Die Inhaltsangabe kann sich auf eine andere Ausgabe dieses Titels beziehen.
List of Illustrations,
Foreword by Robin D.G. Kelley,
Preface,
Acknowledgments,
A Note on the Text,
Introduction: The Poet, the Crawfords, and the Pattersons,
PART ONE. THE TUMULTUOUS 1930S, 19,
1. Thank You and God for "The Weary Blues": October 1930–January 1932,
2. Moscow Bound in Black and White: March 1932–February 1933,
3. Horror in Scottsboro, Alabama, and War in Spain: May 1933–November 1937,
4. A People's Theatre in Harlem and Black Anti-Fascism on the Rise: January 1938–December 1939,
PART TWO. THE FAR-REACHING 1940S, 177,
5. Early Political Repression: January 1940– November 1941,
6. World War II and Black Radical Organizing: June 1942–July 1944,
7. Ebb and Flow — To Chicago, New York, San Francisco, and Back: July 1946– November 1949,
PART THREE. THE FEARSOME 1950S AND THE PROMISING 1960S,
8. McCarthyism at Home, Independence Movements Abroad: July 1950–December 1959,
9. Civil Rights, Black Arts, and the People's Poet: February 1960–August 1966,
Glossary Personae,
Index,
Thank You and God for "The Weary Blues"
OCTOBER 1930–JANUARY 1932
Louise was in New York, and the letter she wrote to Langston, who was touring the South, on October 4, 1930, was largely her description of the ending of her relationship with her patron, Charlotte Osgood Mason, who had hired her a year earlier to serve as secretary to Langston and Zora Neale Hurston. Although both Langston and Hurston called Mason "Godmother," Louise insisted on using the more formal "Mrs. Mason."
Charlotte Mason, known for both her generosity and her tendency to patronize and manipulate beneficiaries of that generosity, had evidently decided that Louise was insufficiently appreciative of her patronage and summarily fired her. In an interview she gave years later for a documentary film on Langston, Louise explained the contrast between her reaction and Langston's to losing the support of Charlotte Mason: "We ... had the same patron, Mrs. Mason, and his reaction and my reaction were quite different. Langston was sick after that experience whereas I got mad."
FROM LOUISE, OCTOBER 4, 1930
[Letterhead: The American Interracial Seminar]
October 4, 1930
My dear Langston:
I tried to get Zora [Neale Hurston] by telephone but the line is disconnected and I haven't had time to run by there to see if she is back. However, this being Saturday and having the week end I shall try to get a lineup on her whereabouts.
Saw Mrs. Mason a week ago last Monday and it was short but excruciating. I said nothing and she said lots. I had failed utterly, all Negroes had failed utterly and she was through with us. It was all untrue and nothing I could say would make any difference. I offered to pay her for my desk and typewriter, and she said that I didn't mean it. So I shut up and let her do all the talking, altho she would throw in such remarks as there was no use to argue and no need to implicate anyone. I didn't quite understand what she was talking about for I said nothing and called no names. But it is all a damn mess and I had quite a bad time. Miss [Cornelia] Chapin threw in her rather nasty amens to everything Mrs. Maso
„Über diesen Titel“ kann sich auf eine andere Ausgabe dieses Titels beziehen.
Anbieter: PBShop.store US, Wood Dale, IL, USA
PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000. Artikel-Nr. WF-9780520285347
Anbieter: PBShop.store UK, Fairford, GLOS, Vereinigtes Königreich
PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000. Artikel-Nr. WF-9780520285347
Anzahl: 1 verfügbar
Anbieter: Majestic Books, Hounslow, Vereinigtes Königreich
Zustand: New. 320. Artikel-Nr. 373748255
Anzahl: 3 verfügbar
Anbieter: Kennys Bookstore, Olney, MD, USA
Zustand: New. Langston Hughes was an innovator of jazz poetry and a leader of the Harlem Renaissance. This book offers a collection of letters between Hughes and four confidantes sheds light on his life and politics. It deals with his life and work. Editor(s): Crawford, Evelyn Louise; Patterson, Mary Louise. Num Pages: 424 pages, 30 b/w images. BIC Classification: 1KBB; 2AB; 3JJ; BGL; BJ; DSBH; JFSL3. Category: (G) General (US: Trade). Dimension: 229 x 152 x 0. . . 2016. Paperback. . . . . Books ship from the US and Ireland. Artikel-Nr. V9780520285347
Anzahl: 1 verfügbar
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
Zustand: New. In English. Artikel-Nr. ria9780520285347_new
Anzahl: Mehr als 20 verfügbar
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
Paperback. Zustand: Brand New. 320 pages. 9.00x6.00x1.25 inches. In Stock. Artikel-Nr. x-0520285344
Anzahl: 2 verfügbar
Anbieter: moluna, Greven, Deutschland
Kartoniert / Broschiert. Zustand: New. Langston Hughes, one of America s greatest writers, was an innovator of jazz poetry and a leader of the Harlem Renaissance whose poems and plays resonate widely today. This indispensable volume of letters between Hughes and four leftist confidants sheds lig. Artikel-Nr. 31216170
Anzahl: Mehr als 20 verfügbar
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Neuware - Langston Hughes, one of America's greatest writers, was an innovator of jazz poetry and a leader of the Harlem Renaissance whose poems and plays resonate widely today. Accessible, personal, and inspirational, Hughes's poems portray the African American community in struggle in the context of a turbulent modern United States and a rising black freedom movement. This indispensable volume of letters between Hughes and four leftist confidants sheds vivid light on his life and politics. Letters from Langston begins in 1930 and ends shortly before his death in 1967, providing a window into a unique, self-created world where Hughes lived at ease. This distinctive volume collects the stories of Hughes and his friends in an era of uncertainty and reveals their visions of an idealized world--one without hunger, war, racism, and class oppression. Artikel-Nr. 9780520285347
Anzahl: 1 verfügbar