The Leopard Is Loose: A novel - Hardcover

Harrigan, Stephen

 
9780525655770: The Leopard Is Loose: A novel
Hardcover
ISBN 10: 0525655778 ISBN 13: 9780525655770
Verlag: Knopf, 2022

Inhaltsangabe

The fragile, 1952 postwar tranquility of a young boy’s world explodes one summer day when a leopard escapes from the Oklahoma City zoo, throwing all the local residents into dangerous excitement, in this evocative story of a child’s confrontation with his deepest fears

For Grady McClarty, an ever-watchful but bewildered five-year-old boy, World War II is only a troubling, ungraspable event that occurred before he was born. But he feels its effects all around him. He and his older brother Danny are fatherless, and their mother, Bethie, is still grieving for her fighter-pilot husband. Most of all, Grady senses it in his two uncles: young combat veterans determined to step into a fatherhood role for their nephews, even as they struggle with the psychological scars they carry from the war.
 
When news breaks that a leopard has escaped from the Oklahoma City Zoo, the playthings and imagined fears of Grady’s childhood begin to give way to real-world terrors, most imminently the dangerous jungle cat itself. The Leopard Is Loose is a stunning encapsulation of America in the 1950s, and a moving portrait of a boy’s struggle to find his place in the world.

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Über die Autorin bzw. den Autor

STEPHEN HARRIGAN is the author of the New York Times best-selling The Gates of the Alamo, Remember Ben Clayton (which, among other awards, won the James Fenimore Cooper Prize from the Society of American Historians for best historical novel), Challenger Park, A Friend of Mr. Lincoln, and Big Wonderful Thing: A History of Texas. He is a writer-at-large for Texas Monthly, as well as a screenwriter who has written many movies for television. He lives in Austin, Texas.

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1

To the Oklahoma Historical Society:

My name is Grady McClarty. I am seventy years old, the retired general manager of Wolfcamp Chevrolet in Midland, Texas, where I have resided for most of my life. I am writing in response to a request I received from one of your archivists, Marguerite Talkingthunder, to record an oral history of the “great leopard escape” that occurred in Oklahoma City when I was living there as a young boy in the early 1950s.

I hope it won’t disappoint you if I provide a written reminiscence instead of an oral one. I ordered a little digital recorder from Amazon and did my best to tell this story into it. But I’ve always found it difficult to order my thoughts when speaking out loud, and even though I tried recording myself in the garage, out of the hearing of my wife, Jeannette, I still felt too conspicuous and self-conscious. For one thing, this is an intimate story about a little boy and his family, and trying to tell it out loud meant always having to resist the temptation to make it bigger, to inflate it with a meaning it didn’t have then, and I assume does not have now. (Although of course the leopard escape was at the time a very big deal, and I and my family played a part in it, which is the reason you asked for my memories in the first place.)

This might turn out to be a lengthy document. Your request had the effect of knocking the lid off a big box of memories, and reminding me that despite or because of a lifetime in the car business, I’ve always imagined a parallel existence for myself as a writer. A strain of artistic aspiration, mostly frustrated by real-life demands, runs through my mother’s side of the family, going back at least to my great-grandmother, who wrote a privately published, surprisingly colorful history of the Kansas county where her Czech ancestors settled. That particular family trait didn’t spare me. I was an English major at the University of Texas until some sort of reality panic—a sense that I was whimsically indulging myself in a hobby and not investing in a real career—caused me to switch to business. But I never gave up reading. I’m the ringleader of a Midland book club that has met every month for forty years. My children, after I die, will one day open a locked drawer in the desk of my home office and find a puzzling artifact: a dozen old-time floppy disks that contain an unfinished and hopelessly unfocused historical novel about the early days of oil exploration in the Permian Basin.

