It aims to encourage listeners to think more seriously about the 'social' consequences of the music they spend time with.
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Allan F. Moore is Professor of Popular Music and Head of the School of Performing Arts at the University of Surrey. He is author of Rock: The Primary Text and editor of The Cambridge Companion to Blues and Gospel Music. He is also co-editor of the journals Popular Music and Twentieth-Century Music
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Anbieter: Anybook.com, Lincoln, Vereinigtes Königreich
Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,550grams, ISBN:9780521100359. Artikel-Nr. 9267587
Anzahl: 1 verfügbar
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
Paperback. Zustand: Brand New. 1st edition. 280 pages. 8.98x5.98x0.87 inches. In Stock. Artikel-Nr. x-0521100356
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Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
Zustand: New. In English. Artikel-Nr. ria9780521100359_new
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Anbieter: Kennys Bookstore, Olney, MD, USA
Zustand: New. It aims to encourage listeners to think more seriously about the 'social' consequences of the music they spend time with. Editor(s): Moore, Professor Allan F. Num Pages: 288 pages, 35 music examples. BIC Classification: AVA; AVG. Category: (G) General (US: Trade); (U) Tertiary Education (US: College). Dimension: 153 x 224 x 18. Weight in Grams: 428. . 2009. Reissue. paperback. . . . . Books ship from the US and Ireland. Artikel-Nr. V9780521100359
Anzahl: Mehr als 20 verfügbar
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - How do we know music We perform it, we compose it, we sing it in the shower, we cook, sleep and dance to it. Eventually we think and write about it. This book represents the culmination of such shared processes. Each of these essays, written by leading writers on popular music, is analytical in some sense, but none of them treats analysis as an end in itself. The books presents a wide range of genres (rock, dance, TV soundtracks, country, pop, soul, easy listening, Turkish Arabesk) and deals with issues as broad as methodology, modernism, postmodernism, Marxism and communication. It aims to encourage listeners to think more seriously about the 'social' consequences of the music they spend time with and is the first collection of such essays to incorporate contextualisation in this way. Artikel-Nr. 9780521100359
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