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| Foreword Lawrence Ferlinghetti............................................ | xix |
| Acknowledgments............................................................ | xxi |
| High Poet: The Life and Work of Philip Lamantia............................ | xxiii |
| Editorial Note............................................................. | lxv |
| TOUCH OF THE MARVELOUS (1943-1949)......................................... | |
| from EROTIC POEMS (1946)................................................... | |
| POEMS 1943-1955............................................................ | |
| from TAU (1955)............................................................ | |
| EKSTASIS (1959)............................................................ | |
| from NARCOTICA (1959)...................................................... | |
| POEMS 1955-1962............................................................ | |
| DESTROYED WORKS TYPESCRIPT (1948-1960)..................................... | |
| DESTROYED WORKS (1962)..................................................... | |
| HYPODERMIC LIGHT........................................................... | |
| MANTIC NOTEBOOK............................................................ | |
| STILL POEMS................................................................ | |
| SPANSULE................................................................... | |
| POEMS 1963-1964............................................................ | |
| from SELECTED POEMS (1967)................................................. | |
| POEMS 1965-1970............................................................ | |
| THE BLOOD OF THE AIR (1970)................................................ | |
| THE LIBRAN AGE............................................................. | |
| FLAMING TEETH.............................................................. | |
| POEMS 1970-1980............................................................ | |
| BECOMING VISIBLE (1981).................................................... | |
| POEMS 1981-1985............................................................ | |
| MEADOWLARK WEST (1986)..................................................... | |
| FROM NO CLOSURE 393........................................................ | |
| from BED OF SPHINXES: NEW AND SELECTED POEMS (1997)........................ | |
| from SYMBOLON (1998-2001).................................................. | |
| Selected Bibliography Steven Fama......................................... | 431 |
| Index of Titles............................................................ | 433 |
TOUCH OF THE MARVELOUS
1943-1949
The Touch of the Marvelous
The mermaids have come to the desert
they are setting up a boudoir next to the camel
who lies at their feet of roses
A wall of alabaster is drawn over our heads
by four rainbow men
whose naked figures give off a light
that slowly wriggles upon the sands
I am touched by the marvelous
as the mermaids' nimble fingers
go through my hair
that has come down forever from my head
to cover my body
the savage fruit of lunacy
Behold the boudoir is flying away
and I am holding onto the leg of the lovely one
called beneath the sea
BIANCA
She is turning
with the charm of a bird
into two giant lips
and I am now falling into the goblet of suicide
She is the angelic doll turned black
she is the child of broken elevators
she is the curtain of holes
that you never want to throw away
she is the first woman and first man
and I am lost in the search to have her
I am hungry for the secrets of the sadistic fish
I am plunging into the sea
I am looking for the region
where the smoke of your hair is thick
where you are again climbing over the white wall
where your eardrums play music
to the cat that crawls in my eyes
I am recalling memories of you bianca
I am looking beyond the hour and the day
to find you bianca
Plumage of Recognition
A soul drenched in the milk of marble
goes through the floor of an evening
that rides lost on a naked virgin
It gains power over the dull man:
it is a soul sucked by lepers
What liquid hour shall rivet
its song on my cat
with the neck of all space?
Morning and I may lose
the terrible coat of ill feeling
that has curled me into a chained dragon
the flower bursting with eyelids
Ah! a fever the skeleton of arson!
comes to rest on the citadel of the immortals;
the diadem flickers and dies away
while running toward the vat of salted babies
They are creeping upon the wall my dagger
they are bulging with cradles
the era of the lunatic birds has arrived!
They have come to rape the town
infested with iron-blood clerks
and to send the hairless priests
to the pool of deadly anchors
Parades are the enchantment of a brain
piled-up like the water of an ocean
I enjoy the creation of a human table
to be in the center of the delirious crowd
There are birds perched on my...
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Zustand: New. Represents the lifework of the visionary poet of the American postwar generation. In this book, the author aims to extend and renew the visionary tradition of Romanticism in American vernacular, drawing on mystical lore and drug experience in the process. Editor(s): Caples, Garrett T.; Peters, Nancy J.; Joron, Andrew. Num Pages: 512 pages, 8 b/w photographs. BIC Classification: DCF. Category: (G) General (US: Trade). Dimension: 236 x 152 x 34. Weight in Grams: 818. . 2013. 1st Edition. Hardcover. . . . . Books ship from the US and Ireland. Artikel-Nr. V9780520269729
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Zustand: New. Über den AutorGarrett Caples is a poet and editor for City Lights Books and the editor of the American poetry series, City Lights Spotlight. Andrew Joron is an award-winning surrealist poet and translator. Nancy Joy. Artikel-Nr. 898088897
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