Examines Britten's fusion of verbal and musical sound in opera and song.
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Philip Rupprecht is Assistant Professor at Brooklyn College and the Graduate Center, City University of New York. He has written on Britten in a number of journals and is a contributor to The Cambridge Companion to Benjamin Britten (1999).
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Zustand: New. Examines Britten's fusion of verbal and musical sound in opera and song. Series Editor(s): Whittall, Arnold. Series: Music in the Twentieth Century. Num Pages: 372 pages, 97 music examples. BIC Classification: AVA; AVGC6; AVH. Category: (P) Professional & Vocational. Dimension: 247 x 174 x 20. Weight in Grams: 590. . 2008. paperback. . . . . Books ship from the US and Ireland. Artikel-Nr. V9780521031035
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Taschenbuch. Zustand: Neu. Neuware - Blending insights from linguistic and social theories of speech, ritual and narrative with music-analytic and historical criticism, Britten's Musical Language offers interesting perspectives on the composer's fusion of verbal and musical utterance in opera and song. It provides close interpretative studies of the major scores (including Peter Grimes, Billy Budd, The Turn of the Screw, War Requiem, Curlew River and Death in Venice) and explores Britten's ability to fashion complex and mysterious symbolic dramas from the interplay of texted song and a wordless discourse of motives and themes. Focusing on the performative and social basis of language, Philip Rupprecht replaces traditional notions of textual 'expression' in opera with the interpretation of topics such as the role of naming and hate speech in Peter Grimes; the disturbance of ritual certainty in the War Requiem; and the codes by which childish 'innocence' is enacted in The Turn of the Screw. Artikel-Nr. 9780521031035
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Taschenbuch. Zustand: Neu. Britten's Musical Language | Philip Rupprecht | Taschenbuch | Buch | Englisch | 2006 | Cambridge University Press | EAN 9780521031035 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu. Artikel-Nr. 109265712
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Taschenbuch. Zustand: Neu. Neuware -Blending insights from linguistic and social theories of speech, ritual and narrative with music-analytic and historical criticism, Britten's Musical Language offers interesting perspectives on the composer's fusion of verbal and musical utterance in opera and song. It provides close interpretative studies of the major scores (including Peter Grimes, Billy Budd, The Turn of the Screw, War Requiem, Curlew River and Death in Venice) and explores Britten's ability to fashion complex and mysterious symbolic dramas from the interplay of texted song and a wordless discourse of motives and themes. Focusing on the performative and social basis of language, Philip Rupprecht replaces traditional notions of textual 'expression' in opera with the interpretation of topics such as the role of naming and hate speech in Peter Grimes; the disturbance of ritual certainty in the War Requiem; and the codes by which childish 'innocence' is enacted in The Turn of the Screw. 372 pp. Englisch. Artikel-Nr. 9780521031035
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