In this engrossing collection of essays, distinguished composer, theorist, journalist, and educator Arthur Berger invites us into the vibrant and ever-changing American music scene that has been his home for most of the twentieth century. Witty, urbane, and always entertaining, Berger describes the music scene in New York and Boston since the 1930s, discussing the heady days when he was a member of a tight-knit circle of avant-garde young composers mentored by Aaron Copland as well as his participation in a group at Harvard University dedicated to Stravinsky. As Virgil Thomson's associate on the New York Herald Tribune and founding editor of the prestigious Perspectives of New Music, Berger became one of the preeminent observers and critics of American music. His reflections on the role of music in contemporary life, his journalism career, and how changes in academia influence the composition and teaching of music offer a unique perspective informed by Berger's abundant intelligence and experience.
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Arthur Berger is Irving Fine Professor of Music Emeritus at Brandeis University and Fellow of both the American Academy of Arts and Letters and the American Academy of Arts and Sciences. He is the author of Aaron Copland (1990) and composer of orchestral, piano, choral, and chamber music.
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Anbieter: Wonder Book, Frederick, MD, USA
Zustand: Very Good. Very Good condition. Very Good dust jacket. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp. Artikel-Nr. A01L-01569
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Zustand: Good. First Edition. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages. Artikel-Nr. 4522113-6
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hardcover. Zustand: Very Good. Artikel-Nr. mon0003534544
Anbieter: J. Lawton, Booksellers, Readville, MA, USA
Hardcover. Zustand: Very good condition. Zustand des Schutzumschlags: good. vii, 270 p. : ill. ; 24 cm. Trends in twentieth-century American composition. Composers and their audience in the thirties ; Nationalism ; Is music in decline? ; Rendezvous with Apollo : form is feeling ; Reinventing the past : pastiche, collage, or "criticism"? ; Serialism : composer as theorist ; Rapprochement or friendly takeover? ; Postmodern music -- Writing about music. Virgil Thomson and the press ; Music on my beat ; PNM and the Ph. D. ; A tale of two critics : Rosenfeld and Haggin -- Aesthetics and musical analysis. Do we hear what we say we hear? ; New linguistic modes and the new theory ; The octatonic scale -- Retrospective. Backstage at the opera ; A tale of two conductors : Koussevitzky and Mitropoulos ; From my diary : brief encounters. Artikel-Nr. 34700
Anbieter: Cotswold Internet Books, Cheltenham, Vereinigtes Königreich
A bright, tidy copy in tight binding. Used - Very Good. VG hardback in VG dust jacket. Artikel-Nr. BOOKS282046I
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Anbieter: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, USA
Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. First edition. 270pp. Illustrated from black and white photographs. Fine in a fine dust jacket. Artikel-Nr. 608652
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
Hardcover. Zustand: Brand New. 1st edition. 256 pages. 9.00x6.25x0.75 inches. In Stock. Artikel-Nr. x-0520232518
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Anbieter: moluna, Greven, Deutschland
Zustand: New. In this collection of essays, distinguished composer, theorist, journalist and educator Arthur Berger invites us into the vibrant and ever-changing American music scene that has been his home for most of the 20th century.Über den Autor. Artikel-Nr. 594721738
Anzahl: Mehr als 20 verfügbar
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch. Zustand: Neu. Neuware - A book of memoirs and essays by notable composer, critic and teacher Arthur Berger. The author writes vividly about the music scenes in New York, Paris, and Boston, and of his work with notable colleagues such as Stravinsky, Copeland, and Virgil Thompson. Artikel-Nr. 9780520232518
Anzahl: 2 verfügbar