This text addresses the issue of impersonation, from the late fifth century BCE to the early Roman Empire.
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Anne Duncan is Associate Professor of Classics at the University of Nebraska-Lincoln, US. She is author of Performance and Identity in the Classical World(2006).
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Anbieter: Bahamut Media, Reading, Vereinigtes Königreich
Paperback. Zustand: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee. Artikel-Nr. 6545-9780521313483
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Anbieter: AwesomeBooks, Wallingford, Vereinigtes Königreich
Paperback. Zustand: Very Good. Performance and Identity in the Classical World This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. Artikel-Nr. 7719-9780521313483
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Anbieter: Kennys Bookstore, Olney, MD, USA
Zustand: New. This text addresses the issue of impersonation, from the late fifth century BCE to the early Roman Empire. Num Pages: 252 pages, black & white illustrations. BIC Classification: AN; APB; DD; JFC. Category: (P) Professional & Vocational. Dimension: 229 x 152 x 15. Weight in Grams: 380. . 2011. Reissue. paperback. . . . . Books ship from the US and Ireland. Artikel-Nr. V9780521313483
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Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Performance and Identity in the Classical World traces attitudes towards actors in Greek and Roman culture as a means of understanding ancient conceptions of, and anxieties about, the self. Actors were often viewed as frauds and impostors, capable of deliberately fabricating their identities. Conversely, they were sometimes viewed as possessed by the characters that they played, or as merely playing themselves onstage. Numerous sources reveal an uneasy fascination with actors and acting, from the writings of elite intellectuals (philosophers, orators, biographers, historians) to the abundant theatrical anecdotes that can be read as a body of 'popular performance theory'. This text examines these sources, along with dramatic texts and addresses the issue of impersonation, from the late fifth century BCE to the early Roman Empire. Artikel-Nr. 9780521313483
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Zustand: As New. Unread book in perfect condition. Artikel-Nr. 12591223
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