For this second edition of Much Ado About Nothing Angela Stock has added a new section to F. H. Mares' introduction, in which she considers both the romantic and the darker aspects of the play in the light of late twentieth-century stage, film and critical interpretations.
Die Inhaltsangabe kann sich auf eine andere Ausgabe dieses Titels beziehen.
For this updated edition Angela Stock has added a new section to the Introduction in which she reviews both romantic and darker, more cynical aspects of the play in the light of late twentieth-century stage, film and critical interpretations and the play's interest in sexuality and misogyny, eavesdropping and deception.
„Über diesen Titel“ kann sich auf eine andere Ausgabe dieses Titels beziehen.
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Paperback. Zustand: Very Good. The New Cambridge Shakespeare appeals to students worldwide for its up-to-date scholarship and emphasis on performance. The series features line-by-line commentaries and textual notes on the plays and poems. Introductions are regularly refreshed with accounts of new critical, stage and screen interpretations. This second edition of Much Ado About Nothing retains the text and introduction prepared by F. H. Mares and features a new section by Angela Stock on recent film, stage and critical interpretations of the play. Mares pays special attention in the Introduction to the range of theatrical interpretations that have flourished since the first documented production of the play in the early seventeenth century. In particular, he explores notable performances of the roles of Benedick and Beatrice, from David Garrick to John Gielgud, and Peggy Ashcroft to Judi Dench. The commentary explicates the many sexual jokes in the text that are obscured by the complexity of Elizabethan English. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Artikel-Nr. GOR001219679
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Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Much Ado has always been popular on the stage. This edition pays especial attention to the history and range of theatrical interpretation, in which the most famous actors, from the time of Garrick to the present, have appeared as the sparring lovers Benedick and Beatrice. A full commentary includes annotation of the many sexual jokes in the play that have been obscured by the complexity of Elizabethan language. For this updated edition Angela Stock has added a new section to the Introduction in which she reviews the romantic and the darker, more cynical aspects of the play in the light of late twentieth-century stage, film and critical interpretations. She also tackles the interesting question of Beatrice's proper age and the critical fortunes of Hero and Claudio in terms of the play's interest in sexuality and misogyny, eavesdropping and deception. For this updated edition Angela Stock has added a new section to the Introduction in which she reviews both romantic and darker, more cynical aspects of the play in the light of late twentieth-century stage, film and critical interpretations and the play's interest in sexuality and misogyny, eavesdropping and deception. Artikel-Nr. 9780521532501
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