Professor Spevack's critical discussion shows how private desires and public affairs are inextricable in Julius Caesar and how Shakespeare frames the world of this play - person, action, place, time - within the operations of larger forces, mysterious, ironical, and undeniable. The result is the full impact of tragedy. The commentary is remarkable for its attention to questions of staging and to precise lexical glossing; the stage history supports and illustrates the rich implications and ambiguities of the play's design.
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"William Shakespeare, getauft 23.4.1564 in Stratford-upon-Avon, gest. 23.4.1616 ebenda. Dramatiker Lyriker. Erziehung an der Lateinschule Stratford, seit Ende der 80er Jahre Schauspieler, um 1585 Übersiedlung nach London, wo er als Regisseur, Dramaturg und Bühnenschriftsteller blieb. 1592 erste Erwähnung als erfolgreicher Dramatiker und Schauspieler, Anschluss an Lord Chamberlain's Company, von 1597 an Mitinhaber des Globe-Theaters. Um 1610 Rückkehr nach Stratford als angesehener, begüterter Mann. Die erste maßgebliche Gesamtausgabe von Shakespeares Werken ist die Folio-Ausgabe von 1623."(Zitiert aus dem Theaterlexikon)
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Paperback. Zustand: Very Good. Professor Spevack's critical discussion shows how private desires and public affairs are inextricable in Julius Caesar and how Shakespeare frames the world of this play - person, action, place, time - within the operations of larger forces, mysterious, ironical, and undeniable. The result is the full impact of tragedy. The commentary is remarkable for its attention to questions of staging and to precise lexical glossing; the stage history supports and illustrates the rich implications and ambiguities of the play's design. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Artikel-Nr. GOR003016282
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