Considered by some to be her finest work, Edith Wharton’s Summer created a sensation when first published in 1917, as it was one of the first novels to deal honestly with a young woman’s sexual awakening.
Summer is the story of Charity Royall, a child of mountain moonshiners adopted by a family in a poor New England town, who has a passionate love affair with Lucius Harney, an educated man from the city. Wharton broke the conventions of women’s romantic fiction by making Charity a thoroughly independent modern woman—in touch with her emotions and sexuality, yet kept from love and the larger world she craves by the overwhelming pressures of heredity and society.
Praised for its realism and honesty by such writers as Joseph Conrad and Henry James and compared to Flaubert’s Madame Bovary, Summer remains as fresh and powerful a novel today as when it was first written.
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The upper stratum of New York society into which Edith Wharton was born in 1862 provided her with an abundance of material as a novelist but did not encourage her growth as an artist. Educated by tutors and governesses, she was raised for only one career: marriage. But her marriage, in 1885, to Edward Wharton was an emotional disappointment, if not a disaster. She suffered the first of a series of nervous breakdowns in 1894. In spite of the strain of her marriage, or perhaps because of it, she began to write fiction and published her first story in 1889.
Her first published book was a guide to interior decorating, but this was followed by several novels and story collections. They were written while the Whartons lived in Newport and New York, traveled in Europe, and built their grand home, The Mount, in Lenox, Massachusetts. In Europe, she met Henry James, who became her good friend, traveling companion, and the sternest but most careful critic of her fiction. The House of Mirth (1905) was both a resounding critical success and a bestseller, as was Ethan Frome (1911). In 1913 the Whartons were divorced, and Edith took up permanent residence in France. Her subject, however, remained America, especially the moneyed New York of her youth. Her great satiric novel, The Custom of the Country was published in 1913 and The Age of Innocence won her the Pulitzer Prize in 1921.
In her later years, she enjoyed the admiration of a new generation of writers, including Sinclair Lewis and F. Scott Fitzgerald. In all, she wrote some thirty books, including an autobiography. A Backwards Glance (1934). She died at her villa near Paris in 1937.
Considered by some to be her finest work, Edith Wharton's "Summer created a sensation when first published in 1917, as it was one of the first novels to deal honestly with a young woman's sexual awakening. "Summer is the story of proud and independent Charity Royall, a child of mountain moonshiners adopted by a family in a poor New England town, who has a passionate love affair with Lucius Harney, an educated young man from the city. Wharton broke the conventions of woman's romantic fiction by making Charity a thoroughly contemporary woman--in touch with her feelings and sexuality, yet kept from love and the larger world she craves by the overwhelming pressures of environment and heredity. Praised for its realism and candor by such writers as Joseph Conrad and Henry James and compared to Flaubert's "Madame Bovary, "Summer was one of Wharton's personal favorites of all her novels and remains as fresh and relevant today as when it was first written.
Chapter One
A GIRL CAME out of lawyer Royall's house, at the end of the one street of North Dormer, and stood on the doorstep.
It was the beginning of a June afternoon. The spring–like transparent sky shed a rain of silver sunshine on the roofs of the village, and on the pastures and larchwoods surrounding it. A little wind moved among the round white clouds on the shoulders of the hills, driving their shadows across the fields and down the grassy road that takes the name of street when it passes through North Dormer. The place lies high and in the open, and lacks the lavish shade of the more protected New England villages. The clump of weeping–willows about the duck pond, and the Norway spruces in front of the Hatchard gate, cast almost the only roadside shadow between lawyer Royall's house and the point where, at the other end of the village, the road rises above the church and skirts the black hemlock wall enclosing the cemetery.
The little June wind, frisking down the street, shook the doleful fringes of the Hatchard spruces, caught the straw hat of a young man just passing under them, and spun it clean across the road into the duck pond.
As he ran to fish it out the girl on lawyer Royall's doorstep noticed that he was a stranger, that he wore city clothes, and that he was laughing with all his teeth, as the young and careless laugh at such mishaps.
Her heart contracted a little, and the shrinking that sometimes came over her when she saw people with holiday faces made her draw back into the house and pretend to look for the key that she knew she had already put into her pocket. A narrow greenish mirror with a gilt eagle over it hung on the passage wall, and she looked critically at her reflection, wished for the thousandth time that she had blue eyes like Annabel Balch, the girl who sometimes came from Springfield to spend a week with old Miss Hatchard, straightened the sunburnt hat over her small swarthy face, and turned out again into the sunshine.
"How I hate everything!" she murmured.
