The Men Who Would Be King: An Almost Epic Tale of Moguls, Movies, and a Company Called DreamWorks

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9780547134703: The Men Who Would Be King: An Almost Epic Tale of Moguls, Movies, and a Company Called DreamWorks
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"Want to know how business really works in LaLa Land? Read this book"
--Liz Smith, wowOwow.com
"LaPorte's lenghty narrative is the definitive history of the studio, an achievement of dispassionate reporting in the genre of corporate decline-and-fall...Hollywood, with its penchant for sunny publicity and an obsession for secrecy, is a notoriously difficult business in which to uncover the truth...Most reporters are not up to the task. LaPorte is... "The Men Who Would Be King "will be required reading for anyone interested in the story of DreamWorks."
--"L.A. Times
"
"A thrilling ride... The bumbling and infighting are just too good, and sad, to resist... We're privy to some serious dirt. LaPorte has clearly done her homework... The sheer scope and depth of "The Men Who Would Be King "impresses. No hissy fit escapes LaPorte's gaze. Every time Geffen has a meltdown or A-list stars like Russell Crowe throw trantrums, LaPorte is there to capture it."
--"Boston Globe
"
"Daily Beast contributor and former Variety reporter LaPorte penetrates the mysterious inner workings of DreamWorks. . . . LaPorte marshals an awesome body of research to vividly depict DreamWorks' confused identity, the personality conflicts and ego clashes that raged behind the company's friendly, low-key exterior . . . Behind-the-scenes glimpses at the productions of such signature DreamWorks films as American Beauty and Gladiator are wonderfully diverting Hollywood dirt, but the heart of the story is simple human ambition. Stories of Katzenberg's toxic and litigious relationship with former boss and Disney honcho Michael Eisner, Geffen's mission to destroy agent Michael Ovitz and the rivalry between DreamWorks Animation and Disney's Pixar are fascinating for their insights into the ways petty personal issues are expressed in multibillion-dollar transactions. In Hollywood, it seems, business is always personal. A gripping account of money, ambition and the movies . .h

Vom Verlag:

For sixty years, since the birth of United Artists, the studio landscape was unchanged. Then came Hollywood's Circus Maximus - created by director Steven Spielberg, billionaire David Geffen, and Jeffrey Katzenberg, who gave the world "The Lion King" - an entertainment empire called DreamWorks. Now Nicole LaPorte who covered the company for Variety, goes behind the hype to reveal for the first time the delicious truth of what happened. Readers will feel they are part of the creative calamities of moviemaking as LaPorte's fly-on-the-wall detail shows us Hollywood's bizarre rules of business. We see the clashes between the often otherworldly Spielberg's troops and Katzenberg's warriors, the debacles and disasters, but also the Oscar-winning triumphs, including "Saving Private Ryan". We watch as the studio burns through billions, its rich owners get richer, and everybody else suffers. We see Geffen seducing investors like Microsoft's Paul Allen, showing his steel against CAA's Michael Ovitz, and staging fireworks during negotiations with Paramount and Disney. Here is Hollywood, up close, glamorous, and gritty.

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