Explores fundamental questions about how music examples were read in Renaissance theory books.
Die Inhaltsangabe kann sich auf eine andere Ausgabe dieses Titels beziehen.
Cristle Collins Judd is Assistant Professor of Music Theory at the University of Pennsylvania and editor of Tonal Structures in Early Music (1998).
„Über diesen Titel“ kann sich auf eine andere Ausgabe dieses Titels beziehen.
Anbieter: WorldofBooks, Goring-By-Sea, WS, Vereinigtes Königreich
Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Artikel-Nr. GOR014961117
Anzahl: 1 verfügbar
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
Zustand: New. In English. Artikel-Nr. ria9780521028196_new
Anzahl: Mehr als 20 verfügbar
Anbieter: Kennys Bookstore, Olney, MD, USA
Zustand: New. Explores fundamental questions about how music examples were read in Renaissance theory books. Series Editor(s): Bent, Ian. Series: Cambridge Studies in Music Theory & Analysis. Num Pages: 364 pages, 87 b/w illus. 23 tables 22 music examples. BIC Classification: AVA; AVGC2. Category: (P) Professional & Vocational. Dimension: 240 x 172 x 19. Weight in Grams: 614. . 2008. Illustrated. paperback. . . . . Books ship from the US and Ireland. Artikel-Nr. V9780521028196
Anzahl: Mehr als 20 verfügbar
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - This book examines a central group of music theory treatises that have formed the background to the study of Renaissance music. Taking theorists' music examples as a point of departure, it explores fundamental questions about how music was read, and by whom, situating the reading in specific cultural contexts. Numerous broader issues are addressed in the process: the relationship of theory and praxis; access to, and use of, printed musical sources; stated and unstated agendas of theorists; orality and literacy as it was represented via music print culture; the evaluation of anonymous repertories; and the analysis of repertories delineated by boundaries other than the usual ones of composer and genre. In particular this study illuminates the ways in which Renaissance theorists' choices have shaped later interpretation of earlier practice, and reflexively the ways in which modern theory has been mapped on to that practice. Artikel-Nr. 9780521028196
Anzahl: 1 verfügbar