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Michael Greaney examines the place of language and narrative in the writings of Joseph Conrad.
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Über die Autorin bzw. den Autor
Michael Greaney is a Senior Lecturer in English Literature at Lancaster University, UK where he teaches a first-year module on Austen's unfinished works and a third-year module on her major works. He is the author of three monographs, the most recent of which is Sleep and the Novel: Fictions of Somnolence from Jane Austen to the Present.
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Conrad, Language, and Narrative
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Cambridge University Press, 2001
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Conrad, Language, and Narrative
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ISBN 10: 0521807549
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First edition. ix+194 pages with index. Cloth. Fine in fine dustjacket. In this re-evaluation of the writings of Joseph Conrad, Michael Greaney places language and narrative at the heart of his literary achievement. A trilingual Polish expatriate, Conrad brought a formidable linguistic self-consciousness to the English novel; tensions between speech and writing are the defining obsessions of his career. He sought very early on to develop a 'writing of the voice' based on oral or communal modes of storytelling. Greaney argues that the 'yarns' of his nautical raconteur Marlow are the most challenging expression of this voice-centred aesthetic. But Conrad's suspicion that words are fundamentally untrustworthy is present in everything he wrote. The political novels of his middle period represent a breakthrough from traditional storytelling into the writerly aesthetic of high modernism. Greaney offers an examination of a wide range of Conrad's work which combines recent critical approaches to language in post-structuralism with an impressive command of linguistic theory. Artikel-Nr. 12416
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Conrad, Language, and Narrative.
Verlag:
-Cambridge University Press -, 2002
ISBN 10: 0521807549
ISBN 13: 9780521807548
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First edition. ix+194 pages with index. Cloth. Fine in fine dustjacket. In this re-evaluation of the writings of Joseph Conrad, Michael Greaney places language and narrative at the heart of his literary achievement. A trilingual Polish expatriate, Conrad brought a formidable linguistic self-consciousness to the English novel; tensions between speech and writing are the defining obsessions of his career. He sought very early on to develop a 'writing of the voice' based on oral or communal modes of storytelling. Greaney argues that the 'yarns' of his nautical raconteur Marlow are the most challenging expression of this voice-centred aesthetic. But Conrad's suspicion that words are fundamentally untrustworthy is present in everything he wrote. The political novels of his middle period represent a breakthrough from traditional storytelling into the writerly aesthetic of high modernism. Greaney offers an examination of a wide range of Conrad's work which combines recent critical approaches to language in post-structuralism with an impressive command of linguistic theory. First edition offered at original price. All items are as described and dispatched within 36 hours in a secure package. We are professional booksellers with 30 years experience and a real-life bookshop for the last 17 years. You may order with confidence. Artikel-Nr. 13317
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Zustand: New. Michael Greaney examines the place of language and narrative in the writings of Joseph Conrad. Num Pages: 206 pages, black & white illustrations. BIC Classification: 2AB; CFF; DSBH; DSK. Category: (P) Professional & Vocational. Dimension: 228 x 152 x 16. Weight in Grams: 425. . 2001. hardcover. . . . . Books ship from the US and Ireland. Artikel-Nr. V9780521807548
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Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - In this re-evaluation of the writings of Joseph Conrad, Michael Greaney places language and narrative at the heart of his literary achievement. A trilingual Polish expatriate, Conrad brought a formidable linguistic self-consciousness to the English novel; tensions between speech and writing are the defining obsessions of his career. He sought very early on to develop a 'writing of the voice' based on oral or communal modes of storytelling. Greaney argues that the 'yarns' of his nautical raconteur Marlow are the most challenging expression of this voice-centred aesthetic. But Conrad's suspicion that words are fundamentally untrustworthy is present in everything he wrote. The political novels of his middle period represent a breakthrough from traditional storytelling into the writerly aesthetic of high modernism. Greaney offers an examination of a wide range of Conrad's work which combines recent critical approaches to language in post-structuralism with an impressive command of linguistic theory. Artikel-Nr. 9780521807548
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