And now it seems you’ve given me something else, something closer to home, to write about. I’ve reached an age where looking into my past, trying to sort out who everybody was back then, and what they were thinking, and how I came to be who I am, feels not just natural but sort of urgent. I don’t know why this should be so, particularly in the case of someone like me who has lived an utterly ordinary life and has nothing exciting to report. But there does seem to be a kind of summing-up instinct that hits people around this stage of life, if we’re lucky enough to have made it this far—a sudden interest in family origins and ancestors and, especially, the unsolved mysteries of childhood that we didn’t even know at the time were mysteries.

I was only five years old when the leopard escaped, so you’ll have to take that into account when judging the accuracy of these recollections. I searched the Internet under “childhood memories” recently and it seems to be the case that people can remember highly significant or highly emotional events from their childhoods—losing a parent, getting a dog, moving to a new house—as early as three years of age, but that most real memories don’t form until about four and a half. I suppose that puts me in the zone of reliability, at least somewhat. But memories are mostly about the events that for one reason or another seized our attention; they’re not a continuous record of everything that happened in between. What I retain from those distant years is a more or less random accumulation of textures, smells, gestures, tones of voice, feelings of safety or fear, a strong sense of a particular place experienced with a child’s hazy awareness of time. In order to write all this down in a way that makes sense, I’m going to have to pretend that I was observing things more clearly and listening more carefully than I really was. You should, for instance, treat the conversations that I recount here in quotation marks as only an earnest effort to approximate what might actually have been said. It’s up to you to decide whether any of this can be thought of as history, and not merely fiction, but I wanted you to know it’s as conscientious an effort as I could make with the fragments of memory available to me. I was just a young boy; I wasn’t taking notes.

This all happened in the summer of 1952. My mother and my brother, Danny, and I lived in a two-bedroom backyard apartment on NW 34th Street that backed up to a sprawling public park. In front of us, across a small patch of fenced-in yard, was the two-story prairie-style house where my grandparents and my aunt Vivian lived, and above us lived my two uncles, in a garage apartment whose main room was dominated by a pool table.

It added up to a kind of family compound. My grandparents’ house, where they had largely raised their children, was erected before World War I. The addition in back—our place and the bachelor apartment above it—was several decades newer. My grandfather had it built a few years after the end of the next war so that my suddenly widowed mother and her infant son and another son on the way (me) would have a place to live when they came home to Oklahoma City.

I suppose it was a common enough arrangement at the time, when so many young married men had been killed in the war, and so many young mothers were left without husbands and had to be absorbed back into the homes they thought they had left behind to make families of their own. It was certainly no novelty to me or to Danny. Like any children, we accepted the world we were born into without a thought. In our case, it was a world whose center was a mother who was—I realize now—still unsteady from grief and shock. We called her Bethie, because there were so many people in our household who called her that—our grandparents and aunt and uncles—that the words “Mother” or “Mom” never had much of a chance to enter our vocabulary.

I’ve gone back through all the newspaper accounts about the leopard escape. There’s a clear beginning and end to that story, and I’ll try to write this so that it tracks along with the larger narrative and has a beginning and an end as well. The experienced writer I once hoped to become would have a better idea of a compelling place to start, but I’m just going to have to follow my instincts and hope that my memories—my own story—will end up being relevant and useful to the Historical Society.

So I’ll begin on a summer night that was probably a week or so before Oklahoma City went insane, when the little world I inhabited still seemed orderly and peaceful. It was dark, and it must have been late, otherwise when I woke up in the bedroom I shared with Danny I would have still heard the thock-thock-thock of tennis balls echoing in the summer night from the park behind our house. I was awake because I had to teetee, as we said back in the 1950s. The bathroom was midway in the hallway between our bedroom and our mother’s, but when I got out of bed and took a step into the hallway I saw that the light was off and the open door leading to the bathroom was like the entrance to a chasm. Our room had a...

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Verlag
Knopf
Erscheinungsdatum
2022
Sprache
Englisch
ISBN 10 
0525655778
ISBN 13 
9780525655770
Einband
Gebundene Ausgabe
Anzahl der Seiten
256
Kontakt zum Hersteller
Nicht verfügbar
Verantwortliche Person
Buchpark GmbH
gpsr@buchpark.de

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Trebbin
Brandenburg
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