In this 2002 book, Alan Dessen examines the pluses and minuses of directors' rescripting or rewrighting of Shakespeare's playtexts.
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Alan C. Dessen is Peter G. Phialas Professor of English at the University of North Carolina, Chapel Hill.
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Anbieter: AwesomeBooks, Wallingford, Vereinigtes Königreich
Hardcover. Zustand: Very Good. Rescripting Shakespeare: The Text, the Director, and Modern Productions This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. . Artikel-Nr. 7719-9780521810296
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Hardcover. Zustand: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee. Artikel-Nr. 6545-9780521810296
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Anbieter: Kennys Bookstore, Olney, MD, USA
Zustand: New. In this 2002 book, Alan Dessen examines the pluses and minuses of directors' rescripting or rewrighting of Shakespeare's playtexts. Num Pages: 282 pages, black & white illustrations. BIC Classification: AN; DSB; DSGS. Category: (P) Professional & Vocational. Dimension: 228 x 152 x 17. Weight in Grams: 562. . 2002. hardcover. . . . . Books ship from the US and Ireland. Artikel-Nr. V9780521810296
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Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Building on almost 300 productions from the last 25 years, this 2002 book focuses on the playtexts used when directors stage Shakespeare's plays: the words spoken, the scenes omitted or transposed, and the many other adjustments that must be made. Directors rescript to streamline the playscript and save running time, to eliminate obscurity, conserve on personnel, and occasionally cancel out passages that might not fit their 'concept'. They rewright when they make more extensive changes, moving closer to the role of playwrights, as when the three parts of Henry VI are compressed into two plays. Alan Dessen analyzes what such choices might exclude or preclude, and explains the exigencies faced by actors and directors in placing before today's audiences words targeted at players, playgoers, and playhouses that no longer exist. The results are of interest and importance as much to theatrical professionals as to theatre historians and students. Artikel-Nr. 9780521810296
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