"A buoyant tale about the path to acceptance and joy--beginning, like all journeys, with one brave step."--People
"The best-selling novelist has done a masterful job of depicting the circumstances of a generation of women we seldom think about: the mothers, sisters, wives and fiances of men lost in World War I, whose job it was to remember those lost but not forgotten."--Associated Press
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1932. After the Great War took both her beloved brother and her fiancé, Violet Speedwell has become a "surplus woman," one of a generation doomed to a life of spinsterhood after the war killed so many young men. Yet Violet cannot reconcile herself to a life spent caring for her grieving, embittered mother. After countless meals of boiled eggs and dry toast, she saves enough to move out of her mother's place and into the town of Winchester, home to one of England's grandest cathedrals. There, Violet is drawn into a society of broderers--women who embroider kneelers for the Cathedral, carrying on a centuries-long tradition of bringing comfort to worshippers.
Violet finds support and community in the group, fulfillment in the work they create, and even a growing friendship with the vivacious Gilda. But when forces threaten her new independence and another war appears on the horizon, Violet must fight to put down roots in a place where women aren't expected to grow. Told in Chevalier's glorious prose, A Single Thread is a timeless story of friendship, love, and a woman crafting her own life.
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Tracy Chevalier is the New York Times bestselling author of nine previous novels, including Girl with a Pearl Earring, which has been translated into forty-three languages and made into an Oscar-nominated film. Born and raised in Washington, DC, she lives in London with her husband and son.
1
"Shhh!"
Violet Speedwell frowned. She did not need shushing; she had not said anything.
The shusher, an officious woman sporting a helmet of gray hair, had planted herself squarely in the archway that led into the choir, Violet's favorite part of Winchester Cathedral. The choir was right in the center of the building-the nave extending one way, the presbytery and retrochoir the other, the north and south transepts' short arms fanning out on either side to complete the cross of the whole structure. The other parts of the cathedral had their drawbacks: The nave was enormous, the aisles drafty, the transepts dark, the chapels too reverential, the retrochoir lonely. But the choir had a lower ceiling and carved wood stalls that made the space feel on a more human scale. It was luxurious but not too grand.
Violet peeked over the usher's shoulder. She had only wanted to step in for a moment to look. The choir stalls of seats and benches and the adjacent presbytery seats seemed to be filled mostly with women-far more than she would expect on a Thursday afternoon. There must be a special service for something. It was the 19th of May 1932; Saint Dunstan's Day, Dunstan being the patron saint of goldsmiths, known for famously fending off the Devil with a pair of tongs. But that was unlikely to draw so many Winchester women.
She studied the congregants she could see. Women always studied other women, and did so far more critically than men ever did. Men didn't notice the run in their stocking, the lipstick on their teeth, the dated, outgrown haircut, the skirt that pulled unflatteringly across the hips, the paste earrings that were a touch too gaudy. Violet registered every flaw, and knew every flaw that was being noted about her. She could provide a list herself: hair too flat and neither one color nor another; sloping shoulders fashionable back in Victorian times; eyes so deep set you could barely see their blue; nose tending to red if she was too hot or had even a sip of sherry. She did not need anyone, male or female, to point out her shortcomings.
Like the usher guarding them, the women in the choir and presbytery were mostly older than Violet. All wore hats, and most had coats draped over their shoulders. Though it was a reasonable day outside, inside the cathedral it was still chilly, as churches and cathedrals always seemed to be, even in high summer. All that stone did not absorb warmth, and kept worshippers alert and a little uncomfortable, as if it did not do to relax too much during the important business of worshipping God. If God were an architect, she wondered, would He be an Old Testament architect of flagstone or a New Testament one of soft furnishings?
