“A quirky romcom dusted with philosophical observations….A delightfully witty…poignant novel.” —The Washington Post
“She smiled a soft, troubled smile and I felt the whole world slipping away, and I wanted to slip with it, to go wherever she was going… I had existed whole years without her, but that was all it had been. An existence. A book with no words.”
Tom Hazard has just moved back to London, his old home, to settle down and become a high school history teacher. And on his first day at school, he meets a captivating French teacher at his school who seems fascinated by him. But Tom has a dangerous secret. He may look like an ordinary 41-year-old, but owing to a rare condition, he's been alive for centuries. Tom has lived history--performing with Shakespeare, exploring the high seas with Captain Cook, and sharing cocktails with Fitzgerald. Now, he just wants an ordinary life.
Unfortunately for Tom, the Albatross Society, the secretive group which protects people like Tom, has one rule: Never fall in love. As painful memories of his past and the erratic behavior of the Society's watchful leader threaten to derail his new life and romance, the one thing he can't have just happens to be the one thing that might save him. Tom will have to decide once and for all whether to remain stuck in the past, or finally begin living in the present.
How to Stop Time tells a love story across the ages—and for the ages—about a man lost in time, the woman who could save him, and the lifetimes it can take to learn how to live. It is a bighearted, wildly original novel about losing and finding yourself, the inevitability of change, and how with enough time to learn, we just might find happiness.
Soon to be a major motion picture starring Benedict Cumberbatch.
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Matt Haig is the author of the internationally bestselling memoir Reasons to Stay Alive, along with five novels, including The Humans and The Radleys, and several award-winning children's books. His work has been translated into more than thirty languages.
PART ONE
Life Among the Mayflies
I am old.
That is the main thing to tell you. The thing you are least likely to believe. If you saw me you would probably think I was about forty, but you would be very wrong.
I am old – old in the way that a tree, or a quahog clam, or a Renaissance painting is old.
To give you an idea: I was born well over four hundred years ago on the third of March 1581, in my parents’ room, on the third floor of a small French château that used to be my home. It was a warm day, apparently, for the time of year, and my mother had asked her nurse to open all the windows.
‘God smiled on you,’ my mother said. Though I think she might have added that – should He exist – the smile had been a frown ever since.
My mother died a very long time ago. I, on the other hand, did not.
You see, I have a condition.
I thought of it as an illness for quite a while, but illness isn’t really the right word. Illness suggests sickness, and wasting away. Better to say I have a condition. A rare one, but not unique. One that no one knows about until they have it.
It is not in any official medical journals. Nor does it go by an official name. The first respected doctor to give it one, back in the1890s, called it ‘anageria’ with a soft ‘g’, but, for reasons that will become clear, that never became public knowledge. The condition develops around puberty. What happens after that is, well, not much. Initially the ‘sufferer’ of the condition won’t notice they have it. After all, every day people wake up and see the same face they saw in the mirror yesterday. Day by day, week by week, even month by month, people don’t change in very percep- tible ways.
But as time goes by, at birthdays or other annual markers, people begin to notice you aren’t getting any older.
The truth is, though, that the individual hasn’t stopped ageing. They age exactly the same way. Just much slower. The speed of ageing among those with anageria fluctuates a little, but generally it is a 1:15 ratio. Sometimes it is a year every thirteen or fourteen years but with me it is closer to fifteen.
So, we are not immortal. Our minds and bodies aren’t in stasis. It’s just that, according to the latest, ever-changing science, various aspects of our ageing process – the molecular degeneration, the cross-linking between cells in a tissue, the cellular and molecular mutations (including, most significantly, to the nuclear DNA) – happen on another timeframe.
My hair will go grey. I may go bald. Osteoarthritis and hearing loss are probable. My eyes are just as likely to suffer with age-related presbyopia. I will eventually lose muscle mass and mobility.
A quirk of anageria is that it does tend to give you a heightened immune system, protecting you from many (not all) viral and bacte- rial infections, but ultimately even this begins to fade. Not to bore you with the science, but it seems our bone marrow produces more hematopoietic stem cells – the ones that lead to white blood cells – during our peak years, though it is important to note that this doesn’t protect us from injury or malnutrition, and it doesn’t last.
So, don’t think of me as a sexy vampire, stuck for ever at peak virility. Though I have to say it can feel like you are stuck for ever when, according to your appearance, only a decade passes between the death of Napoleon and the first man on the moon.
One of the reasons people don’t know about us is that most people aren’t prepared to believe it.
Human beings, as a rule, simply don’t accept things that don’t fit their worldview. So you could say ‘I am four hundred and thirty- nine years old’ easily enough, but the response would generally be ‘are you mad?’. ‘Or, alternatively, death.’
Another reason people don’t know about us is that we’re protected. By a kind of organisation. Anyone who does discover our secret, and believes it, tends to find their short lives are cut even shorter. So the danger isn’t just from ordinary humans.
It’s also from within.
Sri Lanka, three weeks ago
Chandrika Seneviratne was lying under a tree, in the shade, a hundred metres or so behind the temple. Ants crawled over her wrinkled face. Her eyes were closed. I heard a rustling in the leaves above and looked up to see a monkey staring down at me with judging eyes.
I had asked the tuk-tuk driver to take me monkey spotting at the temple. He’d told me this red-brown type with the near bald face was a rilewa monkey.
‘Very endangered,’ the driver had said. ‘There aren’t many left. This is their place.’
The monkey darted away. Disappeared among leaves.
I felt the woman’s hand. It was cold. I imagined she had been lying here, unfound, for about a day. I kept hold of her hand and found myself weeping. The emotions were hard to pin down. A rising wave of regret, relief, sorrow and fear. I was sad that Chandrika wasn’t here to answer my questions. But I was also relieved I didn’t have to kill her. I knew she’d have had to die.
This relief became something else. It might have been the stress or the sun or it might have been the egg hoppas I’d had for break- fast, but I was now vomiting. It was in that moment that it became clear to me. I can’t do this any more.
There was no phone reception at the temple, so I waited till I was back in my hotel room in the old fort town of Galle tucked inside my mosquito net sticky with heat, staring up at the pointlessly slow ceiling fan, before I phoned Hendrich.
‘You did what you were supposed to do?’ he said.
‘Yes,’ I said, which was halfway to being true. After all, the outcome had been the one he’d asked for. ‘She is dead.’ Then I asked what I always asked. ‘Have you found her?’
‘No,’ he said, as always. ‘We haven’t. Not yet.’
Yet. That word could trap you for decades. But this time, I had a new confidence.
‘Now, Hendrich, please. I want an ordinary life. I don’t want to do this.’
He sighed wearily. ‘I need to see you. It’s been too long.’
Los Angeles, two weeks ago
Hendrich was back in Los Angeles. He hadn’t lived there since the 1920s so he assumed it was pretty safe to do so and that no one was alive who would remember him from before. He had a large house in Brentwood that served as the headquarters for the Albatross Society. Brentwood was perfect for him. A geranium-scented land of large houses tucked behind high fences and walls and hedges, where the streets were free from pedestrians and everything, even the trees, looked perfect to the point of sterile.
I was quite shocked, on seeing Hendrich, sitting beside his large pool on a sun-lounger, laptop on knee. Normally, Hendrich looked pretty much the same, but I couldn’t help notice the change. He looked younger. Still old and arthritic, but, well, better than he’d done in a century.
‘Hi, Hendrich,’ I said, ‘you look good.’
He nodded, as if this wasn’t new information. ‘Botox. And a brow lift.’
He wasn’t even joking. In this life he was a former plastic surgeon. The back story was that after retiring he had moved from Miami...
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