A detailed analysis of the songs of Johannes Brahms.
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Inge van Rij is a lecturer in music at Victoria University of Wellington, New Zealand.
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Anbieter: Better World Books: West, Reno, NV, USA
Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Artikel-Nr. 53370934-75
Anzahl: 1 verfügbar
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
Zustand: New. In. Artikel-Nr. ria9780521835589_new
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Anbieter: Kennys Bookstore, Olney, MD, USA
Zustand: New. A detailed analysis of the songs of Johannes Brahms. Num Pages: 284 pages, 16 tones 20 tables 41 music examples. BIC Classification: AVGC5; AVH. Category: (P) Professional & Vocational. Dimension: 247 x 174 x 17. Weight in Grams: 739. . 2006. Illustrated. hardcover. . . . . Books ship from the US and Ireland. Artikel-Nr. V9780521835589
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Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
Hardcover. Zustand: Brand New. 1st edition. 280 pages. 9.50x7.00x0.75 inches. In Stock. Artikel-Nr. x-0521835585
Anzahl: 2 verfügbar
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Brahms once complained that singers never performed his songs in the groups in which he had published them, which he likened to 'song bouquets'. Over a century later, many singers and musicologists continue to ignore Brahms's wishes and focus on the individual songs rather than the bouquet groups. This is a detailed study of the implications of Brahms's comments. Following an examination of contemporary aesthetic and generic frameworks, the book traces Brahms's Lieder from their conception, to the arrangement into bouquets, to performance and reception, and examines the sometimes contradictory roles played by poet, composer, performer and recipient in creating coherence in song collections. An investigation of the graphic cycles of Max Klinger reveals a startling visual analogue of Brahms's conception of the song bouquet, and a final examination of the evidence of Brahms's aesthetic outlook reveals that his intentions may have been cyclic in more than one sense. Artikel-Nr. 9780521835589
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