They began to sing now-"All Ye Who Seek a Rest Above"-rather like an army, regimental, with a clear sense of the importance of the group. For it was a group; Violet could see that. An invisible web ran among the women, binding them fast to their common cause, whatever that might be. There seemed to be a line of command too: Two women sitting in one of the front stall benches in the choir were clearly leaders. One was smiling, one frowning. The frowner was looking around from one line of the hymn to the next, as if ticking off a list in her head of who was there and who was not, who was singing boldly and who faintly, who would need admonishing afterward about wandering attention and who would be praised in some indirect, condescending manner. It felt just like being back at school assembly.
"Who are-"
"Shhh!" The usher's frown deepened. "You will have to wait." Her voice was far louder than Violet's mild query had been; a few women in the closest seats turned their heads. This incensed the usher even more. "This is the Presentation of Embroideries," she hissed. "Tourists are not allowed."
Violet knew such types, who guarded the gates with a ferocity well beyond what the position required. This woman would simper at deans and bishops and treat everyone else like peasants.
Their standoff was interrupted by an older man approaching along the side aisle from the empty retrochoir at the eastern end of the cathedral. Violet turned to look at him, grateful for the interruption. She noted his white hair and mustache and his stride, which, though purposeful, lacked the vigor of youth, and found herself making the calculation she did with most men. He was in his late fifties or early sixties. Minus the eighteen years since 1914, he would have been in his early forties when the Great War began. Probably he hadn't fought, or at least not till later, when younger recruits were running low. Perhaps he had a son who had fought.
The usher stiffened as he drew near, ready to defend her territory from another invader. But the man passed them with barely a glance, and trotted down the stairs to the south transept. Was he leaving, or would he turn in to the small Fishermen's Chapel, where Izaak Walton was buried? It was where Violet had been heading before her curiosity over the special service waylaid her.
The usher moved away from the archway for a moment to peer down after the man. Violet took the opportunity to slip inside and sit down in the closest empty seat, just as the dean stepped up to the pulpit in the middle of the choir aisle to her left and announced, "The Lord be with you."
"And with Thy spirit," the women around her replied in the measured tempo so familiar from church services.
"Let us pray."
As Violet bowed her head along with the others, she felt a finger poke at her shoulder. She ignored it; surely the usher would not interrupt a prayer.
"Almighty God, who of old didst command that Thy sanctuary be adorned with works of beauty and cunning craftsmanship, for the hallowing of Thy name and the refreshing of men's souls, vouchsafe, we beseech Thee, to accept these offerings at our hands, and grant that we may ever be consecrated to Thy service; for Jesus Christ's sake. Amen."
Violet looked around. Like the choir's, the presbytery chairs were turned inward rather than forward toward the high altar. Across from her were ranks of women in facing seats, and behind them, a stone parclose decorated with tracery in the form of arches and curlicues. On the top of the screen sat stone mortuary chests containing the bones of bishops and kings and queens-unfortunately jumbled together during the Civil War when Cromwell's men apparently opened the chests and threw the bones about. During a tour that Violet dutifully took after moving to Winchester, the guide had told her the soldiers threw femurs at the Great West Window and destroyed the stained glass. Once Charles II had been restored to the throne in 1660 it too had been restored, using saved shards of glass, but it was remade higgledy-piggledy, with little attempt to re-create the biblical scenes originally depicted. Yet it looked orderly, as did the mortuary chests-so tidy and certain, resting above her head now, as if they had always been and always would be there. This building might look permanent, but parts of it had been taken apart and put back together many times.
It was impossible to imagine that such bad behavior could have taken place in so solid a building, where they were now obediently reciting the Lord's Prayer. But then, it had been impossible to imagine that solid old Britain would go to war with Germany and send so many men off to die. Afterward the country had been put back together like the Great West Window-defiant and superficially repaired, but the damage had been done.
"In the faith of Jesus Christ we dedicate these gifts to the glory of God." As he spoke the dean gestured toward the high altar at the far end of the presbytery. Violet craned her neck to see what gifts he was referring to, then stifled a laugh. Stacked in even, solemn rows on the steps before the altar were dozens of...
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