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List of Illustrations,
Acknowledgments,
1. The Fieldwork Tradition,
2. First Fieldwork: Irish Travellers,
3. Politics and Fieldwork: Nomads in English Cities,
4. Applying Anthropology in an Alaskan National Park,
5. Studying Subsistence in Sitka,
6. On the Move: Work and Mobility in Newfoundland,
7. Native Anthropology: Studying the Culture of Baseball,
8. Falling into Fieldwork in Japan,
9. Photography and Film in Ireland and Alaska,
10. Taking Students to the Field: Barbados,
11. When the Field Is a City: Hobart, Tasmania,
12. In the Shadow of Kilimanjaro: Students in Tanzania,
13. Fieldwork from Campus,
14. The Changing Nature of Fieldwork,
Appendix Discussion Points,
Notes,
References,
Index,
The Fieldwork Tradition
This book offers a personal and humanistic glimpse of the life and work of cultural anthropology. Many manuals or "how to" books on fieldwork are available. Our aim instead is to explore what being an anthropologist and doing fieldwork are like. We tell stories from our own experiences as well as recount some from the many students we have taught over the years. By doing so we hope to convey the range of topics anthropologists study and the different kinds of research they do. We describe the strategies and techniques we used to gather data, some of our findings, and the problems and pleasures of doing fieldwork. We hope these stories impart a sense of the anthropological approach to knowledge as well as the excitement and challenge of living in and learning from other cultures. The chapters that follow include experiences in diverse cultures, with representatives from Africa, Asia, Europe, North America, and the Caribbean.
THE FIELD
"The field" refers to the cultural setting where anthropologists do their research. Until a few decades ago, this was usually a non-Western place and involved living among tribal or peasant peoples. Typically, fieldwork meant moving into a village, learning the language, gaining rapport, and living as closely as possible to the way of the "natives" for at least a year. Many anthropologists still go to distant and unfamiliar places to do this kind of fieldwork, but today the field can be just about anywhere, from a village in Kenya to a New York City street corner, an ethnic enclave in Paris, or the corridors of a transnational corporation. It can also refer to more than one place, since more and more research requires or benefits from a multisited approach. Now it is common among scholars studying migration, for example, to do fieldwork in both the migrants' home society and their destination communities. Regardless of geographic location or cultural group, however, the notion of "the field" or being "in the field" is symbolically and emotionally laden. Doing fieldwork remains a rite of passage in anthropology, turning graduate students into professionals.
The appeal of and opportunity to travel abroad and learn about another culture by living among its people probably attract as many students to anthropology as its vast subject matter. The prospect of conducting surveys or reading manuscripts, in contrast, holds less allure as the reason someone would choose to go into sociology or history. While in the field, there is no sharp boundary between an anthropologist's work and play, public and personal life. In contrast, the sociologist administering a survey or the historian reading documents in an archive usually commutes to his or her research site and returns home at the end of the day. Not so for most anthropologists. Even during casual conversations or while just hanging out at their research site, anthropologists are always "on the job," their antennae up.
As we hope becomes evident in the following chapters, fieldwork is more than a particular methodology of research. It is also a transformative experience for the individuals who engage in it. Going to the field means leaving one's own culture and immersing oneself deeply in the life of another and is usually totally absorbing. As such, it is a personal as well as a professional crucible. In the process of learning about others, anthropologists also discover a great deal about themselves and their own culture. It is no wonder that a mystique surrounds the discipline.
FIELDWORK: PAST AND PRESENT
For readers who may not know the history of anthropology, we should point out that fieldwork has not always been a core component of the discipline. Most nineteenth-century anthropologists were "armchair" scholars who never ventured into the field, relying instead on the descriptions of native life written by missionaries, colonial administrators, and explorers as the data upon which they based their hypotheses and theories. These early cultural anthropologists were less interested in individual cultures than in developing grand schemes of how culture had evolved.
Fieldwork did not become an essential part of the professional practice of anthropology until the early twentieth century, largely due to the pioneering research of Franz Boas among the Inuit and Kwakiutl (or Kwakwaka'wakw) and Bronislaw Malinowski among the Trobriand Islanders. By residing among the people they were studying, and living to a large extent as the locals did, Boas and Malinowski produced descriptions of culture far richer and vastly more reliable than the schema produced by earlier armchair anthropologists.
When we began graduate school in the late 1960s, there were few published accounts of fieldwork. Ethnographies were written almost as if no fieldworker had been present. In fact, most anthropologists said little about how they collected their data and even less about their experiences in gaining entrée into a distant society, learning a little-known language, or getting along with their subjects. Some observers have suggested that anthropologists didn't say much because of the idiosyncratic and personal nature of field research. Perhaps. But there were a few exceptions, all written by women and at a time when there were not that many women in the discipline. Laura Bohannon, under the nom de plume of Elenore Bowen, published Return to Laughter in 1954, a popularized and somewhat fictionalized version of her research among the Tiv of Nigeria. She used a pseudonym to protect her reputation as a serious ethnographer. Hortense Powdermaker in Stranger and Friend (1966) described her research experiences in four differentcultures. A few years later, Jean Briggs in Never in Anger (1970) vividly recounted the hardship and cultural misunderstandings of her fieldwork among the Inuit, who shunned her for a time.
We remember an anthropology department meeting at the University of California, Santa Barbara (UCSB) in 1969 when a group of graduate students asked the faculty to offer a course on field-research methods. Some were preparing to depart for field sites across the developing world with only a vague idea about how to carry out this mysterious thing called "fieldwork." One senior professor told us that he couldn't teach such a course because fieldwork was so highly individual. Every culture was different, and doing good fieldwork meant being able to adapt to and develop relationships with the people you were studying. That, he...
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