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Modern Invention of Medieval Music: Scholarship, Ideology, Performance (Musical Performance and Reception) - Softcover
Inhaltsangabe
A challenging book which questions how much is really known about the way medieval music sounded.
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Über die Autorin bzw. den Autor
Daniel Leech-Wilkinson is a writer and broadcaster on medieval music. He is Reader in Historical Musicology at King's College, London and his previous books include studies and editions of the fourteenth-century poet and composer Guillaume de Machaut.
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Modern Invention of Medieval Music: Scholarship, Ideology, Performance (Musical Performance and Reception)
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Cambridge University Press, 2008
ISBN 10: 0521037042
ISBN 13: 9780521037044
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The Modern Invention of Medieval Music: Scholarship, Ideology, Performance
Verlag:
Cambridge University Press, 2008
ISBN 10: 0521037042
ISBN 13: 9780521037044
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Modern Invention of Medieval Music: Scholarship, Ideology, Performance (Musical Performance and Reception) (Volume 0)
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The Modern Invention of Medieval Music
Verlag:
Cambridge University Press, GB, 2007
ISBN 10: 0521037042
ISBN 13: 9780521037044
Neu
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Anbieter: Rarewaves.com USA, London, LONDO, Vereinigtes Königreich
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Paperback. Zustand: New. Medieval music has been made and remade over the past two hundred years. For the nineteenth century it was vocal, without instrumental accompaniment, but with barbarous harmony that no one could have wished to hear. For most of the twentieth century it was instrumentally accompanied, increasingly colourful and increasingly enjoyed. At the height of its popularity it sustained an industry of players and instrument makers, all engaged in recreating an apparently medieval performance practice. During the 1980s it became vocal once more, exchanging colour and contrast for cleanliness and beauty. But what happens to produce such radical changes of perspective? And what can we learn from them about the way we interact with the past? How much is really known about the way medieval music sounded? Or have modern beliefs been formed and sustained less by evidence than the personalities of scholars and performers, their ideologies and their musical tastes? Artikel-Nr. LU-9780521037044
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Modern Invention of Medieval Music : Scholarship, Ideology, Performance
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Modern Invention of Medieval Music : Scholarship, Ideology, Performance
Verlag:
Cambridge University Press, 2008
ISBN 10: 0521037042
ISBN 13: 9780521037044
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Softcover
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The Modern Invention of Medieval Music: Scholarship, Ideology, Performance
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Zustand: New. A challenging book which questions how much is really known about the way medieval music sounded. Series: Musical Performance and Reception. Num Pages: 348 pages, 1 b/w illus. 5 music examples. BIC Classification: AVGC2; AVS. Category: (G) General (US: Trade); (P) Professional & Vocational. Dimension: 155 x 230 x 21. Weight in Grams: 562. . 2008. 1st Edition. Paperback. . . . . Books ship from the US and Ireland. Artikel-Nr. V9780521037044
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The Modern Invention of Medieval Music: Scholarship, Ideology, Performance
Verlag:
Cambridge University Press, 2007
ISBN 10: 0521037042
ISBN 13: 9780521037044
Neu
Softcover
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Zustand: New. A challenging book which questions how much is really known about the way medieval music sounded. Series: Musical Performance and Reception. Num Pages: 348 pages, 1 b/w illus. 5 music examples. BIC Classification: AVGC2; AVS. Category: (G) General (US: Trade); (P) Professional & Vocational. Dimension: 155 x 230 x 21. Weight in Grams: 562. . 2008. 1st Edition. Paperback. . . . . Artikel-Nr. V9780521037044
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The Modern Invention of Medieval Music : Scholarship, Ideology, Performance
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Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Medieval music has been made and remade over the past two hundred years. For the nineteenth century it was vocal, without instrumental accompaniment, but with barbarous harmony that no one could have wished to hear. For most of the twentieth century it was instrumentally accompanied, increasingly colourful and increasingly enjoyed. At the height of its popularity it sustained an industry of players and instrument makers, all engaged in recreating an apparently medieval performance practice. During the 1980s it became vocal once more, exchanging colour and contrast for cleanliness and beauty. But what happens to produce such radical changes of perspective And what can we learn from them about the way we interact with the past How much is really known about the way medieval music sounded Or have modern beliefs been formed and sustained less by evidence than the personalities of scholars and performers, their ideologies and their musical tastes. Artikel-Nr. 9780521037044
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The Modern Invention of Medieval Music
Verlag:
Cambridge University Press, GB, 2007
ISBN 10: 0521037042
ISBN 13: 9780521037044
Neu
Paperback
Anbieter: Rarewaves.com UK, London, Vereinigtes Königreich
Verkäuferbewertung 5 von 5 Sternen
Paperback. Zustand: New. Medieval music has been made and remade over the past two hundred years. For the nineteenth century it was vocal, without instrumental accompaniment, but with barbarous harmony that no one could have wished to hear. For most of the twentieth century it was instrumentally accompanied, increasingly colourful and increasingly enjoyed. At the height of its popularity it sustained an industry of players and instrument makers, all engaged in recreating an apparently medieval performance practice. During the 1980s it became vocal once more, exchanging colour and contrast for cleanliness and beauty. But what happens to produce such radical changes of perspective? And what can we learn from them about the way we interact with the past? How much is really known about the way medieval music sounded? Or have modern beliefs been formed and sustained less by evidence than the personalities of scholars and performers, their ideologies and their musical tastes? Artikel-Nr. LU-9780521037044
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