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Projecting Illusion: Film Spectatorship and the Impression of Reality (Cambridge Studies in Film) - Softcover

Allen, Richard

 
9780521587150: Projecting Illusion: Film Spectatorship and the Impression of Reality (Cambridge Studies in Film)
Softcover
ISBN 10: 0521587158 ISBN 13: 9780521587150
Verlag: Cambridge University Press, 2009

Inhaltsangabe

A systematic analysis of the impression of reality in the cinema.

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Über die Autorin bzw. den Autor

Richard Allen was the pen-name of James Moffat, born in Canada in 1922. Moffat was prolific, though one repeated claim that he was the author of "at least 290 novels in several genres under at least 45 pseudonyms" still requires independent verification. It is known that Moffat contributed to an early draft of the novel Somewhere in The Night, which was later completed (or entirely rewritten - sources differ) by Michael Moorcock and published under the pseudonym Bill Barclay in 1966. However it was Moffat's gritty youthsploitation novels, published in the 1970's and early 1980's under the name Richard Allen, that form the bulk of his legacy today. The Joe Hawkins story began in Skinhead (1970) and was continued in Suedehead (1971). Later there were further instalments in Joe Hawkins' story, as well as novels focussing on other youth movements such as Smoothies (1973), Punk Rock (1977) and the final Allen novel Mod Rule (1980). Altogether there were eighteen novels under the Richard Allen brand. James Moffat spent most of his final decade in obscurity, though he lived to see the reissue of the Richard Allen novels in the early 1990's. He died in July of 1993, while living in a nursing home in Newton Abbot.

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Projecting Illusion offers a systematic analysis of the impression of reality in the cinema and the pleasure it provides the film spectator. Film affords an especially compelling aesthetic experience that can be considered as a form of illusion akin to the experience of daydream and dream. Examining the concept of illusion and its relationship to fantasy in the experience of visual representation, Richard Allen situates his explanation within the context of an analytical criticism of contemporary film theory. Contrary to many critics, he argues that many contemporary film theorists correctly identify the significance of the impression of reality, although their explanation of it is incorrect because of an invalid philosophical understanding of the relationship between the mind, representation, and reality. Offering a clear presentation and critique of central arguments of contemporary film and critical theory, Projecting Illusion also touches on fundamental issues in the current discourses of philosophy, art history, and feminist theory.

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Verlag
Cambridge University Press
Erscheinungsdatum
2009
Sprache
Englisch
ISBN 10 
0521587158
ISBN 13 
9780521587150
Einband
Taschenbuch
Anzahl der Seiten
192
Kontakt zum Hersteller
Nicht verfügbar
Verantwortliche Person
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