bonds.
At breakfast I was putting out bowls when Claire banged her spoon on the table and announced, "I'm going to die when you do."
"What?" I said, once in a voice roughly an octave lower than usual, and then again in my normal register. "What?" What had possessed Claire, three years old, to say such a thing, other than the terrible force of our doomsayer genes? Or was she prescient? Did she see before her our wrecked car, the Jaws of Life working in vain to extract what was left of us? In any case, I wasn't paying strict attention that morning; I didn't think about my five-year-old daughter, Emma, requiring milk in her red plastic cup so that she could pour her own milk over her cereal. In all innocence I poured the unpasteurized, completely homogenized milk from our cows straight from the blue pitcher into Emma's bowl.
"WHAT ARE YOU DOING?"
"Christ," I said under my breath.
Emma's shrieks made our one crystal vase rattle and the blood pound in my head. She was flailing in her chair as if she'd been inadequately electrocuted. I knew from experience that there was not going to be any quick consolation for my transgression. "Emma, Emma, Emma," I said, wishing I could somehow teach her to take the smaller blows of life in stride. It was possible my blunder would start a chain reaction that might last a full morning, one tantrum after the next, each round going off when we least expected it.
"Why did you do that?" she sobbed. She was the child who was frequently on the verge of hysteria, the tears right under her lids waiting to fall. She was so often unhappy about what she didn't have or was about to receive. We led a hectic life, and she had a darling baby sister who had stolen some of her thunder, but even so her tantrums were excessive, indeed violent. They frightened me. They seemed to be about so much more than the protocol I had...
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Audio Cassette. Zustand: Good. 2 AUDIO CASSETTES, TESTED FOR YOUR SATISFACTION, in the original printed box. Some shelf wear to the case. Each cassette is in an individual slot, protected and clear sounding. ENJOY THIS AUDIO CASSETTE PERFORMANCE. Audio Book. Artikel-Nr. ORCAS1023130212
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AUDIO CASSETTE. Zustand: Good. CASSETTES! 2 AUDIO CASSETTE EDITION. You will receive this performance on two audio cassettes. We will test each cassette tape prior to shipping for a worthwhile listening experience. Enjoy this AUDIO CASSETTE production for your home and library. Artikel-Nr. 1200APLUS7528
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