The principle aim of this 1990 book is to encourage readers to find pleasure in sixteenth-century tragedies.
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Anbieter: Antiquariat Thomas Haker GmbH & Co. KG, Berlin, Deutschland
Paperback. Zustand: Wie neu. 1st ed. 188 S. Like new. Shrink wrapped. Sprache: Englisch Gewicht in Gramm: 365. Artikel-Nr. 828872
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Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
Zustand: New. In. Artikel-Nr. ria9780521025584_new
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Anbieter: Kennys Bookstore, Olney, MD, USA
Zustand: New. The principle aim of this 1990 book is to encourage readers to find pleasure in sixteenth-century tragedies. Series Editor(s): Sheringham, Michael. Series: Cambridge Studies in French. Num Pages: 188 pages, 1 b/w illus. BIC Classification: 2ADF; DSBD; DSG. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 216 x 138 x 11. Weight in Grams: 250. . 2008. Revised ed. paperback. . . . . Books ship from the US and Ireland. Artikel-Nr. V9780521025584
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Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Gillian Jondorf challenges the traditional critical approaches to French Renaissance theater, reevaluating its literary merit and originality. She shows how playwrights of the sixteenth century actually achieved an originality by introducing classical themes, breaking with the medieval tradition of religious and morality plays. Whereas many critics have considered writers of French Renaissance drama as mere forerunners of the more famous seventeenth-century writers such as Moliè re or Racine, Jondorf argues that these plays should be seen as competent and skillfully-composed in their own right. This book will appeal to students of Renaissance literature and European drama, as well as those interested in questions of originality and literary influence. Artikel-Nr. 9780521025584
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