The young man had passed through the Hatchard gate, and she had the street to herself. North Dormer is at all times an empty place, and at three o'clock on a June afternoon its few able–bodied men are off in the fields or woods, and the women indoors, engaged in languid household drudgery.
The girl walked along, swinging her key on a finger, and looking about her with the heightened attention produced by the presence of a stranger in a familiar place. What, she wondered, did North Dormer look like to people from other parts of the world? She herself had lived there since the age of five, and had long supposed it to be a place of some importance. But about a year before, Mr. Miles, the new Episcopal clergyman at Hepburn, who drove over every other Sunday–when the roads were not ploughed up by hauling–to hold a service in the North Dormer church, had proposed, in a fit of missionary zeal, to take the young people down to Nettleton to hear an illustrated lecture on the Holy Land; and the dozen girls and boys who represented the future of North Dormer had been piled into a farmwagon, driven over the hills to Hepburn, put into a way–train and carried to Nettleton. In the course of that incredible day Charity Royall had, for the first and only time, experienced railway–travel, looked into shops with plate–glass fronts, tasted cocoa–nut pie, sat in a theatre, and listened to a gentleman saying unintelligible things before pictures that she would have enjoyed looking at if his explanations had not prevented her from understanding them. This initiation had shown her that North Dormer was a small place, and developed in her a thirst for information that her position as custodian of the village library had previously failed to excite. For a month or two she dipped feverishly and disconnectedly into the dusty volumes of the Hatchard Memorial Library; then the impression of Nettleton began to fade, and she found it easier to take North Dormer as the norm of the universe than to go on reading.
The sight of the stranger once more revived memories of Nettleton, and North Dormer shrank to its real size. As she looked up and down it, from lawyer Royall's faded red house at one end to the white church at the other, she pitilessly took its measure. There it lay, a weather–beaten sunburnt village of the hills, abandoned of men, left apart by railway, trolley, telegraph, and all the forces that link life to life in modern communities. It had no shops, no theatres, no lectures, no "business block"; only a church that was opened every other Sunday if the state of the roads permitted, and a library for which no new books had been bought for twenty years, and where the old ones mouldered undisturbed on the damp shelves. Yet Charity Royall had always been told that she ought to consider it a privilege that her lot had been cast in North Dormer. She knew that, compared to the place she had come from, North Dormer represented all the blessings of the most refined civilization. Everyone in the village had told her so ever since she had been brought there as a child. Even old Miss Hatchard had said to her, on a terrible occasion in her life: "My child, you must never cease to remember that it was Mr. Royall who brought you down from the Mountain."
She had been "brought down from the Mountain"; from the scarred cliff that lifted its sullen wall
above the lesser slopes of Eagle Range, making a perpetual background of gloom to the lonely valley. The Mountain was a good fifteen miles away, but it rose so abruptly from the lower hills that it seemed almost to cast its shadow over North Dormer. And it was like a great magnet drawing the clouds and scattering them in storm across the valley. If ever, in the purest summer sky, there trailed a thread of vapour over North Dormer, it drifted to the Mountain as a ship drifts to a whirlpool, and was caught among the rocks, torn up and multiplied, to sweep back over the village in rain and darkness.
Charity was not very clear about the Mountain; but she knew it was a bad place, and a shame to have come from, and that, whatever befell her in North Dormer, she ought, as Miss Hatchard had once reminded her, to remember that she had been brought down from there, and hold her tongue and be thankful. She looked up at the Mountain, thinking of these things, and tried as usual to be thankful. But the sight of the young man turning in at Miss Hatchard's gate had brought back the vision of the glittering streets of Nettleton, and she felt ashamed of her old sun–hat, and sick of North Dormer, and jealously aware of Annabel Balch of Springfield, opening her blue eyes somewhere far off on glories greater than the glories of Nettleton.
"How I hate everything!" she said again.
Half–way down the street she stopped at a weak–hinged gate. Passing through it, she walked down a brick path to a queer little brick temple with white wooden columns supporting a pediment on which was inscribed in tarnished gold letters; "The Honorius Hatchard Memorial Library, 1832."
Honorius Hatchard had been old Miss Hatchard's great–uncle; though she would undoubtedly have reversed the phrase, and put forward, as her only claim to distinction, the fact that she was his great–niece. For Honorius Hatchard, in the early years of the nineteenth century, had enjoyed a modest celebrity. As the marble tablet in the interior of the library informed its infrequent visitors, he had possessed marked literary gifts, written a series of papers called "The Recluse of Eagle Range," enjoyed the acquaintance of Washington Irving and Fitz–Greene Halleck, and been cut off in his flower by a fever contracted in Italy. Such had been the...
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